An evocative crime thriller that captures the chilling action and sharp wit of Peter Temple's acclaimed novel The Broken Shore. In this gripping adaptation, Detective Joe Cashin uncovers a ... See full summary »
The community reels after an incident on a suburban train. A young cop, beset with doubt and afflicted with tinnitus, is pitched into the chaos that follows this tragic event. He struggles ... See full summary »
Eight men escape from the most isolated prison on earth. Only one man survives and the story he recounts shocks the British establishment to the core. This story is the last confession of Alexander Pearce.
Michael James Rowland
An Indonesian fishing boat abandons a group of Iraqi and Cambodian men on a remote part of the Western Australian coast. Told there is a bus over the dunes, the men are abandoned to a desert the size of Poland. While most are quickly rounded up, three men with little in common but their history of misfortune elude capture and begin an epic but confused journey drawn on by their hopes amplified by the empty desert. Pursued by an army reservist unit more concerned with playing ball sports and music, our three protagonists wander deeper into trouble, searching desperately among the harsh beauty of the Pilbara for evidence of a western, liberal democracy. Or the promised bus. Written by
This film is a major leap forward from recent Aussie films, thankfully getting away from drug-raddled Western suburbs teenagers and quirky comedy clowns. The film-makers are willing to take on a big subject, a major global theme, that of displaced people and the extraordinary acts of quiet courage that so-called "boat people" are often required to perform simply to survive. It is very well directed, skillfully guiding an almost entirely unknown and inexperienced cast by not relying on too many long, challenging acting scenes but flick-passing from one story to the next in a way where the limited acting skills of the cast are best served. This is not a perfect film, it is too long at some points, and once in a while commits the cardinal sin of letting the audience get ahead of the film in knowing full well what will happen next. Another careful and unemotional edit, trimming eight to ten minutes of splashing in billabongs, tinkering with utes and trudging through scrub could only help. But these are minor quibbles in a film that achieves so much, that aims high and gets there. This and "Clubland" are without doubt the best two films so far in2007.
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