Raja, a fisherman is secretly in love with Mona. When wealthy Ravi comes to live with his grandmother, Kamladevi, he sees Mona and falls in love with her. Mona also reciprocates his love. ... See full summary »
A young man named Satya (J.D Chakravarthy) comes to Mumbai from South India in search of a job. Jailed for something he did not do, the once-honest young man meets an underworld boss, Bhiku... See full summary »
Flamboyant, dashing and handsome, Kumar, is the proud father of Ravi, his only son, and his pride and joy. When Ravi grows up, he meets with Komal, both fall in love with each other and ... See full summary »
Saif Ali Khan,
Mr. Nath lives a very wealthy lifestyle in India along with his wife, Sushma, and a 6 year old son, Raj. Both he and Sushma lead a very busy life, so much so that they have no quality time ... See full summary »
Baadshah Khan falls in love with Benazir, a member of a rival clan who has defeated him in a game of buzkashi. Benazir will not marry him unless he brings back the head of her father's ... See full summary »
Inderjit Bansal comes from a wealthy family. His father and mother, Chandrika, would like him to get married and settle down. But Inderjit wants to continue post-graduation studies and ... See full summary »
Nikhil Kapoor decides to re-locate from Parksville, USA to Bombay; meets with Anamika Joshi and instantly falls in love with her but she does not reciprocate. When he sees her again, she is... See full summary »
In the days leading up to Partition, a Hindu woman is abducted by a Muslim man. Soon, she finds herself not only forced into marriage, but living in a new country as the borders between India and Pakistan are drawn.
Chandra Prakash Dwivedi
Shwetambri Nath lives a wealthy lifestyle in the holy city of Banaras in India with her mom, Gayetri, and dad, Mahendra. She is now of marriageable age and has a young man, Satpal Shukla, who is also the Police Inspector in the area, who would like to marry her. But Shwetambri is attracted to an orphan, Soham, of a lower caste who lives with a woman called Dadi who is a sweeper by profession. Nevertheless, Shwetambri continues to meet with Soham on the pretext of learning music, and introduces him to her parents, who instantly disapprove of him. When Shwetambri refuses to marry anyone else, her parents relent and get her formally engaged to Soham, especially after learning that he may not be of a lower caste but of an unknown caste and has no blood relationship with Dadi. Shortly before the marriage takes place, Shwetambri's life is turned upside down when Satpal informs her that Soham has been killed. In her grief, she loses her mind and becomes a loner. Her dad asks a childhood ... Written by
No matter what you believe... no matter what you have learnt... Setu Creations presents... from the oldest living city on the planet... the truth so powerful... that it will change the course of your life... forever. See more »
On 2 March 2006, a five-hour long puja (prayer) was performed for the success of the film. The puja was conducted by 16 Pundits, and occurred on the banks of the River Ganges at the holy Dasashwamedh Ghat. It was attended by the film's producer and writer L.C. Singh and director Pankaj Parashar. The next day, another puja was performed inside the Vishwanath Temple. See more »
The "grandmother" tells Soham that Kabir was an orphan found on the banks of Ganges river. In reality, Kabir was found by a water-well in Lahartara, a suburb of Varanasi. See more »
Revelation! Masterpiece! Classic! A brilliant cameo of life, the city of knowledge, and Infinity!
Has all ingredients of an all-time great movie!
Powerful storyline - Love, Romance, status & clash of social values, joy/sorrow, desire/surrender, success/failure,covetousness, suspense of the who-dun- it, control interference and the fight for freedom, purity/sin, justice retribution/understanding, the dilemma of science (physics) vs metaphysics(spiritual/religious thought), the deep hunger/urge in man for meaning & Verities/"Truth" and ideas of Eternal/Ephemeral existence - in short a cameo of LIFE itself.
"Banaras" even has "action", murder/violence/death which is idiomatically alluded to for each viewer to visualize - or is simply depicted with quiet finality - as in life! I cannot say when I last enjoyed such a totally absorbing masterpiece. I has always wondered if someone would attempt to make a movie that would address all these issues in 2/3 hours. I finally found one that fits the bill!
The portrayal of culture, locale is excellent and authentic. The superb music and lyrics - which run completely true to storyline - mood and message as well as events - both timely and timeless.
Banaras presents even very deep "fantastic" spiritual concepts: such as 1. the expansion/mergence of the human consciousness with super/cosmic consciousness and 2. Love as the bedrock of all existence 3. The guru-disciple relationship which fords life, death and Infinity seamlessly 4. Principles of spiritual crisis and healing 5. The karma - the cause and effect principle (where we sows the result if our actions
and create/destroy our joy/life by our actions), 6. Forgiveness -
cessation of "blame" by absolute love/understanding/surrender (despite awareness of the "sinful" actions) 7. Intuitive transmission/reception of thought/ideas in an excellent manner - with seemingly effortless natural ease - which is again as it should be because "Truth is simple".
I saw this once and then had to go back to see it again - because I felt I needed to be a true critic more balanced in my opinion and so must find fault if there is some. I could not fault even the cinematography. The perception of the untouchable - was expressed through the sweeping, the rising of the dust, and the dropping of the broom, all too effectively - the effect was almost viscerally tangible!
The authenticity of portrayal of "supernatural" events with real spiritual experience is also astounding!
A big thank you to the team! Kudos to each performer - for perfect portrayal of each role and to Pankaj and the editors for a very slick presentation.
If Oscars were mine to give - Banaras would surely have had them! May it be the first of many more in its genre - to come from my beloved India!
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