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Directed by | |||
| Jonathan Dayton | |||
| Valerie Faris | |||
Writing credits(WGA) | ||
| Michael Arndt | (written by) | |
Produced by | |||
| Albert Berger | .... | producer | |
| Michael Beugg | .... | executive producer | |
| Jeb Brody | .... | executive producer | |
| David T. Friendly | .... | producer | |
| Bart Lipton | .... | associate producer | |
| Peter Saraf | .... | producer | |
| Marc Turtletaub | .... | producer | |
| Ron Yerxa | .... | producer | |
Original Music by | |||
| Mychael Danna | |||
| DeVotchKa | |||
Cinematography by | |||
| Tim Suhrstedt | (director of photography) | ||
Film Editing by | |||
| Pamela Martin | |||
Casting by | |||
| Justine Baddeley | |||
| Kim Davis-Wagner | |||
Production Design by | |||
| Kalina Ivanov | |||
Art Direction by | |||
| Alan E. Muraoka | |||
Set Decoration by | |||
| Melissa M. Levander | (as Melissa Levander) | ||
Costume Design by | |||
| Nancy Steiner | |||
Makeup Department | |||
| Susan Carol Schwary | .... | key hair stylist (as Susan Carol-Schwary) | |
| Janis Clark | .... | hair department head | |
| Dugg Kirkpatrick | .... | key hair stylist (as 'Dugg' Kirkpatrick) | |
| Amy Lederman | .... | makeup artist | |
| Angel Radefeld | .... | key makeup artist | |
| Nicole Sortillon | .... | makeup assistant (as Nicole Sortillion) | |
| Torsten Witte | .... | makeup department head | |
Production Management | |||
| Michael Bergyl | .... | unit production manager | |
| Bob Dohrmann | .... | production supervisor | |
| Michael Toji | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Heather Anderson | .... | additional second second assistant director | |
| Kate Greenberg | .... | second second assistant director | |
| Joe May | .... | additional second second assistant director | |
| Gregory J. Smith | .... | second assistant director (as Gregory Smith) | |
| Thomas Patrick Smith | .... | first assistant director | |
| Thomas Robinson Harper | .... | second unit director (uncredited) | |
| Bart Lipton | .... | second second assistant director (uncredited) | |
Art Department | |||
| Ellis J. Barbacoff | .... | assistant property master | |
| Tony Bonaventura | .... | property master | |
| Andrea Cantrell | .... | assistant props | |
| Jill Deibler | .... | buyer | |
| Joseph Kevin Garcia | .... | swing gang (as Joseph K. Garcia) | |
| Theresa Greene | .... | art department coordinator | |
| Michael Klingerman | .... | leadman | |
| David Marple | .... | swing gang | |
| Rich Murray | .... | assistant art director | |
| Christopher Pappas | .... | on-set dresser | |
| Christopher Pappas | .... | props | |
| Rion Waller | .... | swing gang | |
| Ryan Wylie | .... | props | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Gregg Barbanell | .... | foley artist | |
| Kerry Ann Carmean | .... | foley editor | |
| Patrick Cusack | .... | assistant sound editor | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| Craig Dollinger | .... | boom operator | |
| Bill Henderson | .... | sound re-recording engineer | |
| Stacey Michaels | .... | adr mixer | |
| Sterling Moore | .... | boom operator: additional photography | |
| Steven Morrow | .... | sound mixer | |
| Steve Nelson | .... | sound effects editor (as Steven F. Nelson) | |
| Nancy Nugent | .... | supervising adr editor (as Nancy Kyong Nugent) | |
| Buck Robinson | .... | sound mixer: additional photography | |
| Stephen P. Robinson | .... | supervising sound editor | |
| Terry Rodman | .... | sound re-recording mixer | |
| Robert Sharman | .... | utility sound technician | |
| Christopher Sidor | .... | sound mix technician | |
| Greg Steele | .... | adr mixer | |
| John C. Stuver | .... | dialogue editor | |
| Lucy Sustar | .... | foley mixer | |
| Greg Zimmerman | .... | adr recordist | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Ian Eyre | .... | special effects technician | |
Visual Effects by | |||
| Adam Avitabile | .... | visual effects supervisor | |
| Chad Buehler | .... | digital compositor | |
| Joshua D. Comen | .... | visual effects producer (as Josh Comen) | |
| Jenny Foster | .... | visual effects coordinator | |
| Rob Ostir | .... | digital effects artist | |
| Steve Rodriguez | .... | colorist | |
Stunts | |||
| Kenny Anderson | .... | assistant stunt coordinator | |
| Kacie Borrowman | .... | stunt double: Abigail Breslin | |
| Clay Cullen | .... | stunt double | |
| Riley Harper | .... | stunt double | |
| Thomas Robinson Harper | .... | stunt coordinator (as Tom Robinson Harper) | |
| Traci Richelle Harrison | .... | stunts | |
| Christie Hayes | .... | stunt double | |
| Michael Hugghins | .... | stunt double | |
| Mark Kubr | .... | stunts and water safety | |
| Larry Rippenkroeger | .... | stunts | |
| Matthew Taylor | .... | stunt double: Greg Kinnear | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Kelly Hunt | .... | extras casting | |
| Rich King | .... | extras casting | |
Costume and Wardrobe Department | |||
| Bethany Bernhard | .... | set costumer | |
