4 interlocking stories all connected by a single gun all converge at the end and reveal a complex and tragic story of the lives of humanity around the world and how we truly aren't all that different. In Morocco, a troubled married couple are on vacation trying to work out their differences. Meanwhile, a Moroccan herder buys a rifle for his sons so they can keep the jackals away from his herd. A girl in Japan dealing with rejection, the death of her mother, the emotional distance of her father, her own self-consciousness, and a disability among many other issues, deals with modern life in the enormous metropolis of Tokyo, Japan. Then, on the opposite side of the world the married couple's Mexican nanny takes the couple's 2 children with her to her son's wedding in Mexico, only to come into trouble on the return trip. Combined, it provides a powerful story and an equally powerful looking glass into the lives of seemingly random people around the world and it shows just how connected we... Written by
Director of photography Rodrigo Prieto encountered a problem while filming a track shot where Richard and the villagers carry the wounded Susan to the top of a steep hill: he tried running backwards to get the shot, but each time he tripped, often falling. However, director Alejandro González Iñárritu ruled out using a Steadicam and insisted on hand-held camera work. Finally, key grip Joseph Dianda came up with a solution: Prieto filmed the shot while seated in a hotel chair carried by four grips. The resulting footage became known to crew members as "The Joey Chair Shot". See more »
When Chieko and Detective Mamiya are out on the balcony, there are no buildings close to hers when he is looking at the view they have from above the 30th floor. Later Chieko is on the balcony, nude, and her father comes to comfort her. As the movie ends, a long shot of their balcony is shown from their balcony's height and there are two buildings, one the same height, and one taller, right next to theirs that were not there earlier. See more »
It's almost new. Three hundred cartridges. The guy who gave it to me said you can hit as far as three kilometers.
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Babel is my film of the year, and probably the best film I've seen in quite a few years.
The film looks at relationships, from husband/wife, parent/children, brother/sister and plays around the themes of love in adversity. The characters are all interlinked in a very random way, it's a little like 10 degrees of separation.
The film is set in Morocco, Mexico, Japan and the US, and the director makes full use of the different backdrops to bring the picture alive.
The characters are deep and insightful, each has a problem to face up to and the subtle, naturalistic way their issues play out make for truly emotional cinema. This is not a film about heroes, it's a film about trying to make the right choices when your back is to the wall, and the doubts that go with this.
Great movie, especially if you're a parent as your protective instincts will kick in at least once during this movie!
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