A poignant romantic drama examines the life of gay 26 year old, ex-monk, school teacher living in Manhattan. When he meets a man at a gay bar, they connect and are soon living together. Unfortunately their views on monogamy don't match.
Fifteen-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, Beni is willing to follow him where ever he takes him. But Fögi is a drug addict and pulls Beni ... See full summary »
Urs Peter Halter
Set in modern day Buenos Aires, the film centers around a relationship between two emotionally crippled roommates. Adrian LeDuc is a lonely sociopath who is forced to rent his insane ... See full summary »
Working class and middle-upper class worlds come together in this interesting look at class conflict within the gay world from the German director Reiner Werner Fassbinder. Fassbinder plays... See full summary »
Rainer Werner Fassbinder
Rainer Werner Fassbinder,
The Long Day Closes is the story of eleven-year-old "Bud." A sad and lonely boy, Bud struggles through his days. With cinema as his main source of solace, he haunts the local movie-house. ... See full summary »
Sebastien is a small town boy who moves to Paris and begins to explore the gay night life there. When a friend from back home calls to announce he's coming to Paris, Sebastien confronts some unrequited feelings.
Oscar-nominated director Bruce Beresford (Driving Miss Daisy, Tender Mercies) crafts a tender coming-of-age tale that introduces one of Australian literature's most beloved characters to ... See full summary »
He slept with Sal Mineo, was photographed by Andy Warhol, and he was lusted after by millions of men around the world. Model, photographer, filmmaker, clothing designer, and porn icon Peter Berlin is his own greatest creation. Berlin is front and center in this bio documentary from director Jim Tushinski, and featuring interviews with director John Waters, novelist Armistead Maupin, 70s porn Director Wakefield Poole and more, all with Berlin as the subject. This intimate film reveals the legendary man with the white saran wrapped pants, undersized leather vests, and Dutch-boy haircut. Written by
When showing the black and white still photo of young Peter with his parents and brother, the camera pans up and focuses in on Peter's brother, not Peter himself. Peter is actually the boy on the far right of the screen. See more »
I caught a festival screening of THAT MAN PETER BERLIN with really no knowledge of him or his place in either queer or porn history. I was drawn by the Garbo aspect of his life; basically walking away from a film 'career'(such as it was) and onto the streets of San Francisco, where sightings of him evoke the kind of response one heard about the Swedish Sphynx in New York. Apparently well off financially (or maybe just thrifty) his story is never tipped to the tragic, nor is it ever truly comic. What WAS incredible was to see icons I admire,John Waters and Armistead Maupin, have the same sort of giddiness towards spotting Berlin that I might have towards spotting them(although that doesn't happen in my town). As for the film, the pace moved swiftly and succinctly, and the color of the 70's footage was spectacular. I felt the filmmakers presented the facts, but ultimately lets the viewer judge Peter Berlin and draw our own conclusion; is he crazy, or merely the quaint and eccentric archetype you'd expect to find in San Francisco? Was he ahead of his time, or an aspect of a time we're just re-discovering? The footage of 'vintage' Peter(in that glorious color) interspersed with Peter today were not as jarring or 'Norma Desmond-y' as you might fear,and in that respect the film never fell into either camp celebration or spiteful mockery, which I found refreshing. Considering so many men of Peter's era were lost to the AIDS crisis, THAT MAN is an 'essential': a filmed document of a time in queer history nearly lost. We should be thankful this story has been recorded.
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