| Photos (see all 2 | slideshow) |
| Ami Ankilewitz | ... | Himself |
Directed by | |||
| Dani Menkin | |||
Writing credits(in alphabetical order) | ||
| Ilan Heitner | co-writer | |
| Dani Menkin | writer | |
Produced by | |||
| Asfur | .... | senior producer | |
| Daniel J. Chalfen | .... | producer | |
| Kim Fishman | .... | associate producer | |
| David Gil | .... | executive producer | |
| Ilan Heitner | .... | co-producer | |
| Hilla Manor | .... | associate producer | |
| John Matlick | .... | executive producer | |
| Hilla Medalia | .... | senior producer | |
| Dani Menkin | .... | producer | |
| Randy Paul | .... | associate producer | |
| Ed Priddy | .... | executive producer | |
| John Priddy | .... | executive producer | |
| Lynn Roth | .... | executive producer | |
| Marek Rozenbaum | .... | producer: Israel | |
| Katie Schulz | .... | assistant producer | |
Original Music by | |||
| Chris Gubisch | |||
Cinematography by | |||
| Yoav Kleinman | |||
Film Editing by | |||
| Geof Bartz | |||
| Sam Bauer | |||
| Geoffrey O'Brien | |||
| Paul Petschek | |||
Production Management | |||
| Eran B.Y. | .... | production manager | |
| Hilla Manor | .... | post-production manager | |
Art Department | |||
| Mikhail Mazor | .... | graphic designer | |
Sound Department | |||
| Skip Adams | .... | sound re-recording mixer | |
| Moti Hefetz | .... | sound recordist | |
| Robert Hoehn | .... | sound designer | |
| Robert Hoehn | .... | sound mixer | |
Visual Effects by | |||
| Ami Ankilewitz | .... | animation and video effects | |
| Ami Ankilewitz | .... | animaton supervisor | |
Animation Department | |||
| Ami Ankilewitz | .... | animator | |
Editorial Department | |||
| Jim Finn | .... | negative supervisor | |
| Richard Haylock | .... | digital intermediate technician | |
| Jim Hession | .... | assistant editor | |
| Matt Woo | .... | digital intermediate technician | |
Music Department | |||
| Marcus Barone | .... | music supervisor | |
Other crew | |||
| Winston Emano | .... | publicist | |
| David Magdael | .... | publicist | |
| Shannon Molloy | .... | production assistant | |
| Brandon Torres | .... | production assistant | |
| Justin Warren | .... | production assistant | |
| Anne Stulz | .... | publicist (uncredited) | |
Thanks | |||
| David Japka | .... | special thanks | |
| John C. McDonnell | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
What's written on the poster is: "At birth he was given 6 years to live... At 34 he takes the journey of a lifetime." Ami is an American-born Israeli who was diagnosed with Muscular Dystrophy disease at the age of one. At age of 34, after the love toward his 22 years old care-giver didn't go well, he decided to come to the US to face the doctor who said that he would have only 6 years to live. He wanted to show the doctor that he is still alive, and weights 39 pounds. Why? Your guess is as good as mine, even I have seen this film.
Obviously it's courageous to live when all he can move is his left index finger, but why does he have so much anger toward the doctor who diagnosed his disease 34 years ago? His doctor just told his mom that based on the medical history, people with his disease won't live long. What's the point of him showing up at old doctor's door for? Why is tracking down this old doctor in the US is a journey of his lifetime? There are so many things we might be interested in Ami's life: how can he make those animations with the movement of only one finger? How can he go through daily lives while totally depending on others? How did he out lived his doctor's prediction? How does he deal emotionally when other people look at him like looking at a strange creature? The movie told us none of that. Instead, the filmmaker got a van and set up a trip to let Ami to show up at his old doctor's door in order to show him that he is still alive. I thought it was a joke.