| Photos (See all 31 | slideshow) | Videos (see all 4) |
Directed by | |||
| Olivier Dahan | |||
Writing credits | ||
| Isabelle Sobelman | (written by) and | |
| Olivier Dahan | (written by) | |
Produced by | |||
| Timothy Burrill | .... | co-producer | |
| Axel Decis | .... | assistant producer | |
| Alain Goldman | .... | producer | |
| Marc Jenny | .... | co-producer | |
| Oldrich Mach | .... | co-producer | |
| Catherine Morisse | .... | associate producer | |
| Marc Vadé | .... | line producer | |
Original Music by | |||
| Christopher Gunning | |||
Cinematography by | |||
| Tetsuo Nagata | |||
Film Editing by | |||
| Richard Marizy | |||
Casting by | |||
| Olivier Carbone | |||
Production Design by | |||
| Olivier Raoux | |||
Art Direction by | |||
| Beata Brendtnerovà | |||
| Mick Lanaro | |||
| Laure Lepelley-Monbillard | (as Laure Lepelley) | ||
| Stanislas Reydellet | |||
Set Decoration by | |||
| Stéphane Cressend | |||
| Petra Kobedova | |||
| Cecile Vatelot | |||
| Christine Gilbert | (uncredited) | ||
Costume Design by | |||
| Marit Allen | |||
Makeup Department | |||
| Jan Archibald | .... | key hair stylist | |
| Amélie Bouilly | .... | makeup artist | |
| Linda Eisenhamerova | .... | hair stylist (as Linda Dvorakova) | |
| Richard Glass | .... | contact lens optician | |
| Barbara Kichi | .... | hair stylist | |
| Barbara Kichiova | .... | hair stylist | |
| Didier Lavergne | .... | key makeup artist | |
| Chris Lyons | .... | special effects teeth | |
| Ruzena Novotna | .... | hair stylist | |
| Gabriela Polakova | .... | makeup artist | |
| Jemma Scott-Knox-Gore | .... | contact lens coordinator | |
| Loulia Sheppard | .... | hair stylist | |
| Matthew Smith | .... | prosthetic makeup artist | |
| Hovette Stephanie | .... | wig maker | |
| Ivo Strangmüller | .... | hair stylist | |
| David White | .... | prosthetic makeup designer | |
Production Management | |||
| Abraham Goldblat | .... | post-production manager | |
| Michal Prikryl | .... | production manager | |
| Anaïs Subra | .... | assistant unit manager | |
Art Department | |||
| Mario N. Bonassin | .... | art assistant | |
| Wilfrid Charua | .... | painter | |
| Emmanuel Delis | .... | property master | |
| Karim Djerbi | .... | art department coordinator | |
| Antoine Dore | .... | props | |
| Bradd Fillmann | .... | art assistant | |
| Rouches Frank | .... | prop buyer | |
| Antoine Galinié | .... | props | |
| Natasha Giraldo | .... | art coordinator | |
| Sonia Gloaguen | .... | set decoration assistant | |
| Benoit Godde | .... | assistant art director | |
| Benoit Godde | .... | concept illustrator | |
| Christophe Graziani | .... | assistant property master | |
| Virginie Hernvann | .... | assistant art director | |
| Alexis Imbert | .... | props | |
| Radan Kapinos | .... | stand-by props | |
| Chloé Leguay | .... | second assistant art director | |
| Pavel Lipert | .... | construction stand-by | |
| Thierry Pitel | .... | carpenter | |
| Gabriela Rezacova | .... | props | |
| Jirí Trier | .... | props buyer | |
| Aloiz Vyslan | .... | set dresser | |
Sound Department | |||
| Charles Autrand | .... | dialogue editor | |
| Guadalupe Cassius | .... | assistant sound editor | |
| Boris Chapelle | .... | assistant dialogue editor | |
| Mathieu Descamps | .... | trainee sound | |
| Marc Doisne | .... | sound re-recording mixer | |
| Robert Dufek | .... | location sound: second unit | |
| Jean-Baptiste Faure | .... | boom operator | |
| Jean-Paul Hurier | .... | sound mixer | |
| Nikolas Javelle | .... | sound editor | |
| Edouard Murcier | .... | adr supervisor | |
| Gael Nicolas | .... | sound editor | |
| Sandy Notarianni | .... | assistant sound editor | |
| Florian Penot | .... | assistant foley artist | |
| Philippe Penot | .... | foley artist | |
| Pierre Picq | .... | boom operator | |
| Gréggory Poncelet | .... | sound recordist (as Grégory Poncelet) | |
| Caroline Reynaud | .... | foley editor | |
| Pascal Villard | .... | supervising sound editor | |
| Christophe Vingtrinier | .... | post-synchronization | |
