IMDb > Blame (6 Films to Keep You Awake) (2006) (TV)

Blame (6 Films to Keep You Awake) (2006) (TV) More at IMDbPro »Películas para no dormir: La culpa (original title)


Overview

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Release Date:
21 August 2006 (Japan) See more »
Genre:
Tagline:
Un horrible secreto se oculta en el desván. (A horrific secret is hidden in the attic.)
Plot:
When the single mother nurse Gloria has financial difficulties, her colleague and friend Dr. Ana Torres... See more » | Full synopsis »
Plot Keywords:
User Reviews:
Mixing in the real with the unreal; the scary and possible with the scary and impossible as well as a morality tale - it must be a European experimental horror. See more (6 total) »

Cast

  (in credits order)
Nieve de Medina ... Ana
Montse Mostaza ... Gloria
Alejandra Lorenzo ... Vicky
Mariana Cordero ... Teresa
Asunción Díaz ... Consuelo
Lourdes Bartolomé ... Monja
Rocío Calvo ... Amparo
Elena de Frutos ... Aurora
Paloma Ruiz de Alda ... Marta
Sonia Jávaga ... Paciente
Patricia García Méndez ... Embarazada 1
Marta Nieto ... Embarazada 2
África Luca de Tena ... Enfermera 1
María Martínez ... Enfermera 2
José María Rueda ... Interno
rest of cast listed alphabetically:
Ana Burrell

Directed by
Narciso Ibáñez Serrador 
 
Writing credits
(in alphabetical order)
Narciso Ibáñez Serrador  (as Luis Peñafiel)
Luis Murillo  story

Produced by
Álvaro Augustín .... producer
Carlos Fernández .... executive producer
Julio Fernández .... producer
Santiago Gimeno .... executive producer
Aitor Montánchez .... executive producer
Félix Rodríguez .... supervising producer
 
Original Music by
Víctor Reyes 
 
Cinematography by
José Luis Alcaine 
 
Film Editing by
David Pinillos 
 
Casting by
Pep Armengol 
 
Art Direction by
Carlos Dorremochea 
 
Costume Design by
María José Lebrero 
 
Makeup Department
Belén López-Puigcerver .... makeup artist (as Belén López Puigcerver)
Jean-Jacques Puchu .... hair stylist
 
Production Management
Fernando Carballido .... assistant production manager
 
Second Unit Director or Assistant Director
Joaquín Mazón .... second assistant director
Luis Oliveros .... assistant director
 
Sound Department
Juan Borrell .... sound
Manuel Carrión .... foley artist
Miguel Ángel Rubio .... boom operator
Carlos Schmukler .... supervising sound editor (as Charly Schmukler)
 
Special Effects by
Reyes Abades .... special effects
 
Visual Effects by
Sandra Picher .... visual effects coordinator
 
Camera and Electrical Department
Pipo Fernández .... still photographer
 
Music Department
Juanjo Aranda .... music mixer
 
Other crew
Eduardo Albaladejo .... management of rights: Filmax Entertainment
Vicente Canales .... head of sales
Pedro José de la Fuente García .... production assistant
Rafael López de la Manzanara Cuadri .... location manager
Helena Moreno Núñez .... development executive
Martin Samper .... making-of
Elena Serra .... development executive
 

Production CompaniesDistributorsOther Companies

Additional Details

Also Known As:
"Películas para no dormir: La culpa" - Spain (original title)
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Runtime:
Spain:72 min
Country:
Language:
Color:
Aspect Ratio:
1.78 : 1 See more »
Sound Mix:
Certification:
Filming Locations:
Company:

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10 out of 19 people found the following review useful.
Mixing in the real with the unreal; the scary and possible with the scary and impossible as well as a morality tale - it must be a European experimental horror., 1 June 2008
Author: johnnyboyz from Hampshire, England

Here's another entry into the 'Films to Keep you Awake' series but while its production values and its outgoing approach to one or two themes is very much present, La Culpa is nothing more than a short, sharp way to spend 70 minutes watching a horror film that although is foreboding at times, is nothing particularly special. La Culpa, I find, was written and directed by a Uruguayan man named Narciso Ibáñez Serrador; a man who has been writing and directing for decades so perhaps my reaction to the film being a little 'iffy' is down to a mere off day on the directors behalf.

