A police lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased 'Gemini' serial killer, lead him to question the patients of a psychiatric ward.
While filming a haunted asylum in St. Louis, Missouri, documentary filmmakers uncover a secret diary of the infamous 1949 exorcism involving a 13 year old boy possessed by the devil that later inspired the book and movie "The Exorcist".
Christopher Saint Booth,
Philip Adrian Booth
Christopher Saint Booth,
Years before Father Lancaster Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in East Africa. This is the tale of Father Merrin's initial battle with Pazuzu and the rediscovery of his faith.
When Juvenal, a presumed miracle worker, appears on the scene Bill Hill attempts to exploit him but his plans go astray with the untimely intervention of August Murray and the developing ... See full summary »
Lankester Merrin is a archaeologist by profession but an ordained Roman Catholic priest who has lost his faith and abandoned his vocation. He is haunted by what he was forced to do in his native Holland during World War II. The church he's excavated in Northern Kenyan dates to the Byzantine period but this puts its construction hundreds of years before Christianity was introduced to the area. the church was buried to the rooftop in sand and as its structure is exposed, a madness slowly descends on the camp. the local tribesmen are prepared to go to war and demand that the church be buried. Soon, two British soldiers are found dead and their commanding officer, Major Granville, shoots a innocent civilian in cold blood. As fear descends upon everyone in the camp, it becomes apparent that a young disabled boy, Cheche, is possessed by the devil forcing Merrin to re-examine his own beliefs. Written by
Paul Schrader was originally hired as director of Exorcist: The Beginning (2004), but Morgan Creek ultimately rejected his "psychological thriller" approach, saying it was "commercially unmarketable". The decision was made to extensively rewrite and re-shoot the script, re-cast several roles, add new characters and give the director's chair to Renny Harlin. Schrader's version was originally supposed to be released direct to video, as a bonus feature on the DVD release of Harlin's version. However, in the wake of Exorcist: The Beginning (2004)'s box office failure, Morgan Creek abandoned this idea, allowing Schrader to present his version at several film festivals, as well as giving it a small scale theatrical release in several countries under a new title (Dominion: Prequel to the Exorcist). Schrader's version also received support from William Peter Blatty, who said to The Houston Chronicle that Schrader's version is "a handsome, classy, elegant piece of work." See more »
In the nighttime village scene where the native woman is giving birth. The hut is lit from the left by an pure white light source, so strong that it shines through the gaps in the straw structure. There are plenty of campfires to light the scene, and certainly no place for a pure white light source that strong in this location. See more »
I am Obersturmfuhrer Ralph Kessel from the S.S., and this is one of my men. We found him in a ditch with a kitchen knife in his back, murdered by one of you. You see the German army retreating, and it makes you feel hope. It should not. So, who is responsible for this?
See more »
At the extreme end of the end credits, after the last production company logo has faded out and the screen is entirely black, a demon voice grumbles "I am perfection". See more »
If you go into this film thinking you are going to see twirling heads and pea-soup you are going to be disappointed. If you go into this film with an open mind you will be pleasantly surprised by the depth, sophistication, spiritual drama, and sheer craft involved. There is meat to this picture. I think the artists involved rightly avoided trying to best or even mimic the original and instead focused on dread-- a creeping sort of existential dread-- instead of cheap, quick scares. You don't jump in your seat with fear, but you walk out of the theater feeling unnerved and it stays with you. Unlike most of the American popcorn horror flicks being made today, this film lingers in your head long after.
87 of 123 people found this review helpful.
Was this review helpful to you?