A film about an unfinished film which portrays the people behind and before the camera in the Warsaw Ghetto, exposing the extent of the cinematic manipulation forever changing the way we look at historic images.
This is clearly propaganda, but (unlike much of the genre) it doesn't stray into bad comedy from our viewpoint. By following a Pyongyang family through a "typical" day, it depicts North Korean life as hard-working, serious-minded, and humane. (Granted, the filmmaker never shows Kim Jong Il in anything but a positive light and never treats the fact that his likeness is EVERYWHERE as something suspicious.) It shows a nation of happy-well-adjusted people who seem content with the ways things are -- as is its the film's purpose. Fleury certainly had to cut a deal with the North Korean regime to even get it made, but he still discloses more about the place than the DPRK government would probably like, if they really knew what Westerners thought.
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