A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Four interwoven stories that occur on Halloween: An everyday high school principal has a secret life as a serial killer; a college virgin might have just met the one guy for her; a group of teenagers pull a mean prank; a woman who loathes the night has to contend with her holiday-obsessed husband.
In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.
Jeffrey Dean Morgan,
The cynical and skeptical writer Mike Enslin writes books evaluating supernatural phenomena in hotels, graveyards and other haunted places, usually debunking the mystery. While writing his latest book, he travels from Los Angeles to New York to spend one night in the Dolphin Hotel's evil room 1408, which is permanently unavailable for guests. The reluctant manager Mr. Gerald Olin objects to his request and offers an upgrade, expensive booze and finally relates the death of more than fifty guests over decades in the cursed room. However Mike threatens Mr. Olin, promising to sue the hotel, and is finally allowed to check into the room. Later in the night, he finds that guests of room 1408, once they have checked in, might never leave the room alive. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
As Enslin is walking to 1408, reading the files Olin gave him, he comes across a page that says "My brother was eaten by wolves on the Connecticut Turnpike." This is a reference to King's short story. As Enslin loses his mind in the room, that is the last intelligible thing he says to his tape recorder. His brother actually died of lung cancer. See more »
Right after Mike's hand is crushed by the window, the window is closed. Right after the phone rings, and he tries to leave the room (right before the key breaks) the window is open in the background. See more »
If your horror movie tastes run less towards chainsaw-wielding maniacs and more towards things-that-go-bump-in-the-night, then this is the movie for you. Based on a short story by the great Stephen King, "1408" is one of the genuine movie sleepers of summer 2007.
John Cusack gives a tour-de-force performance as Mike Enslin, a successful writer who specializes in the investigation of paranormal activity with a particular emphasis on hotel rooms that have the reputation for being haunted. The twist is that Enslin is, essentially, a nonbeliever who spends most of his time and energy debunking the very subject off which he is making his living. The 1408 of the title refers to a room in a swanky, five-star Manhattan hotel in which, we are told, no fewer than fifty-six guests checked in but never checked out, having met their untimely demises there in the decades since the establishment opened. Determined to put an end to the "foolishness," Enslin moves into the room convinced he will ride out the night in utter peace and safety. He has, of course, another think coming.
As adapted by Matt Greenberg, Scott Alexander and Larry Karaszewski, "1408" succeeds mainly by keeping it straight and simple and by focusing so intensely on the character of Enslin and his relevant back story. The multi-layered plotting keeps us guessing from first moment to last, so that we never quite know whether what Enslin is experiencing is really happening or whether he is suffering some form of mental breakdown brought on by the death of his young daughter and the subsequent breakup of his marriage a few years back. Along with director Mikael Hafstrom, the master craftsmen responsible for the film's phenomenal art direction and sound recording draw us into the strange world they've created where nothing is quite what it appears to be and where we spend most of our time nervously scanning the edges of the frame to see what surprise is next poised to jump out at us.
Cusack, who has long been underrated as a performer, gets the chance to really show us his acting chops in this role. He allows us to clearly see the fear and vulnerability hidden beneath his character's wisecracking, cynical exterior. Samuel L. Jackson and Mary McCormack also excel in the small but crucial roles of the wise hotel manager and Enslin's estranged but faithful wife, respectively.
For those who can remember a time when fright films had more on their minds than simple blood and gore, "1408" is like a refreshing, restorative tonic on a hot summer day.
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