| Lisa Hyde | .... | set costumer | |
| Robin McMullan | .... | costume supervisor | |
| Jennifer Starzyk | .... | key costumer | |
Editorial Department | |||
| Ian Elias | .... | post-production assistant | |
| Joe Fineman | .... | post-production consultant | |
| Terel Gibson | .... | first assistant editor | |
| Jessica Otto | .... | post-production assistant: Jonathan Dayton and Valerie Faris | |
| Nick Wenger | .... | post-production assistant | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Sebastian Arocha Morton | .... | music remixer | |
| Elliott Goldkind | .... | assistant music editor | |
| Brad Haehnel | .... | music mixer | |
| Brad Haehnel | .... | scoring mixer | |
| Susan Jacobs | .... | music supervisor | |
| Anne Litt | .... | music supervisor | |
| Rob Simonsen | .... | assistant to composer | |
| Tony Tisdale | .... | additional music contributor | |
| Joshua Winget | .... | music editor (as Josh Winget) | |
Transportation Department | |||
| Joseph Aroesti | .... | transportation co-captain | |
| Mike Belt | .... | mechanic | |
| Angel Desanti | .... | transportation co-captain | |
| Dillan Esco | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Geno Hart | .... | transportation coordinator | |
| Esteban Munoz | .... | mechanic | |
| Marty Osborne | .... | picture cars | |
| John Pellegrino | .... | transportation | |
| Adam Pinkstaff | .... | transportation captain | |
| William Smallwood | .... | driver: production van | |
Thanks | |||
| James Everett Dayton | .... | thanks | |
| Joan Scheckel | .... | the directors wish to thank: Joan Scheckel Lab | |
| Jocelyn Towne | .... | special thanks | |
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It is very rare to see a movie that can charm the hell out of an audience without the use of special effects, worn-out clichés and bombastic action set pieces these days. It's even more ridiculous to hope that you will see such a film for FREE. But that's exactly what happened to me tonight at a sneak preview of LITTLE MISS SUNSHINE.
I "discovered" this movie right here at IMDb, having heard not a peep about it beforehand. By the time I finished watching the second trailer for the THIRD time, I was floored...and hooked. Luckily, the Bulletin Boards steered me toward the proper link to access sneak passes for tonight's showing, and all I can say is that it will not pain me one bit to pay for the privilege of seeing this gem a second time.
Assembling the best and most unlikeliest of ensemble casts you may probably see all year, SUNSHINE on the face of it is a relatively (pun intended) simple story. Little seven-year-old Olive (Abigail Breslin) has one wish in life: to be considered for the finals of the Little Miss Sunshine Pageant in Redondo Beach, CA. When her big chance comes at the most unexpected time, it's up to her unbelievably fractured family to pull themselves together and make it happen for her, no matter what it takes.
And what it takes is a sad, painful, tragic and yet unendingly hilarious trek in a barely operational VW bus from Albequerque, NM to the Pageant. And although getting there is only half the fun and family drama, you have got to see what happens to believe it when they finally arrive and Olive gets to "do her thing." The strong cast sounds not a single false note, and when the more touching moments arrive, they don't seem forced the way they would in most other big-budget behemoths, because these moments are truly earned. But WHAT a collection of characters this is. Greg Kinnear is letter-perfect as Olive's judgmental, failed motivational-speaker father; Steve Carell finds new shades of darkest despair and human comedy as her suicidal gay uncle, a leading Proust scholar; Paul Dano does amazing things with little more than facial expressions as Olive's older brother who's deep into Nietzche and a vow of absolute silence, and Alan Arkin, though he has played this kind of role with both hands tied behind his back and his eyes closed, still shines like a crazy diamond as her cantankerous and hedonistic grandfather.
And barely holding this motley crew together is Toni Collette, who amazes by playing a mother again and yet manages not to portray the role exactly the same way, (you might recall her Oscar-nominated turn as Haley Joel Osment's put-upon mom in THE SIXTH SENSE.) I'm not at all familiar with the work of the two directors, Jonathan Dayton and Valerie Faris, or the writer, Michael Arndt, but they have definitely raised the indie film bar with this effort. Not a single moment is wasted; not a single scene is in this film without having a reason for being there, and it's all character-driven. There's also nothing fluffy about it - commentary about everything from how twisted our pop culture can be, to how our drive for being #1 winners can blind us to all of the things that are the most important are all there under the bittersweet laughs and tears for the audience to discover.
I can't recommend this one highly enough. And I can't wait to see it again.