A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
When 4 year old Amanda McCready disappears from her home and the police make little headway in solving the case, the girl's aunt Beatrice McCready hires two private detectives Patrick Kenzie and Angie Gennaro. The detectives freely admit that they have little experience with this type of case, but the family wants them for two reasons - they're not cops and they know the tough Boston neighborhood in which they all live. As the case progresses, Kenzie and Gennaro face drug dealers, gangs and pedophiles. When they are about to solve their case, they are faced with a moral dilemma that could tear them apart. Written by
Although much of the dialog is verbatim from the book, director Ben Affleck reckoned that if he hadn't severely trimmed the novel, the film would have lasted 7 hours. See more »
When Det Poole is shot outside of the crack house, the window from which he is shot is located to his right. When he is shot, he clutches his hand to the left side of his neck. There are no visible wounds to the right side of his neck, where they should be. See more »
I always believed it was the things you don't choose that makes you who you are. Your city, your neighborhood, your family. People here take pride in these things, like it was something they'd accomplished. The bodies around their souls, the cities wrapped around those. I lived on this block my whole life; most of these people have. When your job is to find people who are missing, it helps to know where they started. I find the people who started in the cracks and then fell through...
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It's become a hobby of mine this past year to watch IMDb's top 250, AFI's top 100 and all Oscar winning (and most nominated) films. I've seen over 100 films in just the past year alone, but I am struggling to think of a film that I enjoyed more.
The performances are outstanding. All of the characters- including the city itself - are filled with depth and ambiguity. Like a previous post mentioned, Amy Ryan did a phenomenal job as Helene, not only do I know many people like her, I'm related to some. I didn't even recognize her from her wonderful performance in the Wire.
The questions that this movie asks as it unfolds do not get answered in by the closing credits, and they still aren't answered as I type. Who was right? Is there a right answer? Morgan Freeman- the greatest actor alive- and Ed Harris give standard upper echelon performances. But I was surprised by Michelle Monaghan and especially Casey Affleck. He didn't flinch, and he didn't compromise his ideals, but in the end compromised nonetheless. I hope he gets a nomination.
Ben Affleck lost my favor somewhere around the time he began to cry in Armageddon, and I haven't taken him seriously since. But his achievement here, the pace, the mood, the spot on capturing of the desolate neighborhood, and the overall story leads me to anxiously await his next directorial effort.
The best film I've seen in years.
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