An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
When a family is held hostage, former hostage negotiator Jeff Talley arrives at the scene. Talley's own family is kidnapped and Talley must decide which is more important: saving a family he doesn't even know or saving his own family.
Serena Scott Thomas
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Coming from a police family, Tom Hardy ends up fighting his uncle after the murder of his father. Tom believes the killer is another cop, and goes on the record with his allegations. Demoted then to river duty, the killer taunts Tom.
Sarah Jessica Parker,
Jack Mosley, a burnt-out detective, is assigned the unenviable task of transporting a fast-talking convict from jail to a courthouse 16 blocks away. However, along the way he learns that the man is supposed to testify against Mosley's colleagues, and the entire NYPD wants him dead. Mosley must choose between loyalty to his colleagues and protecting the witness, and never has such a short distance seemed so long... Written by
The film's writer, Richard Wenk, has reported that he originally conceived of the project with himself as writer and director and, before shopping it around to anyone else, first approached Richard Donner because they had a struck up a good relationship when Donner really liked his rewrite of a script for a Lethal Weapon 4 (1998), even though that script was not used. Wenk said that upon hearing his pitch for his new film, Donner "liked it so much that he didn't want me to direct it; he wanted to direct." Wenk tells this story in the documentary about screen writing, Tales from the Script (2009). See more »
The position of both of Jack's hands change as he is giving his gun to Frank in the courthouse basement near the end of the film. See more »
It's Detective Jack Mosley, Shield number 227. I guess this will be my last will and testament. This is for Diane. When this day is over, they're gonna come and talk to you about this and they're gonna... gonna tell you what happened, Diane. But what they tell you is not really what happened here. So I hope that you get this. I was trying to do a good thing.
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There are no opening credits save the title "16 BLOCKS". See more »
I haven't seen a movie in years that would be able to touch me as deep as this movie did. Here you won't see piteous freaks or ill children. Just two adults: one elderly white cop and one young black guy (even not really a criminal). But I'd never believe how touching one action-packed day of their lives can be! There are dozens of a-cop-and-a-criminal movies like this but they are all not nearly like this! They are stupid and I never liked that kind of flicks. This movie is splendid. It really should be something to make such a fantasy/sci-fi fan like me to like a criminal drama (not really a drama, read further). Maybe the very idea of the film is plain, maybe the plot has somewhat unrealistic turns (who proved that real life hasn't?) but the characters and their behavior is so real, full of senses and inside thoughts that their acting touches the very soul! And the thing I really loved: unlike many "high art" movies this one ends realistically WELL because, maybe I am too naive, God is kind and life is not a movie. Such a movie ends well: it was really a kind surprise for me! My bow to the director, he's genius. The actors as well. Someone is still able to shoot truly remarkable movies.
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