In the Yorkshire countryside, working-class tomboy Mona meets the exotic, pampered Tamsin. Over the summer season, the two young women discover they have much to teach one another, and much to explore together.
A fisheries expert is approached by a consultant to help realize a sheik's vision of bringing the sport of fly-fishing to the desert and embarks on an upstream journey of faith and fish to prove the impossible possible.
Sophie Hartley is convinced that she is being stalked. She becomes increasingly certain that her husband's beautiful co-worker, Mara, wants her children, her husband and her life. But no one believes Sophie. Forced to prove her sanity, Sophie grows increasingly paranoid - but is she imagining things? Sophie becomes completely caught up in her obsession, turning stalker herself - and makes a discovery more frightening than her worst fear. Written by
Susan Sarandon worked with writer/director Ann Turner for six months to get the film's script to meet her specifications before principal photography got underway in Australia (from early March 2005 through late April 2005). See more »
Near the beginning of the film, you see Sophie touching up the painting inside the owl's eye. The next shot clearly shows her over-blacken part of the white in its eye. In the next scene, it is untouched. See more »
Dreadful mess of a film. Lousy, mixed up plot, poor direction, strange choice of location, indeed a complete balls up of a film. Why Sarandon, an otherwise decent actress chose the script I can't imagine. Besides that, Sarandon is too old. Sam Neil is wooden, something which does work to his advantage in previous outings but not here. Emily Blunt is best as she is creepy, I suspect in reality too... The worst aspect of this film is it's sheer verbosity; with the dialogue stripped down 80% it would have been less risible. The locations were largely unsuitable, reminding me of Ramsey street; although with some variation and careful camera work their mundane nature could have added some desperately needed tension. The director isn't one I've heard of, hardly surprisingly; I'd suggest they turn to making washing powder commercials.
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