4 interlocking stories all connected by a single gun all converge at the end and reveal a complex and tragic story of the lives of humanity around the world and how we truly aren't all that different. In Morocco, a troubled married couple are on vacation trying to work out their differences. Meanwhile, a Moroccan herder buys a rifle for his sons so they can keep the jackals away from his herd. A girl in Japan dealing with rejection, the death of her mother, the emotional distance of her father, her own self-consciousness, and a disability among many other issues, deals with modern life in the enormous metropolis of Tokyo, Japan. Then, on the opposite side of the world the married couple's Mexican nanny takes the couple's 2 children with her to her son's wedding in Mexico, only to come into trouble on the return trip. Combined, it provides a powerful story and an equally powerful looking glass into the lives of seemingly random people around the world and it shows just how connected we... Written by
Director of photography Rodrigo Prieto encountered a problem while filming a track shot where Richard and the villagers carry the wounded Susan to the top of a steep hill: he tried running backwards to get the shot, but each time he tripped, often falling. However, director Alejandro González Iñárritu ruled out using a Steadicam and insisted on hand-held camera work. Finally, key grip Joseph Dianda came up with a solution: Prieto filmed the shot while seated in a hotel chair carried by four grips. The resulting footage became known to crew members as "The Joey Chair Shot". See more »
After the wedding, Amelia, her nephew and the Jones children use the Tecate border crossing to reenter the USA. After fleeing, we are shown a sandy, wide desert where they wander. Actually, the Tecate border crossing is in the mountains, there is no such desert within a reasonable distance on the USA side. What is shown looks like an Arizona border crossing. See more »
It's almost new. Three hundred cartridges. The guy who gave it to me said you can hit as far as three kilometers.
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A coherent, impressive, well-made, insightful piece of work
"Babel" centers on several groups of people in 4 countries that are all connected by one freak accident Alejandro González Iñárritu takes us from North Africa to North America to Asia His film exposes four unconnected story lines that are eventually divulged to be inextricably linked to one another
The first involves an isolated family of goat herders who live in the High Plateaus of the Moroccan desert where two young boys are testing a rifle's range handed by their father to protect their goats from jackals...
The second concerns a Middle-class American couple on a bus tour of Morocco trying to save together their damaged marriage
Meanwhile, in the US, there is grave danger for an undocumented immigranta Mexican nanny as she tries to return to United States after she wrongfully decides to take her two blonde-haired young charges to her son's wedding across the Mexican border, despite her employers' sudden change of plans, that needs that she remains with them and miss the joyful occasion
And on the opposite side of the world, we follow, in Tokyo, an alienated, confused deaf and mute teenage student, recovering from her mother's suicide, who eases her feelings of depression and loneliness by trying to win the friendship or attention of every man or adolescent who crosses her path She flirts with sexual exhibitionism to attract the attention of her distant and uncommunicative father
"Babel" tries to make a point and the point is that when people can't or won't communicate, unpredictable paths can lead to tragic consequences It also tries to leave a message of how a 'shooting' from a simple 'gift' can set off a chain reaction of tragic events in three continents and four countries over which the different characters have exceedingly uncomfortable human emotion
Out of the entire cast, it is only Rinko Kikuchi as Chieko who steals the movie especially when she transmits to her friends her mad decision of sexual aggressiveness, saying to all: "Now they're going to meet the real hairy monster." This scene remembered me, in some way, Sharon Stone uncrossing legs in "Basic Instinct."
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