Battlefield Baseball is a tough game--it doesn't end until all the members on the opposing team are dead. In this game the Gedo High team is composed of blue-faced zombies, and their ... See full summary »
Full-throttle splatter-ific Japanese cyberpunk science fiction/horror at its most aggressive, this mind-blower about alien parasites that turn their human hosts into slave "Necroborgs" will leave you dizzy and drained - in a good way.
Transfer student Monami has a secret and a past that has caught up with Mizushima. Deceiving Mizushima into eating a token gift of chocolate, laced with her blood, he is then catapulted ... See full summary »
Seven characters, introduced at the start of the film, get thrown together into the same hotel room: a thief who's stolen a suitcase of money from the mob, his ex-girlfriend, her obsessive ... See full summary »
A raucous teen boy with a feminine face is teased everywhere, so his odd biker father dresses him as a girl and sends him to an all-girl school. The lad introduces himself as Sukeban, and a... See full summary »
In the year 20XX a mysterious scientist discovers a way to bring back the dead . . . only it turns one town into a zombie-infested hellhole. But when the world falls into ruin, only one ... See full summary »
TOKYO ZOMBIE is an oddball 'Buddy Flic' within 'The Genre Of The Undead". Director, Sakichi Sato, who is probably best known for playing Charlie Brown in Quentin Tarantino's 2003 film KILL BILL:VOL. I, has crafted a horror film of equal parts buffoonery and blood. Whatever ironic elements that were inherent to classic Horror are ramped up and played as belly laughs. SHAWN OF THE DEAD is certainly a prime example of this trend. Tadanobu Asano is a highly regarded Japanese model and film star, and plays Fujio,the fright-wig wearing half of the dimwitted duo. Asano is better known for his more serious roles, yet is able to deliver the laughs as required. However, both lead roles remain sketchy, and the film strives for more character development in the second half of the movie, but doesn't go far enough. TOKYO ZOMBIE will probably best be appreciated by aficionados of contemporary Japanese art films, while the majority of viewers will be left in the dark.
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