After Elizabeth, Will, and Captain Barbossa rescue Captain Jack Sparrow from the the land of the dead, they must face their foes, Davy Jones and Lord Cutler Beckett. Beckett, now with control of Jones' heart, forms a dark alliance with him in order to rule the seas and wipe out the last of the Pirates. Now, Jack, Barbossa, Will, Elizabeth, Tia Dalma, and crew must call the Pirate Lords from the four corners of the globe, including the infamous Sao Feng, to gathering. The Pirate Lords want to release the goddess Calypso, Davy Jones's damned lover, from the trap they sent her to out of fear, in which the Pirate Lords must combine the 9 pieces that bound her by ritual to undo it and release her in hopes that she will help them fight. With this, all pirates will stand together and will make their final stand for freedom against Beckett, Jones, Norrington, the Flying Dutchman, and the entire East India Trading Company. Written by
The character of the pirate lord Mistress Ching is likely inspired by the real-life Chinese pirate Cheng I Sao (or Ching Yih Saou), who controlled the South China Sea with her large pirate fleet in the early 1800s. See more »
Directly after the battle between the Black Pearl and the Flying Dutchman near the end of the film, Barbarossa says "Belay that, or we'll be a sitting duck!" in response to Jack's command. but the phrase "sitting duck" was not introduced until the early 1900s. See more »
In order to affect a timely halt to deterioriating conditions, and to ensure the common good, a state of emergency is declared for these territories by decree of Lord Cutler Beckett, duly appointed representative of His Majesty, the King. By decree, according to martial law, the following statutes are temporarily amended: Right to assembly, suspended. Right to habeas corpus, suspended. Right to legal counsel, suspended. Right to verdict by a jury of peers, suspended. By decree, all...
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Scene appears at the end of the credits to show how two pivotal characters meet again in ten years' time. See more »
Movie Review: Pirates of the Caribbean: At World's End
Pirates of the Caribbean: At World's End is the third and last of the money spinning trilogy, or so they say. Everything has led to this, or so they say again and I kept my mind opened. The first of the Pirates series, The Curse of the Black Pearl was good. It was a movie out of nothing or more correctly a movie inspired by nothing more than a Disney theme park ride. Having said that however the creation of Captain Jack Sparrow was nothing short of inspirational. Captain Jack played by the charismatic Johnny Depp became the talisman of Pirates of the Caribbean. Thought to be dead when we saw him charging into the jaws of monster octopus Kraken toward the end of Dead Man's Chest (the sequel), he is to be brought back from the dead in this latest film.
I have to be honest; I hated Dead Man's Chest. Its various plots and subplots were terribly tangled and confusing. It was hard to follow what sort of story or motives the movie wants to say. I blamed my lack of understanding for not comprehending Dead Man's Chest. That was summer of last year but since then I have done my research, for the billion dollars making movie was to have a third installment. Having seen one and two, I have to see three. But if I do not understand two then how can I go ahead with three. And so after a better understanding of two I saw three. You should know this. For all my efforts I was still robbed by the pirates.
I was led happily out into the open sea before being robbed. I was enjoying the first third of the 168 minutes film. Captain Jack's crew arrived in Singapore to look for Captain Sao Feng (Chow Yun-Fatt), pirate lord of the South China Sea for a ship and a map, so they could sail to world's end and rescue our favourite captain from Davy Jones's Locker. Davy Jones's Locker is a ghost realm of the netherworld where the dead Captain Jack Sparrow is being kept for eternity.
There appears to be some oriental influence in At World's End. Firstly of course we are introduced to a Chinese pirate, Captain Sao Feng. Secondly, the costumes and all were very well designed in an exquisite oriental fashion. And there was Singapore, a South East Asian country where Captain Sao Feng can be found.
The Singapore set features a bathhouse and I couldn't help relating it to Japanese animation master Hayao Miyazaki's Spirited Away. The popular animated film, released by Disney in the west has a bathhouse theme. The relation did not stop there, and I wondered if the scene where Captain Jack Sparrow is isolated in Davy Jones's Locker was inspired too by Hayao Miyazaki's work. The part where thousands of strange and curious yet harmless rounded stone-like crab helping Jack move his ship, The Black Pearl across a desert aroused my attention to this perspective. It was through the hands, eyes and imagination of the acclaimed animation master, Hayao Miyazaki that made famous the approach of detailing stories with thousands of mini little intriguing creatures. And it was fun to watch.
I was enjoying At World's End, laughing merrily at all the pirate jokes that the characters are lashing out at one another, feeling the thrill of the sword-fights and of course attracted to the sometimes witty, looney and mad character of Captain Jack Sparrow. That scene of him engaging himself to his many different personalities while alone in the deserted Davy Jones's Locker is a real gem.
But with all the oriental influences, the filmmakers probably did not take note of the teachings of Zen, where less is truly more. For when after the crew rescued Captain Jack Sparrow and brought him back to the mortal world, it all happened again. The tangling and confusing plots and subplots manifested once more and killed whatever is good about the film. In my opinion, if At World's End had ended after rescuing Captain Jack and had a straight approach in the gathering of forces to deal with Lord Cutler Beckett (Tom Hollander) and Davy Jones (Bill Nighy) with a fitting spectacle of a finale fight, the film would have been great.
I was trying to understand the story. In reflection I probably should not for it amounted to nothing. It just isn't worth it. It would be tiring for me just to list them all out. So just be warned that in the film, every character have their own personal agenda. It is "me" first and "you" later if "you" are still there. If that is the purpose of the story-writers to represent the meaning of how pirates are, then they have succeeded. In fact it was so successful that they lost me.
It bored me so much I no longer laughed at the jokes. It dragged on so long I no longer felt compelled to see the ending. I just want the film to end there and then. Enough was enough.
"Take whatever you can and give nothing back." Thanks a billion, filmmakers, or is it thanks me instead?
This entire Pirate series is like a ride on a pirate ship in a theme park, it was thrilling for a start but as it swing back and forth too many times the nauseas will come and when it stops you find yourself displaced nowhere.
Pirates of the Caribbean: At World's End is a fine example of a good film gone bad because it had too many tangling tales to tell. I maintain that it is worth watching for the first third of the film but save yourself from seasickness in the middle just so you can enjoy the spectacular fight sequence toward the end.
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