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Directed by | |||
| Paul Goldman | |||
Writing credits(in alphabetical order) | ||
| Alice Bell | written by | |
Produced by | |||
| Jan Chapman | .... | executive producer | |
| Leah Churchill-Brown | .... | producer | |
Original Music by | |||
| Mick Harvey | |||
Cinematography by | |||
| Robert Humphreys | (director of photography) | ||
Film Editing by | |||
| Stephen Evans | |||
Casting by | |||
| Anousha Zarkesh | |||
Production Design by | |||
| Nell Hanson | |||
Art Direction by | |||
| Janie Parker | |||
Set Decoration by | |||
| Richie Dehne | |||
Costume Design by | |||
| Melinda Doring | |||
Makeup Department | |||
| Wendy De Waal | .... | key makeup artist | |
| Jason Gardner | .... | assistant makeup artist | |
Production Management | |||
| Libby Sharpe | .... | production manager | |
Art Department | |||
| Peter Malatesta | .... | props buyer | |
| Brooke Morris | .... | props buyer/set dresser | |
| Danny Strachan | .... | scenic artist | |
Sound Department | |||
| Yulia Akerholt | .... | sound editor | |
| Adrienne Alexander | .... | assistant sound editor | |
| Liam Egan | .... | sound designer | |
| Les Fiddess | .... | foley artist | |
| Sam Hayward | .... | foley editor | |
| Mike Jones | .... | foley recordist | |
| Phil Judd | .... | sound re-recording mixer | |
| Pip Mason | .... | boom operator | |
| Tony Murtagh | .... | dialogue editor | |
| Martin Oswin | .... | foley mixer | |
| Stephen Vaughan | .... | sound recordist | |
| Gregory Wise | .... | sound attachment | |
Visual Effects by | |||
| Justin Alvarez | .... | compositor | |
| Jamie Hediger | .... | digital compositor | |
Stunts | |||
| Philip Partridge | .... | stunt performer | |
| Philip Partridge | .... | stunts | |
| Leon Stripp | .... | stunt performer | |
Camera and Electrical Department | |||
| Richard Bradshaw | .... | cameraman: title sequence | |
| Adam Kuiper | .... | best boy grip | |
| Adam Kuiper | .... | dolly grip | |
| Pim Kulk | .... | second assistant camera | |
| Judd Overton | .... | additional cinematographer | |
| Kevin Scott | .... | first assistant camera | |
| Poppy Stockell | .... | video assistant | |
| Jayden York | .... | libra head technician | |
Editorial Department | |||
| Al Hansen | .... | digital colorist | |
| David Lawrance | .... | film colorist | |
| Tamara Meem | .... | assistant editor | |
Music Department | |||
| David McCluney | .... | music engineer | |
| Norman Parkhill | .... | music supervisor | |
Transportation Department | |||
| Matt Worth | .... | action vehicle coordinator | |
Other crew | |||
| Sophie Dick | .... | production coordinator | |
| Jonathan Dixon | .... | digital liaison | |
| Rebecca Howcroft | .... | assistant accountant | |
| Ali Malone | .... | location manager | |
| Anna Marie Pitman | .... | assistant to producers | |
| Anna Marie Pitman | .... | production secretary | |
| Greg Tynan | .... | production runner | |
| Kristin Witcombe | .... | script supervisor | |
Thanks | |||
| Emily Barclay | .... | special thanks (as 'Barkers' and 'swan girl') | |
| Sally Chesher | .... | thanks | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Main details |