La Culpa translates into the English for 'Blame' but from memory, I cannot recall any reason for anyone to be 'blamed' for anything and nor can I really recall an underlying theme based on the title to tie in with the film's story and developments. For the record, Blame sees a struggling female nurse named Gloria (Mostaza) and her young daughter Vicky (Lorenzo) move in with a fellow nurse called Ana (de Medina). But there is supposedly more than meets the eye to this person. She has an abortion clinic set up within the walls of the house, the house itself shares a through-door with the next door neighbours and Ana's sexual preferences seem a little ambiguous at best. The trouble is, I think the film liked to think that it had all these ingredients and ideas going for it when really they were merely a series of set ups and let downs to fill up time. In fact, I do not think La Culpa can even be classed as a horror film but a mere urban drama revolving around a financially struggling single mother and her hardships.

Take the abortion clinic for instance as an idea. Yes, abortions are always going to make for uneasy viewing when placed within the boundaries of a film but what do we actually get? Nothing of the frightening quantity. Then there is the door that leads into the adjoining house which for a horror film, is, I suppose a pretty good idea: 'where does this door lead? Why should the character's not go in? What's the knocking from the other side? But the set up and anxiety exists for only a mere scene or two – it turns out there is a logical explanation for the door, where it leads and what's the other side of it. Yes, a creepy looking old woman lying in a bed in the room through the door can be perceived as creepy but when the owner of the house shows up and sates that it is someone's bedroom in next doors house, are we really going to be so full of anxiety come the next uncanny set up? I for one was not and this is where La Culpa lost me as a horror film.

This idea continues on into one of the film's later scenes when Gloria approaches a 'creepy' rocking cradle. But by this point we are sort of confused; there is nothing uncanny in this film, right? This is taking place in the real world – the house is not haunted and there are no such things as monsters. What is actually in the cradle sums up not only the film's approach but how we react to the foreboding set ups in the sense it's an anticlimax. If anything, Blame borrows from To Let in the same way the film involves a seemingly psychotic landlady, they both centre around a young adult who is either in a crisis due to impending birth or already owns a young child and they both seem to want the ambiguity of their respective locations to generate half the scares for the film. But while To Let's location was actually quite eerie because we had reason to fear what was going on, Blame extinguishes fear and anxiety early on resulting in the later exchanges to become anti-climatic.

But La Culpa deserves credit for its general approach to its subject matter. I think the word 'blame' from the title has something to do with casual sex and unwanted pregnancy. I think the film is some sort of covert morality tale to do with sex before marriage – the young girls come into the abortion clinic and we generally get all the nasty, hair tingling build up you'd expect when the abortion is prepared and then followed through and the flushed away. We get the anaesthetic, we get the blood and the talk during the operation with the only thing that is missing being the 'nod' to the females amongst the audience: "You don't want this to be you, do you?" So Blame demonises casual sex which is fair enough if the director is going to make that statement but it does so with a supernatural approach which is something I cannot reckon the thinking behind. Blame is willing to be slower and more sedate in its setting up of the situation. Scenes involving little Vicky and her mother exchanging, being picked up from school, etc. are sweet and everything but then the film is supposed to be scary, isn't it?

La Culpa misses the mark as a horror film but as a vague statement on why kids should wait for marriage before sex I suppose it succeeds; but it does so through telling us how nasty abortions are and the how nasty the procedure is rather than giving us evil looking zombie babies and haunted houses – come to think of it, maybe that's a good thing. But if elderly women asleep in beds in rooms you should not enter and characters finding odd looking goo on the floor and leading upstairs sounds scary to you then by all means give La Culpa a go. Since there are explanations for these events, the film fails for me.

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