| Laurent Zeilig | .... | sound | |
Special Effects by | |||
| Jan Holub | .... | special effects crew | |
| Kamil Jaffar | .... | special effects supervisor | |
| Miroslav Miclik | .... | special effects technician | |
| Pavel Policar | .... | special effects technician | |
Visual Effects by | |||
| Lucy Ainsworth-Taylor | .... | visual effects executive producer: MPC | |
| Serge Anthony | .... | color grader | |
| Renata Azambuja | .... | visual effects producer | |
| Richard Bain | .... | digital compositor: BainVFX | |
| Seif Boutella | .... | compositor | |
| Jim Bowers | .... | digital matte painter | |
| Stephanie Broussaud | .... | Lustre assistant | |
| Izet Buco | .... | compositor | |
| Stuart Bullen | .... | digital compositor | |
| Earle Stuart Callender | .... | visual effects producer: Rainmaker UK | |
| Seb Caudron | .... | visual effects supervisor | |
| Jimmy Cavé | .... | computer graphic artist | |
| Hal Couzens | .... | visual effects supervisor | |
| Mark Curtis | .... | compositor: MPC | |
| David Danesi | .... | visual effects producer | |
| Nicolas Daniel | .... | Lustre assistant | |
| Julien Dias | .... | senior compositor | |
| Nick Drew | .... | visual effects production manager: CIS London | |
| Sebastien Dupuis | .... | compositor | |
| François Dupuy | .... | digital intermediate technical director | |
| Michael Elson | .... | executive producer: MPC | |
| Adam Gascoyne | .... | visual effects supervisor: Rainmaker UK | |
| Uel Hormann | .... | visual effects supervisor | |
| Simon Hughes | .... | digital compositor: Rainmaker UK | |
| Abdel Ali Kassou | .... | technical manager | |
| Aurelie Lajoux | .... | senior compositor | |
| Laurent Larapidie | .... | lead cgi artist | |
| Tim Mendler | .... | movematcher | |
| Amandine Moulinet | .... | vfx assistant coordinator | |
| Collette Nunes | .... | visual effects editor | |
| Roma O'Connor | .... | executive producer: visual effects | |
| Carine Poussou | .... | visual effects coordinator | |
| Aled Robinson | .... | visual effects editor: MPC | |
| John Van Hoey Smith | .... | digital compositor | |
| Hugh Welchman | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Christian Abomnes | .... | focus puller | |
| Jean-Christophe Allain | .... | focus puller: b camera | |
| Bruno Calvo | .... | still photographer | |
| Mathieu Caudroy | .... | Steadicam operator | |
| Patrick Contesse | .... | head gaffer | |
| Roberto De Angelis | .... | Steadicam operator | |
| Roberto De Angelis | .... | camera operator: "a" camera | |
| Xavier Dolléans | .... | balloon light technician | |
| Ingo Gardner | .... | balloon light technician | |
| Manuel Gaspar | .... | electrician | |
| Gaston Grandin | .... | key grip | |
| Roman Hodek | .... | key grip | |
| Michal Houzvicka | .... | grip | |
| Alex Ivanco | .... | electrician | |
| Alaux Jean-Marc | .... | lighting balloon technician | |
| Vladimir Muller | .... | Steadicam operator | |
| Olivier Nedelcu | .... | electrician | |
| Morvan Omnes | .... | grip | |
| Zdenek Pozar | .... | electrician | |
| Sylvain Rodriguez | .... | additional video assist | |
| Martin Schmarc | .... | video assist operator | |
| Jaromir Simek | .... | gaffer: Czech Republic | |
| Petr Svoboda | .... | electrician | |
| Carsten Thoms | .... | balloon light technician | |
Costume and Wardrobe Department | |||
| Céline Collobert | .... | dresser: Paris/Los Angeles | |
| David Crossman | .... | costume supervisor | |
| Natalie Humphries | .... | assistant costume designer | |
| Alice Kheilova | .... | costumer | |
Editorial Department | |||
| Elisa Aboulker | .... | assistant editor | |
| Serge Anthony | .... | color timer | |
| Yves Beloniak | .... | additional editor | |
| Jerome Brechet | .... | editor: pan & scan | |
| Stephanie Broussaud | .... | digital intermediate editor | |
| Sophie Delecourt | .... | additional editor | |
| Élodie Ichter | .... | digital intermediate editor | |
| Natacha Louis | .... | digital color grader | |
| Tuong Vi Nguyen-Long | .... | assistant editor | |
