A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
The cynical and skeptical writer Mike Enslin writes books evaluating supernatural phenomena in hotels, graveyards and other haunted places, usually debunking the mystery. While writing his latest book, he travels from Los Angeles to New York to spend one night in the Dolphin Hotel's evil room 1408, which is permanently unavailable for guests. The reluctant manager Mr. Gerald Olin objects to his request and offers an upgrade, expensive booze and finally relates the death of more than fifty guests over decades in the cursed room. However Mike threatens Mr. Olin, promising to sue the hotel, and is finally allowed to check into the room. Later in the night, he finds that guests of room 1408, once they have checked in, might never leave the room alive. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
There are many references to the number "13" throughout the movie. The room is numbered "1408", add each number together equals 13. The room is on the 14th floor, and the Hotel skips the 13th floor, so the room is technically on the 13th floor. The room's key lock also has "6214" etched into it, which adds up to 13. And the first death was in the year 1912, which adds to 13. Even the film's American release date sums to 13: June 22, 2007. See more »
The Dolphin Hotel is supposed to be at 2254 Lexington Avenue. Later on in the movie it is mentioned to be at the intersection with 45th Street. 2254 Lex Ave, however, is near the intersection with 84th street. See more »
I decided to watch this after Polanski's "the Tenant" and that was probably a bad choice, because that film is precious.
This one consists of three elements, typical of the King formula.
The first is the expression of terror, shaped safely so that you can watch but not be personally threatened. I think this is a King invention. Here, we know WE would have taken seriously the warnings so he deserves what he gets. It relieves us.
The second element is trite, so far as I am concerned. Also a King specialty is to weave some sort of emotional trauma into the otherwise merely decorative horror. Here it is the death of our character's child, which happened before we meet him. This allows for the final zinger.
The third element is the stuff I study and that King knows well. I call it narrative folding. Situations are nested in each other. Time gets shifted, at the same time that the period in the room proceeds in real time, even with a clock counting down. Ghosts inhabit ghosts and all people are ghosts. Cold is hot. Water is land. Daughter is wife.
This is the stuff that makes the film work, and I think it is done pretty well. Its why they picked Cusak. He understands this stuff. Has since "Malkovich" and "Fidelity" and mastered in "Identity."
Ted's Evaluation -- 3 of 3: Worth watching.
17 of 21 people found this review helpful.
Was this review helpful to you?