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The Good German (2006)

6.1
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Ratings: 6.1/10 from 19,763 users   Metascore: 49/100
Reviews: 171 user | 185 critic | 34 from Metacritic.com

While in post-war Berlin to cover the Potsdam Conference, an American military journalist is drawn into a murder investigation which involves his former mistress and his driver.

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(screenplay), (novel)
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Title: The Good German (2006)

The Good German (2006) on IMDb 6.1/10

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Nominated for 1 Oscar. Another 3 wins & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Danny
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Bernie
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General Sikorsky
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Gunther
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Levi
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General
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British Press Aide
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Storyline

Berlin, July, 1945. Journalist Jake Geismer arrives to cover the Potsdam conference, issued a captain's uniform for easier passage. He also wants to find Lena, an old flame who's now a prostitute desperate to get out of Berlin. He discovers that the driver he's assigned, a cheerful down-home sadist named Corporal Tully, is Lena's keeper. When the body of a murdered man washes up in Potsdam (within the Russian sector), Jake may be the only person who wants to solve the crime: U.S. personnel are busy finding Nazis to bring to trial, the Russians and the Americans are looking for German rocket scientists, and Lena has her own secrets. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Not Everyone Finds Peace After The War See more »


Motion Picture Rating (MPAA)

Rated R for language, violence and some sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

14 February 2007 (France)  »

Also Known As:

El buen alemán  »

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

$76,817 (USA) (15 December 2006)

Gross:

$1,304,837 (USA) (6 April 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Steven Soderbergh, wishing to shoot this film the old Hollywood way, banned the use of sophisticated zoom lenses used by today's cinematographers, returning to the fixed focal-length lenses used in the past. Furthermore, only incandescent lights were used which provided harsh, unnatural lighting. There were also no wireless body microphones, which would allow the faintest whispers to be heard, on set. Sound was recorded the old-fashioned way, with a hand-operated boom mike held above the actors head, which consequently forced the actors to speak in loud, crisp English. See more »

Goofs

In two shots you see a double-deck bus. While these existed in Berlin at the time, this one is a London bus as the entry/exit platform is on the left rather than the right. See more »

Quotes

Lena Brandt: You can never really get out of Berlin.
See more »

Crazy Credits

All the logos appear in black and white, while the Warner Brothers logo appears in the forties old style See more »

Connections

Featured in The 79th Annual Academy Awards (2007) See more »

Soundtracks

Somebody Else Is Taking My Place
Written by Bob Ellsworth, Dick Howard and Russ Morgan
Performed by William Marsh, Chris Ross, Johnny Britt and Gary Stockdale
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Absolutely mesmerizing
27 December 2006 | by (Israel) – See all my reviews

Steven Soderberg is a hit-or-miss director. Either his films are acclaimed and loved by most, or they're infamous and hated. Having read the reviews, and having heard the negative buzz, I was expecting a miss. Boy, was I pleasantly surprised.

The film was mesmerizing. Say what you will about it, you have to commend Soderbergh on his cinematography skills. Black and white hasn't looked this good since "The Man Who Wasn't There". It was so rich, with so many textures. I couldn't take my eyes off the screen. Definitely some of the best looking cinematography I've seen this year.

Also the score is great. It evokes just the right noir-ish atmosphere. The editing is crisp and clever. All of the technical elements of this movie are flawless.

I heard people complain about the story and the acting. I thought the acting was great. Clooney looks like he just came out of the 50's. He reminded me of Cary Grant. Cate Blanchett is perfect as the femme fatale. I can't think of any better casting choices for an old school film noir than these two.

I also thought the story was engaging, even though it was sometimes confusing. I loved the way the information was dispersed, and the fact that the film changes perspectives, and at different points it's narrated by different characters. Some of the revelations in the plot were really sophisticated.

Making this film the way it was made, using old school techniques, lighting, camera lenses, etc. was a gutsy move. I applaud Soderbergh for his experimentation. And I thin it's a successful one - it really feels like a 50's film noir classic. I wouldn't say it's Soderbergh's best film, but it's certainly one of his his most unique ones, and a return to form after a string of failures. I highly recommend it.


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