Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt Beatrice McCready hires two private detectives Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons - they're not cops and they know the tough Boston neighborhood in which they all live. As the case progresses, Kenzie and Gennaro face drug dealers, gangs and pedophiles. When they are about to solve their case, they are faced with a moral dilemma that could tear them apart. Written by
The badges the Massachusetts State troopers wear are the generic badges with interchangeable city seals that are issued to the police departments of Massachusetts towns. See more »
I always believed it was the things you don't choose that makes you who you are. Your city, your neighborhood, your family. People here take pride in these things, like it was something they'd accomplished. The bodies around their souls, the cities wrapped around those. I lived on this block my whole life; most of these people have. When your job is to find people who are missing, it helps to know where they started. I find the people who started in the cracks and then fell through...
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Ben Affleck's impressive directorial debut features some remarkably naturalistic performances, a genuine sense of locale, and an atmosphere of despair and hopelessness that becomes a major antagonist. An honestly downbeat film, it portrays a mode of existence where nothing is black or white, and it is that gray area that the film explores so effectively even if I find the story from Dennis Leheane's novel to be a bit far-fetched and convoluted. More than The Departed, Mystic River, and Peter Yates' The Friends of Eddie Coyle, Gone, Baby, Gone understands the inter-relationship among cops, criminals, and a neighborhood as they search for a missing child. Though the boyish Casey Affleck is arguably miscast as Patrick, a character who was more mature in the novel, his performance cannot be faulted and by the end he has won us over. The last scene is particularly resonant. Though well-known actors such as Ed Harris and Morgan Freeman are expectedly good, it is the performances of an unknown supporting cast that gives the film a disturbing authenticity. And Amy Ryan as the child's mother gives a trenchant performance. Director Affleck maintains an admirable tone of objectivity and compassion throughout, and he has made a film that is worthy of your time. Go!Baby!Go!
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