Trying to bootstrap his way out of Brooklyn's mean streets is Diamond, a rap musician. With his long-time pal Gage acting as his manager, he's trying to lay down a demo tape with cut-rate ... See full summary »
A massage therapist looking to overcome her addictions and reconnect with her son, whose father is an anthropologist in South America studying the Yanomani people, moves in with a wealthy ex-client in New Jersey.
Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting ... See full summary »
Bryce Dallas Howard,
In New York, the drug-addicted Syd is consumed by drink and drugs - missing his girlfriend London, who broke up with him six months ago after a two-year relationship. When Syd finds that London's friends throw a going away party for her, he decides to go to the party without an invitation. But first he meets the banker and drug-dealer, Bateman, in a bar to buy coke, and he invites his new acquaintance to go to the party with him. While locked in the bathroom with Bateman snorting coke and drinking booze, Syd recalls moments of his relationship with London, inclusive that he had never said "I love you" to his girlfriend despite her countless requests. Bateman also "open his heart" under the influence of cocaine and tells his impotence problem to Syd; in the end he convinces Syd to talk to London. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Dane Cook, the actor that plays George, actually uses some of the lines from his stand up comedy show in the film. See more »
[talking to himself]
All right, all right, all right, come on. Come on, Syd. You gotta mellow out. You gotta mellow out. You need a beer. You need a bottle. Ok. Stop doing blow. You gotta stop doing coke. Don't grind your teeth. If she sees you grind your teeth, you're fucked. Come on, Syd. Mellow out, mellow out. Be a man. Be a man. There, get a drink. Go out there, get a drink. What's the worse that can happen, right? What's the worse that can happen? I can see London, so what? Fuck, fuck. Ok,...
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Not a bad way to spend 89 minutes. Good Script. Good Acting.
Believable, if sometimes annoying, main characters, which i think was the point of the writing.
As a side note i always wondered how they can shoot a movie in a room full of mirrors, have the actors stand right in front of the camera & not see the camera in the mirror behind them. I just wondered.
I thought both Joy Bryant & Jessica Biel were under-utilized in this film. As a matter of fact that's all the films they've been in. But I digress.
Great music by the Crystal Method.
This film makes me interested in what Hunter Richards will do next.
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