Put in charge of his young son, Alain leaves Belgium for Antibes to live with his sister and her husband as a family. Alain's bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.
Sandra, a young Belgian mother, discovers that her workmates have opted for a significant pay bonus, in exchange for her dismissal. She has only one weekend to convince her colleagues to give up their bonuses so that she can keep her job.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
An un-chronological look at the life of the Little Sparrow, Édith Piaf (1915-1963). Her mother is an alcoholic street singer, her father a circus performer, her paternal grandmother a madam. During childhood she lives with each of them. At 20, she's a street singer discovered by a club owner who's soon murdered, coached by a musician who brings her to concert halls, and then quickly famous. Constant companions are alcohol and heartache. The tragedies of her love affair with Marcel Cerdan and the death of her only child belie the words of one of her signature songs, "Non, je ne regrette rien." The back and forth nature of the narrative suggests the patterns of memory and association. Written by
During Edith's first date with Marcel, a sommelier comes from Marcel's right. Marcel tastes the wine, looks to his left, and tells the waiter that the wine is OK. See more »
In three months... that's right, in April, I'll be a hit at the Olympic. With a full house, we'll be flush.
Edith, your liver cells are not functioning normally. You've been ill. You need rest. It's serious.
I'm just 44. I'm not in the tomb yet.
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Piaf's tumultuous life receives a superb framework in this excellent biopic. I've read some criticism of Dahan's editing style which switches often to various parts of her all-too-brief life, but with a woman of such roiling emotions and dramatic upheavals, how could it not be so? The two things I found missing here were her WWII Resistance activities and her final marriage to a man twenty years her junior. But then again the film might have approached the three- hour mark and at nearly two and a half, you walk away feeling as though you witnessed a train wreck in slow-mo. Please do not let this prevent you from seeing an astonishingly fine recreation of a life that is so fully lived you cannot believe it. Piaf's magnificent, emotional singing is fully complemented by Cotillards balls to the wall performance. Heart and soul are in total sync here and Cotillard manages to age astonishingly well. This is a terrible tale of a child grotesquely abandoned emotionally by her parents. Piaf's will to live is inspiring even in the face of self-destruction that makes Judy Garland's own battles with alcohol and drugs seem minor in comparison. The parallels to both women are hard to ignore. The rest of the cast is first-rate, and the film beautifully evokes the eras covered in her life. Best of all there is the great Piaf recorded legacy which is well-handled here. There's no sense that Cotillard is not singing and that's a testament to the skill that suffuses this fine film. Excellent.
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