Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
An robotic warrior from a post-apocalyptic future travels back in time to protect a 20-year old drifter and his future wife from an most advanced robotic assassin and to ensure they both survive a nuclear attack.
In a future mind-controlling game, death row convicts are forced to battle in a 'doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive 30 sessions in order to be set free. Or won't he?
Michael C. Hall
In 2012, amid economic chaos and high unemployment, Americans watch by the millions as criminals with life sentences race armored cars on Terminal Island. Two-thirds of the combatants die but the winner may earn his freedom. On the day he loses his job, steelworker Jensen Ames is arrested for his wife's murder. Sent to Terminal Island, he's offered an out by the steely and manipulative Warden Hennessey - race as the popular mask-wearing (but now dead) champion, Frankenstein, or rot in prison. Jensen makes the bargain. As the three-stage race approaches, he realizes that the whole thing may be a set up - can an anonymous man behind a mask get revenge and win his release? Written by
Definitely better than the ridiculous "Righteous Kill", that we had the doubtful honor to view today also, at the same press screening, here in Bucharest, Romania.
"Death Race" is a honest to God action movie, without any bigger-than-life pretensions. The script follows correctly an old tested and tried recipe, everything is at its place, and although you can easily plot out the whole course since the beginning, somewhat even this sounds good - you simply have the guilty pleasure of savoring again a story that you know from dozens of other movies.
The influences from the racing video games are explicit, and well mastered - me, I fully felt as while playing "Death Rally". Even certain aerial shots are obvious quotes from the computer game imagery. The narrative is nervous and thrilling, the effects professional, the violence degree precisely balanced. Maybe the main virtue of the movie is the cinematography, with admirable chromatic and plastic values. All in all, what it promises, it delivers: a cheap show, well done.
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