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1408 (2007)
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Overview
User Rating:
Director:
Writers (WGA):
Release Date:
22 June 2007 (USA)
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Tagline:
Based on the terrifying story by Stephen King more
Plot:
A man who specializes in debunking paranormal occurrences checks into the fabled room 1408 in the Dolphin Hotel. Soon after settling in, he confronts genuine terror. full summary | full synopsis
Awards:
2 wins
&
4 nominations
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NewsDesk:
(14 articles)
Weinstein Company Announces '1408' Blu-ray
(From Bloody-Disgusting.com. 28 June 2008, 11:36 AM, PDT)
Harry Potter and the Scourge of the Cannibals
(From Studio Briefing - Film News. 24 July 2007)
(From Bloody-Disgusting.com. 28 June 2008, 11:36 AM, PDT)
Harry Potter and the Scourge of the Cannibals
(From Studio Briefing - Film News. 24 July 2007)
User Comments:
Surprisingly effective
more (476 total)
Cast
(Cast overview, first billed only) | John Cusack | ... | Mike Enslin |
 | Samuel L. Jackson | ... | Gerald Olin |
 | Mary McCormack | ... | Lily |
 | Tony Shalhoub | ... | Sam Farrell |
 | Len Cariou | ... | Mike's Father |
 | Isiah Whitlock Jr. | ... | Hotel Engineer |
 | Jasmine Jessica Anthony | ... | Katie |
| Paul Birchard | ... | Mr. Innkeeper |
| Margot Leicester | ... | Mrs. Innkeeper |
 | Walter Lewis | ... | Book Store Cashier |
 | Eric Meyers | ... | Man #1 at Book Signing |
| David Nicholson | ... | Man #2 at Book Signing |
| Holly Hayes | ... | Lady at Book Signing |
| Alexandra Silber | ... | Young Woman at Book Signing |
 | Johann Urb | ... | Surfer Dude |
Additional Details
MPAA:
Rated PG-13 for thematic material including disturbing sequences of violence and terror, frightening images and language.
Parents Guide:
Runtime:
104 min | 112 min (director's cut)
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Canada:13+ (Quebec) |
USA:PG-13 (certificate #43561) |
UK:15 |
Ireland:15A |
Singapore:PG |
South Korea:15 |
Hong Kong:IIB |
Finland:K-13 |
Germany:16 |
Netherlands:16 |
Portugal:M/16 |
Philippines:PG-13 |
Taiwan:PG-12 |
Malaysia:18PL |
Italy:T |
Switzerland:14 (canton of Vaud) |
Switzerland:14 (canton of Geneva) |
Chile:Y7 |
Argentina:13 |
France:U (with warning) |
Norway:15 |
Sweden:15 |
Israel:16 |
New Zealand:M |
Australia:M |
Iceland:16 |
South Africa:13V |
Canada:14A (Alberta/British Columbia/Manitoba/Nova Scotia/Ontario) |
Denmark:15
Filming Locations:
Company:
Fun Stuff
Trivia:
The initial story inspiration for 1408 came from a collection of real-life news stories about parapsychologist Christopher Chacon's investigation of a notoriously haunted room at the famous Hotel Del Coronado in Coronado, CA, as well as another undisclosed hotel on the East Coast.
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Goofs:
Incorrectly regarded as goofs: While Mike Enslin is lying on the floor, his hand goes in and out of the bed comforter repeatedly. However, as this happens with each change of shot and is a very obvious inconsistency, it's almost certainly deliberate and done for thematic effect. Especially as, moments later, he keeps changing between lying down and being propped up in between shots, apparently without moving.
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Quotes:
Mike Enslin:
[after the toilet paper has been turned down, and the chocolates appear] Finally! Something to for me to write about! A ghost that offers turn down service!
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Movie Connections:
References In Cold Blood (1967)
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Soundtrack:
At Midnight
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FAQ
Is this movie based on a novel?What is the name of the song that plays whenever the alarm clock goes off?
