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The Break-Up (2006)

 -  Comedy | Drama | Romance  -  2 June 2006 (USA)
5.8
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Ratings: 5.8/10 from 85,489 users   Metascore: 45/100
Reviews: 477 user | 180 critic | 37 from Metacritic.com

In a bid to keep their luxurious condo from their significant other, a couple's break-up proceeds to get uglier and nastier by the moment.

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Cast

Cast overview, first billed only:
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Christopher
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Carson Wigham
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Wendy Meyers
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Howard Meyers
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Elaine Robinson ...
Carol Grobowski
Jane Alderman ...
Mrs. Grobowski
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Storyline

In Chicago, the art dealer Brooke Meyers feels not appreciated and neglected by her immature boyfriend Gary Grobowski, who is partner of his two brothers in a tourism business, and decides to break-up with him to make Gary misses her. Gary misunderstands her true intention, both follows the wrong advices of family members and friends, beginning a war of sexes with no winner. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis

Taglines:

An Ex-Rated Comedy See more »

Genres:

Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated PG-13 for sexual content, some nudity and language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

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Release Date:

2 June 2006 (USA)  »

Also Known As:

La rupture  »

Filming Locations:

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Box Office

Budget:

$52,000,000 (estimated)

Opening Weekend:

$78,917 (Chile) (4 August 2006)

Gross:

$2,412,807 (Argentina) (15 September 2006)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

In the opening scene at Wrigley Field, Jon Favreau makes a reference to going to "Wiener Circle" to have hot dogs after the game. Wiener Circle is a hot dog stand famous for the staff yelling and cursing at you when you order. If you do not return the favor, they do not take your order. Generally, though, this only happens late at night on the weekends. See more »

Goofs

When Brooke is supposed to appear nude, before she enters the room where Gary is, you can see her bra. Something similar happens when Marilyn Dean is painting a nude of a guy. At one point you can see the guy's underwear. See more »

Quotes

[first lines]
Gary: Come on, come on, come on.
Johnny O: All right, here we go.
See more »

Connections

Referenced in Who Wants to Be a Millionaire: Episode #8.13 (2009) See more »

Soundtracks

Marilyn's Theme
Written & Produced by Greg Morgenstein
Piano - Jeff Bhasker
Bass - Dan Lutz
Drums - Matt Slocum
See more »

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User Reviews

 
Another disappointment in Aniston's oeuvre
11 June 2006 | by (Planet Earth) – See all my reviews

There's a moment in "The Break-Up" when art gallery owner Marilyn Dean (Judy Davis) turns to Brooke (Jennifer Aniston) and says, "This isn't surrealism. This isn't cubism. This is paint-by-numbers." Marilyn's referring to Brooke's relationship crisis with Gary (Vince Vaughn), but she very well could have been talking about the film. Of course, I doubt the writers, Jeremy Garelick and Jay Lavendar, have that much of a sense of irony.

I realize there are loads of disappointed moviegoers who went in expecting a romantic comedy - and the film's trailers are to blame for that, I suppose - and, instead, found a bleakly dark film about the break-up of a relationship. Frankly, that's the only refreshing thing about this film.

This isn't a pat romantic comedy. However, it has all the trappings and clichés of one, down to the obligatory best friend for each main character. In Brooke's case, it is Addie, played by Joey Lauren Adams, who still has the cutest husky voice on film. And for Gary, there's Johnny O, played by Jon Favreau (what a shock!).

I have no problem sitting through a film that recounts a couple's break-up and the lengths to which they go to make the other miserable and/or jealous. However, in "The Break-Up," neither Gary nor Brooke is all that interesting a person. And - talk about suspension of disbelief

  • it's incredibly tough to swallow that these two would ever have found


each other even vaguely interesting.

Both Brooke and Gary are pedestrian people. Their arguments are, to quote Marilyn, paint-by-numbers. He's immature and accuses her of always nagging him; she complains he never listens to her and takes her for granted.

So we get to see these two bicker and yell about nothing; their methods to make each other jealous are neither inventive nor humorous. Watching this movie, I remembered how much I enjoyed "The War of the Roses" (1989), a superb, dark comedy about a disintegrating relationship. But that film was smart, had passion and Oliver and Barbara Rose's revenge was gleefully funny. There was something perversely delightful about that film. And we understood why Oliver and Barbara Rose liked each other so much, thanks to terrific chemistry between Michael Douglas and Kathleen Turner.

I have no idea whether Aniston and Vaughn have any on-screen chemistry. Because in "The Break-Up," we never ever get a sense of why Brooke and Gary are together or what brought them together. The film would've been well served had Garelick and Lavendar thought to give us a glimpse of these two people in love, so that we could then understand and sympathize when we saw their relationship crumbling. Instead, the writers resort to lazy storytelling. The film is peopled with dull and/or typical characters. The only pleasant surprise is Jason Bateman, turning an underwritten role of a rather slimy real estate agent into something that, at least, makes one smile. The always-terrific Vincent D'Onofrio's sparse scenes only make us yearn for more of him in this movie.

The others are true toss-aways. What Ann-Margret is doing in this movie as Brooke's mom is beyond me. They couldn't have plucked any middle-aged woman off the street for this thankless role? Ann-Margret's only purpose seems to be to provide some sort of musical background for a dinner-table scene that just strains to be funny. Apparently, we continue paying the price for "My Best Friend's Wedding" (1997).

There's nothing wrong about watching a movie about the break-up of a relationship. Francois Ozon handled the subject matter beautifully in "5X2" (2004), and just before I saw "The Break-Up," I watched another the French film, "Clara et Moi" (2004). Now, there was a film dealing with real issues, gave us characters we cared about and with whom we sympathized because we knew what brought them together and why they loved each other. Compared to those two films, "The Break-Up" seems downright mediocre and superficial, which is exactly what it is.


28 of 50 people found this review helpful.  Was this review helpful to you?

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Recent Posts
Ladies, would you even get with a guy like Gary? RTgirl
The most male bashing movie ever made!!! mcbain20
Funniest lines in the Movie?? pretty_eyez007
Do all relationships get destroyed over a game of pictionary? funkyrobot12345
Unrealistic!! lattelady63
I found two good things in this otherwise execrable movie.. CoenHead
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