Years before Father Lancaster Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in East Africa. This is the tale of Father Merrin's initial battle with Pazuzu and the rediscovery of his faith.
A police lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased 'Gemini' serial killer, lead him to question the patients of a psychiatric ward.
Lankester Merrin is a archaeologist by profession but an ordained Roman Catholic priest who has lost his faith and abandoned his vocation. He is haunted by what he was forced to do in his native Holland during World War II. The church he's excavated in Northern Kenyan dates to the Byzantine period but this puts its construction hundreds of years before Christianity was introduced to the area. the church was buried to the rooftop in sand and as its structure is exposed, a madness slowly descends on the camp. the local tribesmen are prepared to go to war and demand that the church be buried. Soon, two British soldiers are found dead and their commanding officer, Major Granville, shoots a innocent civilian in cold blood. As fear descends upon everyone in the camp, it becomes apparent that a young disabled boy, Cheche, is possessed by the devil forcing Merrin to re-examine his own beliefs. Written by
In the nighttime village scene where the native woman is giving birth. The hut is lit from the left by an pure white light source, so strong that it shines through the gaps in the straw structure. There are plenty of campfires to light the scene, and certainly no place for a pure white light source that strong in this location. See more »
I am Obersturmfuhrer Ralph Kessel from the S.S., and this is one of my men. We found him in a ditch with a kitchen knife in his back, murdered by one of you. You see the German army retreating, and it makes you feel hope. It should not. So, who is responsible for this?
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At the extreme end of the end credits, after the last production company logo has faded out and the screen is entirely black, a demon voice grumbles "I am perfection". See more »
Exorcist: The Beginning was an ineffective film that contains everything I hate about current genre films: impatient editing and storytelling, lines of dialogue that stop just when some characters are about to actually say something, bombardment of CGI visuals and some seriously unnecessary gore effects that are akin to the movie-makers hitting the audience over the head with a Warner Brothers iron anvil normally reserved for their cartoon characters. What a nice surprise it was to finally see DOMINION on it's (unfortunate) limited run. Here is a movie that doesn't assume the audience is too stupid to actually sit down and take a story in without excessive music video stimuli. Here is a movie who's build-up is effective and will have many working hard to shake the uneasy feeling that, indeed, evil IS everywhere. There were some story elements from "The Beginning" that made no sense whatsoever. In this film - all is presented clearly, thoughtfully and much more unsettling (but it really hits you when the film comes to its climax). There is a scene in "The Beginning" where some crazed hyenas savage a character to shreds. Their appearance was curious and not presented as necessarily crucial to the film other than for one scene. In this film, just one look from them and you know right away they add to the whole atmosphere of the film. They are an ever present danger not only to the surrounding location but the always present evil watching humanity just out of sight and ready to attack when one is most vulnerable and alone. Another sequence featuring Father Merrin and Nazi soldiers is given a very clever, diabolic twist and adds MUCH to the notion of how the Devil deceives and tricks. In the other film, it's a scene where you know only that "this is what torments Father Merrin" - and that's it. Which is how this movie plays against Renny Harlin's "The Beginning" - an easy sell to the masses (it STILL didn't work). "Dominion" is a crafted piece where one single shot holds more story information than a 30 second sequence rife with vulgar, over-the-top digital effects. See this version - especially if believe that The Exocist story is actually more effective today than it EVER was.
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