| Andrew Alfieri | (as Andoryuu Arufieri) | ||
| Hideaki Anno | |||
| Moyoco Anno | |||
| Tadanobu Asano | |||
| Maya Banno | |||
| Kazue Fukiishi | |||
| Chizuru Ikewaki | (as Chiduru Ikewaki) | ||
| Shihori Kanjiya | |||
| Ryo Kase | ... | Takefumi (as Ryô Kase) | |
| Rinko Kikuchi | |||
| Aoi Miura | |||
| Kenji Mizuhashi | |||
| Ryû Morioka | |||
| Yoshiyuki Morishita | ... | Mr. Morishita | |
| Erika Nishikado | |||
| Yûko Nishimaru | |||
| Machiko Ono | |||
| Takahiro Sato | (as Takahiro Satô) | ||
| Kôtarô Shiga | |||
| Mariko Takahashi | |||
| Seiji Tanaka | |||
| Susumu Terajima | |||
| Ikki Todoroki | |||
| Kanji Tsuda |
Directed by | |||
| Katsuhito Ishii | |||
| Hajime Ishimine | |||
| Shunichiro Miki | |||
Writing credits(in alphabetical order) | ||
| Katsuhito Ishii | screenplay | |
| Hajime Ishimine | screenplay | |
| Shunichiro Miki | screenplay | |
Produced by | |||
| Norihisa Harada | .... | producer | |
| Kensuke Shiga | .... | assistant producer | |
Cinematography by | |||
| Hiroshi Machida | |||
| Kosuke Matsushima | |||
Production Design by | |||
| Shinji Inoue | |||
Set Decoration by | |||
| Asako Ohta | |||
Makeup Department | |||
| Yachiyo Owatari | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Kensuke Shiga | .... | assistant director | |
Sound Department | |||
| Koichi Mori | .... | sound | |
| Tsuyoshi Sakado | .... | sound | |
Animation Department | |||
| Takeshi Koike | .... | animator | |
Costume and Wardrobe Department | |||
| Shiori Tomita | .... | wardrobe | |
| Ikuko Utsunomiya | .... | wardrobe | |
Music Department | |||
| Toru Midorikawa | .... | music producer | |
Transportation Department | |||
| Groove | .... | driver | |
Other crew | |||
| Kaoruko Igarashi | .... | choreographer (as Kaoruko) | |
| Ryô Kagawa | .... | choreographer | |
| Kazuki Kobayashi | .... | choreographer | |
| Kazutaka Sugitani | .... | choreographer | |
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| Channel 101 | And Now for Something Completely Different | Evolution | Awesometown | Monty Python's Fliegender Zirkus |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb Japan section |
NAISU NO MORI - FIRST CONTACT may well be the strangest film I've ever seen... a 2.5 hour head-scratcher combining the efforts of three director/writers into a whole with no discernible plot! the film is essentially a number of short stories or vignettes, mixed together and occasionally crossing over (Tadanobu Asano and Susumu Terajima appear in a large number of the scenes). The content of these pieces is extremely varied, and beyond unpredictable. There's bits of stand-up comedy, animation, music, dance and other moments that are entirely inexplicable. We spend quite a bit of time inside character's daydreams, and we make first contact with some very odd little aliens. The film even has its own commercials and (thankfully) a 3 minute intermission.
This is undoubtedly an avante-garde film, I don't know if calling it "arthouse' is appropriate because it's so silly and funny (not like the kind of austere beard-strokers that one usually calls "arthouse"). There is some truly mad stuff going on, but there doesn't appear to be any deeper meaning or message to any of it... in fact I'm not sure what the "purpose" of the film is at all, except for the film-makers to go nuts.
At 150 minutes it must be admitted that the film outstays its welcome a little... sitting in a theatre for that long it's nice to have *some* sort of narrative to get carried away on (it's enough time to spin quite an epic). NAISU NO MORI feels almost like it should be an ambient film - on at a club or something. I can't think of any more eclectic film in cinematic history. Think SURVIVE STYLE 5+ meets Kitano's GETTING ANY meets NAKED LUNCH meets Alejandro Jodorowsky meets Aphex Twin, and you're getting somewhere near where the film is at!