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Directed by | |||
| Jonathan Dayton | |||
| Valerie Faris | |||
Writing credits(WGA) | ||
| Michael Arndt | (written by) | |
Produced by | |||
| Albert Berger | .... | producer | |
| Michael Beugg | .... | executive producer | |
| Jeb Brody | .... | executive producer | |
| David T. Friendly | .... | producer | |
| Bart Lipton | .... | associate producer | |
| Peter Saraf | .... | producer | |
| Marc Turtletaub | .... | producer | |
| Ron Yerxa | .... | producer | |
Original Music by | |||
| Mychael Danna | |||
| DeVotchKa | |||
Cinematography by | |||
| Tim Suhrstedt | (director of photography) | ||
Film Editing by | |||
| Pamela Martin | |||
Casting by | |||
| Justine Baddeley | |||
| Kim Davis-Wagner | |||
Production Design by | |||
| Kalina Ivanov | |||
Art Direction by | |||
| Alan E. Muraoka | |||
Set Decoration by | |||
| Melissa M. Levander | (as Melissa Levander) | ||
Costume Design by | |||
| Nancy Steiner | |||
Makeup Department | |||
| Susan Carol Schwary | .... | key hair stylist (as Susan Carol-Schwary) | |
| Janis Clark | .... | hair department head | |
| Dugg Kirkpatrick | .... | key hair stylist (as 'Dugg' Kirkpatrick) | |
| Amy Lederman | .... | makeup artist | |
| Angel Radefeld | .... | key makeup artist | |
| Nicole Sortillon | .... | makeup assistant (as Nicole Sortillion) | |
| Torsten Witte | .... | makeup department head | |
Production Management | |||
| Michael Bergyl | .... | unit production manager | |
| Bob Dohrmann | .... | production supervisor | |
| Michael Toji | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Heather Anderson | .... | additional second second assistant director | |
| Kate Greenberg | .... | second second assistant director | |
| Joe May | .... | additional second second assistant director | |
| Gregory J. Smith | .... | second assistant director (as Gregory Smith) | |
| Thomas Patrick Smith | .... | first assistant director | |
| Thomas Robinson Harper | .... | second unit director (uncredited) | |
| Bart Lipton | .... | second second assistant director (uncredited) | |
Art Department | |||
| Ellis J. Barbacoff | .... | assistant property master | |
| Tony Bonaventura | .... | property master | |
| Andrea Cantrell | .... | assistant props | |
| Jill Deibler | .... | buyer | |
| Joseph Kevin Garcia | .... | swing gang (as Joseph K. Garcia) | |
| Theresa Greene | .... | art department coordinator | |
| Michael Klingerman | .... | leadman | |
| David Marple | .... | swing gang | |
| Rich Murray | .... | assistant art director | |
| Christopher Pappas | .... | on-set dresser | |
| Christopher Pappas | .... | props | |
| Rion Waller | .... | swing gang | |
| Ryan Wylie | .... | props | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Gregg Barbanell | .... | foley artist | |
| Kerry Ann Carmean | .... | foley editor | |
| Patrick Cusack | .... | assistant sound editor | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| Craig Dollinger | .... | boom operator | |
| Bill Henderson | .... | sound re-recording engineer | |
| Stacey Michaels | .... | adr mixer | |
| Sterling Moore | .... | boom operator: additional photography | |
| Steven Morrow | .... | sound mixer | |
| Steve Nelson | .... | sound effects editor (as Steven F. Nelson) | |
| Nancy Nugent | .... | supervising adr editor (as Nancy Kyong Nugent) | |
| Buck Robinson | .... | sound mixer: additional photography | |
| Stephen P. Robinson | .... | supervising sound editor | |
| Terry Rodman | .... | sound re-recording mixer | |
| Robert Sharman | .... | utility sound technician | |
| Christopher Sidor | .... | sound mix technician | |
| Greg Steele | .... | adr mixer | |
| John C. Stuver | .... | dialogue editor | |
| Lucy Sustar | .... | foley mixer | |
| Greg Zimmerman | .... | adr recordist | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Ian Eyre | .... | special effects technician | |
Visual Effects by | |||
| Adam Avitabile | .... | visual effects supervisor | |
| Chad Buehler | .... | digital compositor | |
| Joshua D. Comen | .... | visual effects producer (as Josh Comen) | |
| Jenny Foster | .... | visual effects coordinator | |
| Rob Ostir | .... | digital effects artist | |
| Steve Rodriguez | .... | colorist | |
Stunts | |||
