| Photos (See all 12 | slideshow) |
| Yeong-ae Lee | ... | Geum-ja Lee | |
| Min-sik Choi | ... | Mr. Baek | |
| Shi-hoo Kim | ... | Geun-shik | |
| Yea-young Kwon | ... | Jenny | |
| rest of cast listed alphabetically: | |||
| Tony Barry | ... | StepFather, Australian | |
| Anne Cordiner | ... | StepMother, Australian | |
| Su-hee Go | ... | Ma-nyeo | |
| Hye-jeong Kang | ... | Tv announcer | |
| Bu-seon Kim | ... | So-young Woo | |
| Byeong-ok Kim | ... | Preacher | |
| Dae-yeon Lee | ... | Prison head | |
| Seung-Shin Lee | ... | Yi-jeong Park | |
| Su-gyeong Lim | ... | A prison officer | |
| Il-woo Nam | ... | Detective Choi | |
| Dal-su Oh | ... | Mr. Chang | |
| Kwang-rok Oh | ... | Se-hyun's Father | |
| Mi-ran Ra | ... | Oh, Su-hee | |
| Seung-wan Ryoo | ... | A passerby | |
| Yeong-ju Seo | ... | Kim, Yang-hee | |
| Ha-kyun Shin | ... | A hired assassin 2 | |
| Kang-ho Song | ... | A hired assassin 1 | |
| Ji-tae Yu | ... | A grown-up Won-mo | |
| Jin-seo Yun | ... | A prisoner | |
Directed by | |||
| Chan-wook Park | |||
Writing credits(in alphabetical order) | ||
| Seo-Gyeong Jeong | ||
| Chan-wook Park | ||
Produced by | |||
| Young-wuk Cho | .... | producer | |
| J.J. Harris | .... | producer | |
| Beth Kono | .... | producer | |
| Chun-yeong Lee | .... | producer | |
| June Lee | .... | associate producer | |
| Miky Lee | .... | executive producer | |
| Tae-hun Lee | .... | producer | |
Original Music by | |||
| Seung-hyun Choi | |||
Cinematography by | |||
| Chung-hoon Chung | |||
Film Editing by | |||
| Jae-beom Kim | |||
| Sang-beom Kim | |||
Casting by | |||
| Ju-yeol Lee | |||
Production Design by | |||
| Hwa-seong Jo | |||
Art Direction by | |||
| Hyeon-Seok Choi | |||
| Ji-hyeong Han | |||
| Synderella Peng | |||
Set Decoration by | |||
| In-ho Oh | |||
Costume Design by | |||
| Sang-gyeong Jo | |||
Makeup Department | |||
| Hee Eun Lee | .... | special makeup effects artist | |
| Jong-hee Song | .... | makeup department head | |
Second Unit Director or Assistant Director | |||
| Min-woo Seok | .... | assistant director | |
Sound Department | |||
| Chang-seop Kim | .... | sound | |
| Seok-weon Kim | .... | sound | |
| Seung-cheol Lee | .... | sound | |
Special Effects by | |||
| Gwang-su Kim | .... | special effects | |
| Tae-eui Kim | .... | special effects | |
| Yeong-il Yu | .... | special effects | |
Visual Effects by | |||
| Jeon-hyeong Lee | .... | visual effects supervisor | |
| Ju-won Lee | .... | digital compositor | |
| Il Hwan Na | .... | visual effects artist | |
Editorial Department | |||
| Soojin Chung | .... | production editor | |
Music Department | |||
| Yeong-wook Jo | .... | music director | |
Other crew | |||
| June Lee | .... | title producer | |
| Synderella Peng | .... | title designer | |
| Ryan Robertson | .... | main title producer | |
| Garson Yu | .... | title designer | |
| Roland Yu | .... | title designer | |
|
|
|
|
|
| Freeway | City of God | Ichi the Killer | Bad Santa | The Professional: Golgo 13 |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb South Korea section |
There I was, in Sitges' film festival, in Barcelona, where one year ago Chan-Wook Park had won his prize for the great masterpiece Old Boy. This time he was presenting his last movie "Sympathy for Lady Vengeance" to end the revenge trilogy.Everyone was waiting for the movie to start, all Park's fans and the lady at the festival announced the director's arrival. There he came in, the Korean director with the translator, trying to explain the meaning of his surname in Korean, and talking about loads of stuff - except the movie. Finally he thanked people for making his movie Old Boy "win a lot of money". I think is this personality that makes Park's movies so special. Just like this last one, its a beautiful bizarre movie, like its creator. The audience was already amazed with the starting credits of unusual beauty that just took the breath away from all audience and guarantied that the movie was going to be something different. Truth is that the movie is different, at least more different than his early Old Boy. This time he had created a movie where the story didn't count as much, but maybe the visual side of it, images that contain so much beauty that just makes the movie already worthy of seeing. The story is also really good, charged with all sort of surrealism and irony that makes it extremely interesting. Also, this time the director had treated vengeance with another style, more beautifully and also comprehensive, accomplishing that the audience can identify themselves with the main character, Geumja. When it was ended, the movie received a warmly applause from an audience, including myself, that hadn't been disappointed and that thought the director had done a great and bizarre job to end his trilogy.