In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
Director Davis Guggenheim eloquently weaves the science of global warming with Al Gore's personal history and lifelong commitment to reversing the effects of global climate change in the most talked-about documentary at Sundance.
The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
An elderly Margaret Thatcher talks to the imagined presence of her recently deceased husband as she struggles to come to terms with his death while scenes from her past life, from girlhood to British prime minister, intervene.
Richard E. Grant
An un-chronological look at the life of the Little Sparrow, Édith Piaf (1915-1963). Her mother is an alcoholic street singer, her father a circus performer, her paternal grandmother a madam. During childhood she lives with each of them. At 20, she's a street singer discovered by a club owner who's soon murdered, coached by a musician who brings her to concert halls, and then quickly famous. Constant companions are alcohol and heartache. The tragedies of her love affair with Marcel Cerdan and the death of her only child belie the words of one of her signature songs, "Non, je ne regrette rien." The back and forth nature of the narrative suggests the patterns of memory and association. Written by
I disagree with the previous comment regarding Olivier Dahan's direction, which was handle in my humble opinion, with such an eye for detail and created a wonderful, caring homage to Edith Piaf. I do believe that the chemistry between Mr. Dahan and the heart rendering performance by Marion Cotillard is what made the story riveting and visually stunning. Piaf's scattered "memories" are just what the film examines as she starts to dissect and remember fragmented moments in her life, and sometimes "in life" characters, relationships, lost loved ones are suddenly shifted and gone from one's perspective without any notice. The use of "just" the right amount of music, was done superbly as to not just make this a "concert type" musical biography but an exciting joy ride through an era long since past. By the time the credits were rolling both of my shirtsleeves were damp with tears of sorrow and tears of joy in discovering much more about such a remarkable, true modern day diva. I highly recommend this film.
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