After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee is released and tries to fix her life. She finds a job in a bakery; she orders the ... See full summary »
Joong-ho is a dirty detective turned pimp in financial trouble as several of his girls have recently disappeared without clearing their debts. While trying to track them down, he finds a ... See full summary »
After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee is released and tries to fix her life. She finds a job in a bakery; she orders the manufacturing of a special weapon; she reunites with her daughter, who was adopted by an Australian family; and she plots revenge against the real killer of Won-mo, the English teacher Mr. Baek. With the support of former inmates from prison, Geum-ja seeks an unattained redemption with her vengeance. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
There I was, in Sitges' film festival, in Barcelona, where one year ago Chan-Wook Park had won his prize for the great masterpiece Old Boy. This time he was presenting his last movie "Sympathy for Lady Vengeance" to end the revenge trilogy.Everyone was waiting for the movie to start, all Park's fans and the lady at the festival announced the director's arrival. There he came in, the Korean director with the translator, trying to explain the meaning of his surname in Korean, and talking about loads of stuff - except the movie. Finally he thanked people for making his movie Old Boy "win a lot of money". I think is this personality that makes Park's movies so special. Just like this last one, its a beautiful bizarre movie, like its creator. The audience was already amazed with the starting credits of unusual beauty that just took the breath away from all audience and guarantied that the movie was going to be something different. Truth is that the movie is different, at least more different than his early Old Boy. This time he had created a movie where the story didn't count as much, but maybe the visual side of it, images that contain so much beauty that just makes the movie already worthy of seeing. The story is also really good, charged with all sort of surrealism and irony that makes it extremely interesting. Also, this time the director had treated vengeance with another style, more beautifully and also comprehensive, accomplishing that the audience can identify themselves with the main character, Geumja. When it was ended, the movie received a warmly applause from an audience, including myself, that hadn't been disappointed and that thought the director had done a great and bizarre job to end his trilogy.
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