After a thirteen-year imprisonment for the kidnap and murder of a six-year-old boy, Guem-Ja Lee seeks vengeance on the man truly responsible for the boy's death. With the help of fellow ...
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In the DMZ separating North and South Korea, two North Korean soldiers have been killed, supposedly by one South Korean soldier. But the 11 bullets found in the bodies, together with the 5 ... See full summary »
In 1986, in the province of Gyunggi, in South Korea, a second young and beautiful woman is found dead, raped and tied and gagged with her underwear. Detective Park Doo-Man and Detective Cho... See full summary »
After a thirteen-year imprisonment for the kidnap and murder of a six-year-old boy, Guem-Ja Lee seeks vengeance on the man truly responsible for the boy's death. With the help of fellow inmates and reunited with her daughter, she gets closer and closer to her goal. Written by
Having wanted to make a film on a middle aged woman's revenge, the director originally considered casting Du-shim Ko for the part of Geum-ja. However, he had to abandon his plan for a couple of reasons. He found that Ms. Ko was rather old for the character and was afraid that the movie would look quite similar to John Cassavetes' Gloria (1980). See more »
There I was, in Sitges' film festival, in Barcelona, where one year ago Chan-Wook Park had won his prize for the great masterpiece Old Boy. This time he was presenting his last movie "Sympathy for Lady Vengeance" to end the revenge trilogy.Everyone was waiting for the movie to start, all Park's fans and the lady at the festival announced the director's arrival. There he came in, the Korean director with the translator, trying to explain the meaning of his surname in Korean, and talking about loads of stuff - except the movie. Finally he thanked people for making his movie Old Boy "win a lot of money". I think is this personality that makes Park's movies so special. Just like this last one, its a beautiful bizarre movie, like its creator. The audience was already amazed with the starting credits of unusual beauty that just took the breath away from all audience and guarantied that the movie was going to be something different. Truth is that the movie is different, at least more different than his early Old Boy. This time he had created a movie where the story didn't count as much, but maybe the visual side of it, images that contain so much beauty that just makes the movie already worthy of seeing. The story is also really good, charged with all sort of surrealism and irony that makes it extremely interesting. Also, this time the director had treated vengeance with another style, more beautifully and also comprehensive, accomplishing that the audience can identify themselves with the main character, Geumja. When it was ended, the movie received a warmly applause from an audience, including myself, that hadn't been disappointed and that thought the director had done a great and bizarre job to end his trilogy.
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