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Directed by | |||
| Jonathan Dayton | |||
| Valerie Faris | |||
Writing credits(WGA) | ||
| Michael Arndt | (written by) | |
Produced by | |||
| Albert Berger | .... | producer | |
| Michael Beugg | .... | executive producer | |
| Jeb Brody | .... | executive producer | |
| David T. Friendly | .... | producer | |
| Bart Lipton | .... | associate producer | |
| Peter Saraf | .... | producer | |
| Marc Turtletaub | .... | producer | |
| Ron Yerxa | .... | producer | |
Original Music by | |||
| Mychael Danna | |||
| DeVotchKa | |||
Cinematography by | |||
| Tim Suhrstedt | (director of photography) | ||
Film Editing by | |||
| Pamela Martin | |||
Casting by | |||
| Justine Baddeley | |||
| Kim Davis-Wagner | |||
Production Design by | |||
| Kalina Ivanov | |||
Art Direction by | |||
| Alan E. Muraoka | |||
Set Decoration by | |||
| Melissa M. Levander | (as Melissa Levander) | ||
Costume Design by | |||
| Nancy Steiner | |||
Makeup Department | |||
| Susan Carol Schwary | .... | key hair stylist (as Susan Carol-Schwary) | |
| Janis Clark | .... | hair department head | |
| Dugg Kirkpatrick | .... | key hair stylist (as 'Dugg' Kirkpatrick) | |
| Amy Lederman | .... | makeup artist | |
| Angel Radefeld | .... | key makeup artist | |
| Nicole Sortillon | .... | makeup assistant (as Nicole Sortillion) | |
| Torsten Witte | .... | makeup department head | |
Production Management | |||
| Michael Bergyl | .... | unit production manager | |
| Bob Dohrmann | .... | production supervisor | |
| Michael Toji | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Heather Anderson | .... | additional second second assistant director | |
| Kate Greenberg | .... | second second assistant director | |
| Joe May | .... | additional second second assistant director | |
| Gregory J. Smith | .... | second assistant director (as Gregory Smith) | |
| Thomas Patrick Smith | .... | first assistant director | |
| Thomas Robinson Harper | .... | second unit director (uncredited) | |
| Bart Lipton | .... | second second assistant director (uncredited) | |
Art Department | |||
| Ellis J. Barbacoff | .... | assistant property master | |
| Tony Bonaventura | .... | property master | |
| Andrea Cantrell | .... | assistant props | |
| Jill Deibler | .... | buyer | |
| Joseph Kevin Garcia | .... | swing gang (as Joseph K. Garcia) | |
| Theresa Greene | .... | art department coordinator | |
| Michael Klingerman | .... | leadman | |
| David Marple | .... | swing gang | |
| Rich Murray | .... | assistant art director | |
| Christopher Pappas | .... | on-set dresser | |
| Christopher Pappas | .... | props | |
| Rion Waller | .... | swing gang | |
| Ryan Wylie | .... | props | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Gregg Barbanell | .... | foley artist | |
| Kerry Ann Carmean | .... | foley editor | |
| Patrick Cusack | .... | assistant sound editor | |
| Andrew DeCristofaro | .... | supervising sound editor | |
| Craig Dollinger | .... | boom operator | |
| Bill Henderson | .... | sound re-recording engineer | |
| Stacey Michaels | .... | adr mixer | |
| Sterling Moore | .... | boom operator: additional photography | |
| Steven Morrow | .... | sound mixer | |
| Steve Nelson | .... | sound effects editor (as Steven F. Nelson) | |
| Nancy Nugent | .... | supervising adr editor (as Nancy Kyong Nugent) | |
| Buck Robinson | .... | sound mixer: additional photography | |
| Stephen P. Robinson | .... | supervising sound editor | |
| Terry Rodman | .... | sound re-recording mixer | |
| Robert Sharman | .... | utility sound technician | |
| Christopher Sidor | .... | sound mix technician | |
| Greg Steele | .... | adr mixer | |
| John C. Stuver | .... | dialogue editor | |
| Lucy Sustar | .... | foley mixer | |
| Greg Zimmerman | .... | adr recordist | |
| John Soukup | .... | sound transfer (uncredited) | |
Special Effects by | |||
| Ian Eyre | .... | special effects technician | |
Visual Effects by | |||
| Adam Avitabile | .... | visual effects supervisor | |
| Chad Buehler | .... | digital compositor | |
| Joshua D. Comen | .... | visual effects producer (as Josh Comen) | |
| Jenny Foster | .... | visual effects coordinator | |
| Rob Ostir | .... | digital effects artist | |
| Steve Rodriguez | .... | colorist | |
Stunts | |||
| Kenny Anderson | .... | assistant stunt coordinator | |
| Kacie Borrowman | .... | stunt double: Abigail Breslin | |
| Clay Cullen | .... | stunt double | |