| Kenny Anderson | .... | assistant stunt coordinator | |
| Kacie Borrowman | .... | stunt double: Abigail Breslin | |
| Clay Cullen | .... | stunt double | |
| Riley Harper | .... | stunt double | |
| Thomas Robinson Harper | .... | stunt coordinator (as Tom Robinson Harper) | |
| Traci Richelle Harrison | .... | stunts | |
| Christie Hayes | .... | stunt double | |
| Michael Hugghins | .... | stunt double | |
| Mark Kubr | .... | stunts and water safety | |
| Larry Rippenkroeger | .... | stunts | |
| Matthew Taylor | .... | stunt double: Greg Kinnear | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Kelly Hunt | .... | extras casting | |
| Rich King | .... | extras casting | |
Costume and Wardrobe Department | |||
| Bethany Bernhard | .... | set costumer | |
| Lisa Hyde | .... | set costumer | |
| Robin McMullan | .... | costume supervisor | |
| Jennifer Starzyk | .... | key costumer | |
Editorial Department | |||
| Ian Elias | .... | post-production assistant | |
| Joe Fineman | .... | post-production consultant | |
| Terel Gibson | .... | first assistant editor | |
| Jessica Otto | .... | post-production assistant: Jonathan Dayton and Valerie Faris | |
| Nick Wenger | .... | post-production assistant | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Sebastian Arocha Morton | .... | music remixer | |
| Elliott Goldkind | .... | assistant music editor | |
| Brad Haehnel | .... | music mixer | |
| Brad Haehnel | .... | scoring mixer | |
| Susan Jacobs | .... | music supervisor | |
| Anne Litt | .... | music supervisor | |
| Rob Simonsen | .... | assistant to composer | |
| Tony Tisdale | .... | additional music contributor | |
| Joshua Winget | .... | music editor (as Josh Winget) | |
Transportation Department | |||
| Joseph Aroesti | .... | transportation co-captain | |
| Mike Belt | .... | mechanic | |
| Angel Desanti | .... | transportation co-captain | |
| Dillan Esco | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Geno Hart | .... | transportation coordinator | |
| Esteban Munoz | .... | mechanic | |
| Marty Osborne | .... | picture cars | |
| John Pellegrino | .... | transportation | |
| Adam Pinkstaff | .... | transportation captain | |
| William Smallwood | .... | driver: production van | |
Thanks | |||
| James Everett Dayton | .... | thanks | |
| Joan Scheckel | .... | the directors wish to thank: Joan Scheckel Lab | |
| Jocelyn Towne | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
We were happy to have had the chance to see this at the 2006 Sundance Film Festival. I loved the cast: Greg Kinear, Toni Collette, Alan Arkin, Abigail Breslin, Paul Dano and Steve Carrell were ALL marvelous as the dysfunctional family. Little Miss Sunshine refers to a pageant to be held in California (the movie never states where the family lives, but most of the road scenes were definitely in the Phoenix, Arizona area. (added 8/2/06: I know now that the movie is set in New Mexico, for those of you who are interested in that sort of thing!)
The story follows little Olive, a normal child, who by a fluke wins her way into the finals of the Little Miss Sunshine pageant. The family decides they must accompany her in their old VW bus, so a road trip ensues.
The final third of the movie, which deals with the actual pageant, is by far the funniest part of the film. It illustrates, with great hilarity, the frightening people who are involved in child pageants. You can't help rooting for Olive, who is refreshingly normal amongst the frighteningly plastic other contestants.
(After discovering that I was in the (opposite of loved it) category on IMDb, I changed my subject line, because this was one of the best movies I've seen all year!! I LOVED IT)
This is NOT a movie for children. After reading through some other user comments, I have to say I'm dismayed by the amount of people complaining about the F word. This movie is rated R, mostly because of its frequent use of the F word, along with some drug use. If you do 5 minutes of research before you go to a movie, you should educate yourself as to WHY a movie is rated the way it is. If you are offended by swearing, then, if you go to a movie that is rated R because of language, be prepared to be offended! Okay, I'm off the soapbox. This is NOT a movie for children.