| Fabien Pascal | .... | colorist | |
| Virginie Seguin | .... | first assistant editor | |
| Reginald Gallienne | .... | dailies color grader (uncredited) | |
Music Department | |||
| Guy Barker | .... | musician: trumpet solo | |
| Becky Bentham | .... | music supervisor | |
| Becky Bentham | .... | score coordinator | |
| Katia Boutin | .... | music editor | |
| Benjamin Caillaud | .... | protools engineer | |
| Marcia Crayford | .... | musician: first violin | |
| Edouard Dubois | .... | musical director | |
| Isobel Griffiths | .... | orchestra contractor | |
| Dave Hartley | .... | musician: piano | |
| Igor Outkine | .... | musician | |
| Édith Piaf | .... | singing voice | |
| Stéphane Reichart | .... | music recordist | |
| Guillaume Roussel | .... | assistant orchestrator | |
| Chris Clad | .... | violin (uncredited) | |
|
|
|
|
|
| Paris 36 | Isadora | Ray | The Josephine Baker Story | I'm Not There. |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb France section |
Before getting to the review of this astonishing film, let me tell you about how I came to see it. On my way back to the UK from Indiana last week I had a seven hour layover in Newark. I don't much enjoy hanging around airports for hours, so I took the 30 minute train ride into Manhattan. Wandering up the road from Maddison Square Gardens I heard a smart-suited African speaking French into his 'cellulaire'. Wondering if he was from Côte d'Ivoire where we used to live, I followed him through a shop doorway. As my eyes adjusted to the rather greasy gloom, I noted that I had entered a little Caribbean bakery/restaurant full of black faces. I suppressed the desire to make a quick exit and joined him at the back of the queue at the counter. He turned out to be Senegalese rather than Ivorian, but was very pleased to have another chance to talk French...
After a very tasty $7 lunch of 'stew chicken with rice & beans' and a portion of fried plantains, I headed on up 8th Avenue. A few blocks further on I came to a cinema and decided that it would be great to see a 'movie' on a real big screen rather than the way I see most films these days through the distinctly low-def screen built into the back of the airline seat in front of me.
I was just in time to buy tickets for La Vie en Rose which was starting right away. Entering the big 'movie theater' I was shocked that at four on a Wednesday afternoon the place was packed solid. As my eyes adjusted and hunted for an empty seat I observed that I was once again the stranger - almost everyone there appeared to be over sixty. Perhaps it was the cheap day for seniors or the fact that La Vie en Rose had only opened a few days earlier but the film definitely merits a large audience.
Perhaps you are put off by foreign language films with subtitles, but to have dubbed this from French would have been a crime. It is a biopic of the life of Edith Piaf whose theme song was La Vie en Rose - literally 'Life in Pink' or more idiomatically 'The Rose-tinted Life'. Edith Piaf's gravelly voice and melodramatic life is superbly portrayed by Marion Cotillard as the film works its way through her life to the accompaniment of her distinctive songs. Of course, as in all French films which make it to the anglophone world, there is a role for THE French Actor as we often refer to Gerard Depardieu; he is the impresario who literally discovers 'the Little Sparrow' singing in the back-streets of Montmartre.
It was quite a puzzle to place each scene in chronological order as the film jumps around through more flashbacks and flash forwards than an entire season of Lost. Apart from that though, La Vie en Rose is an absolute triumph, rich with the colours of Piaf's tragic life. The entire audience stuffed damp handkerchiefs into their pockets, rose to their feet and applauded this guaranteed Oscar winner. Piaf finished her career singing a song which she felt summed up her life - "Non je ne regrette rien!" Take your friends to see this classic film and you'll have no regrets either.