1408 (2007)

A man who specializes in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror.

Director:

Mikael Håfström

Writers:

Matt Greenberg (screenplay), Scott Alexander (screenplay),

Stars:

John Cusack, Samuel L. Jackson, Mary McCormack

3 wins & 4 nominations.

Cast

Cast overview, first billed only:
John Cusack	...	Mike Enslin
Samuel L. Jackson	...	Gerald Olin
Mary McCormack	...	Lily
Tony Shalhoub	...	Sam Farrell
Len Cariou	...	Mike's Father
Isiah Whitlock Jr.	...	Hotel Engineer
Jasmine Jessica Anthony	...	Katie
Paul Birchard	...	Mr. Innkeeper
Margot Leicester	...	Mrs. Innkeeper
Walter Lewis	...	Book Store Cashier
Eric Meyers	...	Man #1 at Book Signing
David Nicholson	...	Man #2 at Book Signing
Holly Hayes	...	Lady at Book Signing
Alexandra Silber	...	Young Woman at Book Signing
Johann Urb	...	Surfer Dude

Storyline

The cynical and skeptical writer Mike Enslin writes books evaluating supernatural phenomena in hotels, graveyards and other haunted places, usually debunking the mystery. While writing his last book, he travels from Los Angeles to New York to spend one night in the evil room 1408 of the Dolphin Hotel, which is permanently unavailable for guests. The reluctant manager Mr. Gerald Olin objects to his request and offers an upgrade, expensive booze and finally the reports relating the death of more than fifty guests along decades in the cursed room. However, Mike threatens Mr. Oiln, promising to sue the hotel, and finally checks in the room. Along the night, he finds that guests of room 1408 can check in when they like, but they can never leave the room alive.

---

Plot Keywords:

hotel | book | writer | debunking | hotel manager | 

---

Taglines:

No one lasts more than an hour.

---

Genres:

Horror | Mystery

---

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material including disturbing sequences of violence and terror, frightening images and language

Details

Official Sites:

Official site [Germany] Official site [Taiwan]

Country:

USA

Language:

English

Release Date:

22 June 2007 (USA)

Also Known As:

Soba 1408

Filming Locations:

Elstree Studios, Borehamwood, Hertfordshire, England, UK

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

£1,073,963 (UK) (31 August 2007)

Gross:

$71,975,611 (USA) (5 October 2007)

Company Credits

Production Co:

Dimension Films, Weinstein Company, The, Di Bonaventura Pictures

Technical Specs

Runtime:

104 min 112 min (director's cut)

Sound Mix:

SDDS Dolby Digital DTS

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The scene in which Mike climbs across the ledge within the film as a means of escape could be a reference to another of Stephen King's short stories, 'The Ledge' (1978) in which a man must circumnavigate a high ledge in order to win a 'bet'.

---

Goofs

While driving from the first hotel, there is an outer shot of the jeep showing a small, 2 lane road, with trees right next to it. In the next shot, there is an additional lane added to the right side of the road, a car and a truck appear from behind, and now the trees are a lot further from the road it's self.

---

Quotes

[first lines]
Mike Enslin: Hi. Mike Enslin. Checking in.

---

Connections

References Duck Soup (1933)

---

Soundtracks

"At Midnight"
Written by Alan Blackman
Courtesy of Selectracks Music Services

User Reviews

like a very good feature-length episode of the Twilight Zone: surrealism and 'gotchas' at every corner

It's a hit or miss thing with Stephen King movies. Sometimes there's an exceptional effort by someone with a really strong vision (eg Kubrick, De Palma), but then there are also some big blunders (Dreamcatcher comes first to mind). And then there are those that sort of lie right in the middle, as decent, unpretentious but unremarkable efforts that chill or spill into your living room or movie theater. 1408 isn't a great thriller, but for King fans it'll likely be one of the most faithful- or at least feel faithful- efforts to date, and as such it's pretty creepy and a sure-fire "gotcha" machine. The premise is vintage King: a cynical writer (Cusack) who's books go over the paranormal (with the exception of a personal book about a father and son), and gets sent an anonymous postcard about the Dolphin hotel and room 1408. The manager warns him, fervently, to not stay in the room. But he's insistent to the point where there's no turning back. Slowly, but extremely surely, things start popping up in the room, out of Elsin's own consciousness, perhaps, and as well with the environment changing (fix that heater!), and even a pint-sized version of the hotel manager (who doesn't want to see Jackon ala Indian in the Cupboard?).

It all leads up to a few good twists and turns, but good being the important word here. Unlike the unsuccessful pot-boiler Identity, which also (regrettably) starred Cusack, this isn't contrived for the sake of it. The sudden images of a man with an ax swinging at Elson, the images of ghosts jumping out of the windows (one of them, which I found extraordinary, was shown with the same marks that come with an old movie print), isolation enhanced by a lack of windows to either side, and that bottle of booze. Spiked? Probably not- this is a thrill-ride predicated on lightning-fast imagery, but too fast (it isn't Saw thank goodness), and Elsin's past, notably the death of his daughter. It's usually a conceit that the filmmaker puts in to have the central character to have a dark past loaded with sadness, but here it works effectively in how gradually it all comes out, and how the fear/acceptance of death is something just as, if not more-so, terrifying than anything else the room has to offer.

As I said, not a great film, as sometimes it has that feel of an all-too well-oiled machine by director Mikael Håfström, edging on feeling like there's a checklist somewhere of things to happen in the room to Elsin. But, as mentioned, it doesn't come off as being too unsurprising. On the contrary, there is some originality to how the special effects team- via Cusack, going through many modes of acting like it's a powerhouse audition- bring out the best of what can be offered with a horror-show amusement park. It may be in part like a ghost house, but it's a fun and exciting one, and more watchable than any other PG-13 horror film I've seen in a while. 7.5/10