Why does a 19 year-old girl plot to kill her own father? Katrina Skinner is stuck in suburbia with her toddler daughter and her devoted dad. Her brother Danny is in jail for life for murder... See full summary »
Albert Nobbs struggles to survive in late 19th century Ireland, where women aren't encouraged to be independent. Posing as a man, so she can work as a butler in Dublin's most posh hotel, Albert meets a handsome painter and looks to escape the lie she has been living.
Cue Howard a popular fictional chat show is one of the most respected, in the chat-show circle. Howard Percival is a very powerful man, his guests when under his terrific spell find there ... See full summary »
Robert tries to rekindle a relationship with his teenage daughters Emma and Zoe on their last holiday together before the divorce. He slowly begins to realize that not only has he lost ... See full summary »
Cosette lives a sheltered, ignorant life in an isolated world with her alternative-lifestyle father Jim. When Jim suddenly dies, Cosette is left to fend for herself. Scared and hungry, she ... See full summary »
Why does a 19 year-old girl plot to kill her own father? Katrina Skinner is stuck in suburbia with her toddler daughter and her devoted dad. Her brother Danny is in jail for life for murder. Her mother abandoned her years ago. The neighbors are scared of her. The police can't keep up with her. Nobody can control her but everybody's trying. Her dad won't mind his own business. Katrina misses her brother. She needs money for his appeal. She's bored and she's sick of living with her dad. She's not going to work a day in her life and she knows her dad's not going to help her financially anymore. She's first in line for the family inheritance. All she needs to do now is convince one of her lovers to do the deed and she's never had much trouble getting men to do what she wants. All for the love of her brother. It's John Skinner's funeral, inside the Golden Grove Crematorium. Kat sits on the front pew between her cheeky fiancé Rusty and her toddler daughter Bailee. Her mobile phone ... Written by
Alice Bell was Emily Barclay's body double for the film. Driving, texting and snorting cornflour instead of speed. See more »
What's going on here? Is he going to kill your dad for you? Is that what you and him is about?
I don't know what you're talking about. You're crazy.
I'm crazy? You're having sex with a disabled!
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In some respects, this was quite an ambitious film it's dark, smart, and edgy a little bit in the vein of Brick (not as polished but a whole lot better). The music and energy are all there, but there seems to be a few flat spots. It may have benefited from some further editing to keep the momentum up, even though it's already just under 90 minutes in length. It seems like the writer and director had some good ideas, that weren't fully realised.
I think many cinema-goers will find this entertaining, and I certainly recommend it over the bulk of Hollywood releases (not that that's saying much), if that's your taste. For me it seemed laboured and contrived. The performances by the actors were generally (but not universally) OK. Emily Barclay's performance was good, but her character failed to engage somewhat like Kath and Kim on speed. It's not that her character was nasty (David Wenham's monumental performance in The Boys was extremely nasty), but more that it seemed manufactured. Her brattishness becomes grating after a while.
The mid-film interviews reminded me of 2:37. They were better done in this film, but still detract somewhat from the continuity of the film.
The script seemed a bit clunky and self-conscious and just didn't quite work for me. I think the director depended too much on the sound-track and style over substance. A strength of the film is that it took some risks, but they weren't fully realised.
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