| Timothy Burke | ... | The Man | |
| Stephen Angus | ... | The Man with the Dog | |
| Bibo | ... | The Dog | |
| rest of cast listed alphabetically: | |||
| Matt Amore | ... | Emergency Medical Technician | |
| Dusan Lubarda | ... | Truck Driver | |
| Laurence Nosbaum | ... | Patrolman | |
| Greg Sosnowski | ... | Emergency Medical Technician | |
Directed by | |||
| I. Michael Toth | |||
Writing credits(in alphabetical order) | ||
| I. Michael Toth | ||
Produced by | |||
| Christopher Gentry | .... | producer | |
| Frank T. Herbert | .... | co-producer | |
| Predrag Konstantinovic | .... | executive producer | |
| Siro Pieri | .... | co-executive producer | |
| Charles Renslow | .... | executive producer | |
| Mladen Selak | .... | co-executive producer | |
| Steve Weiss | .... | co-executive producer | |
Cinematography by | |||
| Sasha Rendulic | |||
Film Editing by | |||
| I. Michael Toth | |||
Production Design by | |||
| Slobodan Radovanovic | |||
Costume Design by | |||
| Natasha Vuchurovich Djukich | |||
Makeup Department | |||
| Erin Plumlee | .... | hair stylist | |
| Erin Plumlee | .... | makeup artist | |
Production Management | |||
| Christopher Gentry | .... | production manager | |
| Vanessa Hickey | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Daniel Rucci | .... | first assistant director | |
Art Department | |||
| Rae Deslich | .... | set dresser | |
| Beth Gatza | .... | scenic artist | |
Sound Department | |||
| Tom Beach | .... | sound mixer | |
| Tom Beach | .... | sound recordist | |
| Jeff Finney | .... | foley artist | |
| Jeff Finney | .... | sound effects editor | |
| Adam Mohundro | .... | boom operator | |
| I. Michael Toth | .... | sound designer | |
| Patrick Yacono | .... | sound re-recording mixer | |
| Patrick Yacono | .... | supervising sound editor | |
Special Effects by | |||
| Mike Bloom | .... | special effects technician | |
| Timothy B. Campbell | .... | special effects crew | |
| Ryan M. Hotz | .... | special effects crew | |
| Tom Linneman | .... | special effects technician | |
| Daniel W. Meyer | .... | special effects crew | |
| Adam L. Rhoades | .... | special effects crew | |
| Ward Weber | .... | special effects technician | |
Camera and Electrical Department | |||
| Jim Andre | .... | gaffer | |
| Mike Bove | .... | second assistant camera | |
| Kurt Branstetter | .... | additional cinematographer | |
| Mike Cavanaugh | .... | grip | |
| Joey Domaracki | .... | best boy electric | |
| Oto Ekres | .... | still photographer | |
| Oto Ekres | .... | videographer | |
| Joseph Farris | .... | camera operator | |
| Amanda Gunderson | .... | second assistant camera | |
| Doug Hall | .... | grip intern | |
| Jennifer Hellwig | .... | grip | |
| Tim Lynn | .... | grip | |
| Dave McGuire | .... | key grip | |
| Tony Santiago | .... | first assistant camera | |
| Rick Unsbee | .... | grip | |
| Justin Watson | .... | Steadicam operator | |
| Justin Watson | .... | first assistant camera | |
| Dave Wightman | .... | camera operator | |
| Dave Wightman | .... | first assistant camera | |
Costume and Wardrobe Department | |||
| Erin Plumlee | .... | assistant costumer | |
Music Department | |||
| Dimitry Golemovich | .... | musical score | |
Other crew | |||
| Stephen Angus | .... | creative consultant | |
| Makkida Asfaw | .... | production coordinator | |
| Michael Baumann | .... | production assistant | |
| Mike Dahlinghaus | .... | production assistant | |
| Nathan Lock | .... | key production assistant | |
| Ratko Momcilovic | .... | script supervisor | |
| Janis Pieri Toth | .... | creative consultant | |
| Christine Walker | .... | production assistant | |
|
|
|
|
|
| Peaceful Warrior | The Matador | Detour | Personal Velocity: Three Portraits | Magnolia |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
"Cast in Gray" is like the best of French cinema in lyricism and pacing. It addresses larger issues, however, than the usual French fare. The subjects of existential angst and "faith" or lack thereof are treated with a light touch in combination with masterful patience. The lush photography and the sound of the rain make the film a sensual pleasure without even considering the script. I might guess that there is something Eastern European and slightly dark in conception which is lightened by Michael Toth's sense of the magical. The script is spare. The acting is superb. The use of the dog is a brilliant and comic touch. This is a rare gem. I hope to see more of this filmmaker's work. It is just a beautiful film.