A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
A veteran high school teacher befriends a younger art teacher, who is having an affair with one of her 15-year-old students. However, her intentions with this new "friend" also go well beyond platonic friendship.
Sophie Hartley is convinced that she is being stalked. She becomes increasingly certain that her husband's beautiful co-worker, Mara, wants her children, her husband and her life. But no one believes Sophie. Forced to prove her sanity, Sophie grows increasingly paranoid - but is she imagining things? Sophie becomes completely caught up in her obsession, turning stalker herself - and makes a discovery more frightening than her worst fear. Written by
Susan Sarandon worked with writer/director Ann Turner for six months to get the film's script to meet her specifications before principal photography got underway in Australia (from early March 2005 through late April 2005). See more »
When Mara is seducing Sophie's husband, after Mara is being undressed you then see that Mara is still dressed when they continue to kiss as the phone rings. See more »
Time After Time
(Rob Hyman / Cyndi Lauper (as Cindi Lauper))
(c) Dub Notes and Rellla Music Corp
(By Kind Permission of Warner/Chappell Music Australia)
Sony/ATV Music Publishing
Performed by Bernadette Robinson See more »
I noticed this listed in the TV section of the Sunday newspaper, and with its stars, and 2006 release date, assumed I'd missed it last year when it must have played theaters here, and I was out of the country for an extended period.
I also glanced at a few of this site's first few comments, and just encountered some highly-enthusiastic ones. Didn't have time to look at others, and then tonight tuned it in.
What a piece of nonsense - and I wish I had read some of the later comments. Can see why it went "straight to video." And as I read some of the later comments here during the earlier part of the flick, I must admit, though, I got somewhat fascinated by its awfulness.
Some movies are so "bad," they're almost fascinatingly "good." This wasn't one. The word DULL describes every aspect of the movie: the writing; the acting; the dimension (i.e. lack thereof) of the characters.
The little girls were cute and totally "cardboard" additions to the cast. Sam Neill looked like he needed a gallon of coffee, strong enough to provide a caffeine high, with a half-bottle of uppers dissolved in the brew. Susan Sarandon has proved herself a real pro at schlepping around in some of her past performances, but positively outdid herself here. The new, young ingénue, whom others here have praised, was only a bit less wooden than Sam, and did her share of schlepping as well.
I really had trouble even relating (much less caring) as to just what in the hell Susan was doing in her work. As an architect, it would seem that Sam, with his level of energy, would probably take a year to design a chicken coop.
And the ending's "big twist" (after a previous twist), was slightly confusing, too brief and undramatic, and by then, who in the hell would care anyway?
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