A NOTE REGARDING SPOILERS
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more (476 total)
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While doing some research before reviewing 1408, I was shocked to discover that this was the first time since 2004's Riding the Bullet that a film based on a Stephen King story had gotten the big screen treatment. 1408 marks somewhat of a comeback to the silver screen for the author after mainly working with television the past couple years. Director Mikael Hafstrom has created the most atmospheric and downright tense thriller I can think of so far this year. The premise may be thin, and yeah, it doesn't always make a lot of sense. But, is it ever effective.
Mike Enslin (John Cusack) used to be a promising author until the untimely death of his young daughter, Katie (Jasmine Jessica Anthony). He now spends his time writing trashy paranormal novels about the world's most haunted areas. He travels the world, doing research by staying overnight at places that are supposed to be haunted, gets some colorful background info that he can use for material, and then moves on to his next job. One day, Mike receives a postcard informing him of an old hotel in New York City called the Dolphin Hotel, which is supposed to have a room that has quite the history. Doing some private research, he learns that the Dolphin has had a long and tragic history of deaths, all of them surrounding the guests that have stayed in Room 1408. Mike books the room, despite the warnings of the hotel manager, Gerald Olin (Samuel L.Jackson). Entering the room, nothing seems ominous at first. But then, the room itself begins to take on a life of its own, and begins tormenting Mike with various ghostly apparitions, mind tricks, and even displaying his own painful past before him in various ways.
1408 is the second thriller set around a hotel released in less than two months (the other being April's Vacancy), and is by far the superior film. The film is actually quite subtle in its way of creeping us out and disturbing us, which is a nice change of pace from the recent Hostel: Part II. Rather than bombard the audience with ghostly special effects and gore, the movie gets under your skin and goes for a much more psychological approach. The screenplay by Matt Greenberg, Scott Alexander, and Larry Karaszewski, wisely does not even attempt to explain Room 1408. It's just a very evil presence that can somehow look deep within troubled souls, and torture them to death with their own personal demons. In the wrong hands, this material could have been laughable. Even though the movie frequently flies into the realm of the unbelievable, it manages to somehow stay grounded.
A lot of this has to do with the fact that the film never loses its way, and become an excuse to throw as many special effects and jump scares into the movie as it possibly can. The human element of Mike Enslin is always at the center of the story itself, and its scares. The movie is built around the fact that he is forced to face his personal demons the longer he stays in his room, as well as try to keep his mind in check as various nightmarish hallucinations are paraded before him. It's much more effective than the usual characters that have passed as villains in recent paranormal films (usually gray-skinned people with hair over their faces), and it never once becomes heavy-handed or preachy. This is also a tricky balance to pull off. When the room started showing him flashbacks of Mike's own past, I grew nervous, thinking that the movie was going to start hitting us over the head with morales. Fortunately, it never once loses its sense of the eerie, and remains appropriately unsettling throughout.
At the center of the movie is John Cusack, who literally has to carry the movie almost by himself. This is essentially a one-man show for most of its running time, with fleeting apparitions being his main companions. Cusack has long been a favorite of mine, and this is one of his stronger recent roles. He not only has to carry almost the entire film on his own, but he also has to convincingly act like he is slowly going insane without hamming it up, or losing his personality. Any actor can tell you that madness is a difficult thing to depict. He strikes a very good balance, and remains believable throughout. Samuel L. Jackson is also notable in his small, but no less important, role as the manager who tries to talk Mike out of his decision to stay in the room. And then, of course, there is Room 1408, which is a character itself. The way it is constantly changing itself, right down to the paintings on the wall, creates an effectively creepy atmosphere that is continuously bizarre, but never so much so that we lose our sense to believe.
1408 succeeds where so many other films have failed in that it is not about apparitions jumping out at the actors or lurking in dark shadows. It digs much deeper for its horror than simple jolt thrills, and becomes an effectively thrilling horror film. It could be argued that the whole thing loses some weight when we apply logic to the story. But seriously, who wants to apply logic to a movie about an evil hotel room that can read your mind? When all is said and done, 1408 is a reminder of what horror can do. It can do so much more than thrill us. It can also make us laugh and leave us captivated. Perhaps what's more surprising than the fact that the movie can accomplish all that is that so few other horror films can.