A film about an unfinished film which portrays the people behind and before the camera in the Warsaw Ghetto, exposing the extent of the cinematic manipulation forever changing the way we look at historic images.
Over the course of one year, this film follows the life of an ordinary Pyongyang family whose daughter was chosen to take part in one of the famous Korean "Spartakiads". The ritualized ... See full summary »
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
Balinese Tari Legong Dancers,
Ni Made Megahadi Pratiwi,
Puti Sri Candra Dewi
This film presents a North Korean family progressing through an 'average' day. There is no narration, but the filmmaker gives a point to the presentation through his use of film techniques and soundtrack. In order to get this sort of access, Mr. Fleury did have to make concessions to the DPRK government, and its clear that they are putting their best face forward here. However, there is a jarring dissonance between what they must think is their "best face" and what international viewers will probably see as a grim, claustrophobic, and stultifying life that can only be endured by projecting all life's miseries on the "bastard Americans". Best watched in conjunction with "A State of Mind".
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