| Riley Harper | .... | stunt double | |
| Thomas Robinson Harper | .... | stunt coordinator (as Tom Robinson Harper) | |
| Traci Richelle Harrison | .... | stunts | |
| Christie Hayes | .... | stunt double | |
| Michael Hugghins | .... | stunt double | |
| Mark Kubr | .... | stunts and water safety | |
| Larry Rippenkroeger | .... | stunts | |
| Matthew Taylor | .... | stunt double: Greg Kinnear | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Kelly Hunt | .... | extras casting | |
| Rich King | .... | extras casting | |
Costume and Wardrobe Department | |||
| Bethany Bernhard | .... | set costumer | |
| Lisa Hyde | .... | set costumer | |
| Robin McMullan | .... | costume supervisor | |
| Jennifer Starzyk | .... | key costumer | |
Editorial Department | |||
| Ian Elias | .... | post-production assistant | |
| Joe Fineman | .... | post-production consultant | |
| Terel Gibson | .... | first assistant editor | |
| Jessica Otto | .... | post-production assistant: Jonathan Dayton and Valerie Faris | |
| Nick Wenger | .... | post-production assistant | |
| Lee Wimer | .... | color timer | |
Music Department | |||
| Sebastian Arocha Morton | .... | music remixer | |
| Elliott Goldkind | .... | assistant music editor | |
| Brad Haehnel | .... | music mixer | |
| Brad Haehnel | .... | scoring mixer | |
| Susan Jacobs | .... | music supervisor | |
| Anne Litt | .... | music supervisor | |
| Rob Simonsen | .... | assistant to composer | |
| Tony Tisdale | .... | additional music contributor | |
| Joshua Winget | .... | music editor (as Josh Winget) | |
Transportation Department | |||
| Joseph Aroesti | .... | transportation co-captain | |
| Mike Belt | .... | mechanic | |
| Angel Desanti | .... | transportation co-captain | |
| Dillan Esco | .... | driver | |
| J. Armin Garza II | .... | driver: camera car | |
| Geno Hart | .... | transportation coordinator | |
| Esteban Munoz | .... | mechanic | |
| Marty Osborne | .... | picture cars | |
| John Pellegrino | .... | transportation | |
| Adam Pinkstaff | .... | transportation captain | |
| William Smallwood | .... | driver: production van | |
Thanks | |||
| James Everett Dayton | .... | thanks | |
| Joan Scheckel | .... | the directors wish to thank: Joan Scheckel Lab | |
| Jocelyn Towne | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
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Here is a film that lives up to the expectations of a very funny trailer. It's an oddball comedy, and it's dark, and it's funny, and it's touching, and it will charm the pants off many in the audience. Here is a simple story in which our lovely contestant and her family try to find their way to California so that she can prove to the world she is not a loser! The premise itself can lead to years of therapy for a family that should get a group rate in psychiatric care.
Expert editing and superb comedic performances from all the principals involved will have many overlook the fact that the plot line is a little too contrived at times. The set pieces will have the audience howling with laughter as we see different characters trying to overcome some pretty irreverent obstacles. The scene at the gas station contains moments of deep sadness and offbeat humor, something that Carrell pulls off wonderfully, and none will be able to look at the trunk of a car, some dubious literary material, and highway patrol the same way after seeing the infamous scene in the film.
The best is of course, saved for last, and by this time we are waiting for something outrageous which "Little Miss Sunshine" delivers unapologetically. A classic track will probably be recharged for a new generation, as the bonds of family precariously balance a moment that could be as tacky as they come.
"Sunshine" is one of the best things to come out of American cinema this year, an original film that relies on a script that understands the differences between generations in the same family. It doesn't explain why each character is as quirky as can be, and it doesn't build much background because it is not needed to make the film work. Kinnear, Colette, Abigail, Arkin, and Correll are a fine team and keep the film's feel fresh throughout the film. Here is a family that has no special qualities or powers, a family that will make us rejoice that creativity is still alive in Hollywood, a film that will provide us with plenty of much needed sunshine in an otherwise pretty dull summer.