During their college years, Anjali was in love with her best-friend Rahul, but he had eyes only for Tina. Years later, Rahul and the now-deceased Tina's eight-year-old daughter attempts to reunite her father and Anjali.
A young man and woman - both of Indian descent but born and raised in Britain - fall in love during a trip to Switzerland. However, the girl's traditional father takes her back to India to fulfill a betrothal promise.
Raj Mathur alias Raju lives in picturesque Darjeeling, is a devout Hindu, likes praying to Bhagwan Shri Shiv, studies Engineering, and wants to become rich - at warp speed. He does well in ... See full summary »
Yashvardhan Raichand lives a very wealthy lifestyle along with his wife, Nandini, and two sons, Rahul and Rohan. While Rahul has been adopted, Yashvardhan and Nandini treat him as their own... See full summary »
Widowed Madan Chopra lives a very wealthy lifestyle with two daughters, Seema and Priya. His passion is racing, and realizing that he is not young anymore, has his last race and wins - only... See full summary »
Abbas Alibhai Burmawalla,
Mastan Alibhai Burmawalla
Sunil belongs to a middle-class family, and is intent in pursuing his career with a music group, despite of his dad disapproval. Sunil is also in love with Anna, but Anna does not really ... See full summary »
Shah Rukh Khan,
Parsimonious Bhanwarlal is a Bania (businessman) who lives in Navalgarh, Rajasthan, along with his wife; his sons Sunderlal and Kishanlal; Sunderlal is married to Gajrobai and has a son. During the annual camel race, Sunderlal loses the race to the Thakur and out of shame leaves home, never to return. Now Kishanlal has come of age and is married to Lachchi. But on the very next day of the marriage, he must leave for Jamnagar to attend to business, and can only return after five years. A tearful Lachchi bids him goodbye, but to her pleasant surprise he returns within a few days, and informs his dad that he had met a holy sage who had instructed him to return as he will find five gold coins every morning. Pleased with this, Bhanwarlal does not object to Kishanlal's return. After four years, it is now time for the camel race again, and this time Bhanwarlal's camel wins, much to the chagrin of the Thakur who suspects witchcraft. Then Lachchi gets pregnant and on the day of the child's ... Written by
When Amol Palekar narrated the script to Shahrukh Khan, the first question he was asked was if his company Red Chillies could produce the film. The second question was if Palekar could give him a part in the film, no matter how small it was. He got the dual role of Kishen and the Ghost. See more »
We always talk about the great Indian treasure we have in the form of literature but when it comes to adapting them for films for mass consumption, everybody for some strange reason adopted a ridiculous view that this cannot be commercially viable proposition. Paheli, here not only comes as a whiff of fresh air by being original but also as a tight slap on the face of all such advocates of escapist, masala cinema. Also its not an easy cake-walk for those "Hollywood (now even other world cinema) DVDs-inspired fools". Three cheers to Shahrukh for he took a great leap by lending his hands to this film by not just acting in it but also producing it. (Never mind if he is competing with fellow actor Aamir who produced "Lagaan'). Based on book by Vijay Dan Detha, (it was adapted way back in 1973 by Director Mani Kaul for his film-Duvidha) it has captured everything with grandeur. Is it superfluous or sumptuous? May be to an extent but definitely it did not look like a patch as in cases of our Devdases and Blacks. The mind blowing Art Direction (Munish Sappel), Exotic Locations, Costumes (Shalini Sarna), Jewellery (Tanishq), everything falls seamlessly into place. Cinematography (Ravi K. Chandran) and Visual Efx (Eagle Video Films-Prime Focus) is first rate. The sequence where a ghost morphs into a Crow and then to a Squirrel, followed by a bird and finally a Man is mesmerizing. Rani Mukherji and Mr. Bachchan (in Cameo) are competent as usual. Amol Palekar, the director always delivers, never disappoints and same is the case here in his Ninth Film To top it not only he crafted an aesthetic, wonderful fairy-tale looking folklore but also manages his lead actor to perform wisely within the periphery of character, without going over the top. Look at the different number of expressions Shahrukh has given every time while mumbling same line-"Phal..Phool Gulabjal". No doubt a rare achievement. . It has some minus points too; the camel race is not shot well. May be it is difficult to capture and is also redundant. Sequence could have been shorter. Rajpal Yadav's Character is completely unnecessary and could have been avoided. Also can somebody please tell him not to play to the gallery for 'N'th time? Sub plot of Juhi Chawla and Suneil Shetty also has nothing to contribute to the narrative. Songs are too many and mostly out of situation. Also the drama quotient in climax is low, it could have been treated with more impact. Narrative of whole film would be more interesting if they played on subtle humor throughout the film. Nevertheless, all these come across as minor flaws. A word of advice for Shahrukh, stick to such cinema rather than doing those mindless NRI romances, as you will gradually find a rather larger audience never mind if it takes another 2-3 attempts. All in all, in one word the whole viewing experience can be described as "Phenomenal".
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