4 interlocking stories all connected by a single gun all converge at the end and reveal a complex and tragic story of the lives of humanity around the world and how we truly aren't all that different. In Morocco, a troubled married couple are on vacation trying to work out their differences. Meanwhile, a Moroccan herder buys a rifle for his sons so they can keep the jackals away from his herd. A girl in Japan dealing with rejection, the death of her mother, the emotional distance of her father, her own self-consciousness, and a disability among many other issues, deals with modern life in the enormous metropolis of Tokyo, Japan. Then, on the opposite side of the world the married couple's Mexican nanny takes the couple's 2 children with her to her son's wedding in Mexico, only to come into trouble on the return trip. Combined, it provides a powerful story and an equally powerful looking glass into the lives of seemingly random people around the world and it shows just how connected we... Written by
Director of photography Rodrigo Prieto encountered a problem while filming a track shot where Richard and the villagers carry the wounded Susan to the top of a steep hill: he tried running backwards to get the shot, but each time he tripped, often falling. However, director Alejandro González Iñárritu ruled out using a Steadicam and insisted on hand-held camera work. Finally, key grip Joseph Dianda came up with a solution: Prieto filmed the shot while seated in a hotel chair carried by four grips. The resulting footage became known to crew members as "The Joey Chair Shot". See more »
(at around 1h 55 mins) Amelia's torn stockings from wandering in the desert repair themselves as she is brought into the immigration office. See more »
It's almost new. Three hundred cartridges. The guy who gave it to me said you can hit as far as three kilometers.
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This is a film that is in part about how we fail to communicate and how we fail to understand not only with people in other cultures but also with people just around the block. This is the story of one family and how miscommunication and a lack of understanding spirals out into tragedy. Told in a disjointed manner that alters the time frame we have four stories: A family in Morocco who get a gun to protect the sheep they herd, A couple on vacation in the same country which has its vacation shattered by a shooting, the children of the couple who take a trip with their housekeeper to Mexico, and a seemingly unconnected story of a Japanese father and daughter. Thats what happens in simplistic terms. What happens on the screen is an often rending tale of how life connects us all in weird ways that we can't always explain. Its a beautiful movie to look at and is magnificently acted.
Unfortunately this viewer was bored silly by it. Pretentious to the point of silliness this is a movie that is going to spell out its premise over and over again. Yes, we can't communicate (and if it isn't clear one of the characters is deaf), yes we are all connected, yes this will lead to tragedy. Thank you for pointing it out for us, but did you have to do it for almost two and a half hours? Don't get me wrong there is a good story in this movie, but the way the director has chosen to tell it, out of order with the grafting on of the Japanese portion of the film, it all becomes lost. Its an attempt to add some emotional and intellectual weight to a story that doesn't need it. I walked out of the the film admiring it and what it was trying to do, but not liking it much at all.
Wait for video or cable
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