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The Lost (2006/II) More at IMDbPro »


2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2006

4 items from 2016


Horror Highlights: Guillermo del Toro Signed Memorabilia, Friday The 13th Pins, Fantastic Fest Shorts, Dr. West: A Reanimated Parody, As The Blade Cuts

13 September 2016 8:20 AM, PDT | DailyDead | See recent DailyDead news »

Guillermo del Toro (The Devil's Backbone, Crimson Peak) has contributed two signed items, a copy of Pacific Rim and The Book of Life, to A Cause for Entertainment's auction to fight breast cancer. Also in today's Horror Highlights: Friday the 13th franchise enamel pins from Fright Rags, the list of short films at Fantastic Fest 2016, Dr. West: A Reanimated Parody sneak peek details, and info on the new poetry collection, As the Blade Cuts.

Guillermo del Toro-Signed Memorabilia at A Cause for Entertainment's Auction to Fight Breast Cancer: "Starting bid: $50.00

Oscar nominated Writer/Director Guillermo Del Toro, known for his work on CronosThe Devil's BackboneHellboyPan's Labyrinth and Crimson Peak, has generously donated a signed copy of his film Pacific Rim and his book “The Book of Life” to support the fight against breast cancer.

Auction starts: October 17th, 2016 12:00 am

Auction ends: November 6th, 2016 7:30 pm »

- Tamika Jones

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How Horror Movies Helped Me Grow Up in a Single-Parent Home

7 September 2016 4:02 PM, PDT | DailyDead | See recent DailyDead news »

First of all, before I start this, I just want to point out that my childhood, despite various factors, was still really great and I’m truly grateful that I grew up the way that I did. My circumstances allowed me to learn a lot and grow to be fiercely independent, and much of that is still something that I carry with me. But the reality is that I did grow up in a home with only a single mom (for most of the time), which meant my childhood was a lot different than many kids I grew up with. And at times, I felt like the odd girl out—but all that changed when I really got into horror.

I spent the first 14 years of my life living in a trailer park in Des Plaines, Illinois, practically a stone’s throw away from the O’Hare International Airport. We »

- Heather Wixson

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The Miskatonic Institute of Horror Studies to Host Classes at Brooklyn’s Morbid Anatomy Museum

2 September 2016 10:33 AM, PDT | DailyDead | See recent DailyDead news »

Want to experience higher learning in horror? From September to December, Brooklyn's Morbid Anatomy Museum will host classes on horror presented by The Miskatonic Institute of Horror Studies. Classes will be instructed by some of the most renowned experts and artists of the genre, including Jack Ketchum (author of the seminal The Girl Next Door), Dennis Paoli (co-screenwriter of 1985's Re-Animator), and longtime horror journalist Michael Gingold.

Press Release: With successful branches in London and Montreal, The Miskatonic Institute of Horror Studies makes its first stateside stop at Brooklyn’s Morbid Anatomy Museum with a pilot semester of horror film, literature and pop culture classes, running from September through December 2016 and featuring classes by some of the most renowned voices in horror film, fiction and criticism.

Named for the fictional university in H.P. Lovecraft’s literary mythos, The Miskatonic Institute of Horror Studies is a community-based organization that offers »

- Derek Anderson

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Drive-In Dust Offs: Magic (1978)

14 May 2016 11:25 AM, PDT | DailyDead | See recent DailyDead news »

It’s the eyes, isn’t it? Wide like saucers and twice as deep, they’re impenetrable. And the wooden leer of the wide open maw betrays them, separate and with its own agenda. Of course I’m referring to ventriloquist dummies, and the eerie spell they cast upon the viewer. The horror viewer, specifically; we’ll seek out anything that gives us a sense of unease. Which brings us to Richard Attenborough’s Magic (1978), a wryly creepy tale of encroaching madness and showbiz folly. (Aren’t they the same thing?)

Produced by 20th Century Fox and Joseph E. Levine (Carnal Knowledge) and released by 20th Century, Magic opened in November of ’78 in the U.S. and rolled out to the rest of the world in early ’79. Grossing nearly $24 million U.S. against a $7 million budget with positive reviews to boot, Magic was an unqualified success – with one of the »

- Scott Drebit

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2016 | 2015 | 2014 | 2013 | 2012 | 2011 | 2010 | 2009 | 2008 | 2006

4 items from 2016


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