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Quatre étoiles (2006)

 |  Comedy  |  3 May 2006 (France)
5.6
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Ratings: 5.6/10 from 966 users  
Reviews: 8 user | 12 critic

Franssou, a charming Parisian English teacher, who shares part of her life with a boring middle-aged lover, dreams of another life. So, when she unexpectedly inherits 50,000 euros, she ... See full summary »

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Cast

Cast overview, first billed only:
José Garcia ...
Stéphane
Renée Le Calm ...
Mlle Poilloux
...
Franssou
Raymond Gil ...
Notaire
Richard Morgiève ...
Prêtre
Éliane Adatto ...
Concierge
Guilaine Londez ...
Marianne
...
Christina
Michel Vuillermoz ...
Marc
Charline Paul ...
Voisine
Gérard Jumel ...
Directeur
Colette Grivet ...
Femme de ménage
Jean-Claude Bolle-Reddat ...
Réceptionniste
Sébastien Féron ...
Loueur de voiture
Claire Charré ...
Conseillère banque
Edit

Storyline

Franssou, a charming Parisian English teacher, who shares part of her life with a boring middle-aged lover, dreams of another life. So, when she unexpectedly inherits 50,000 euros, she grasps the opportunity and goes to the French Riviera in order to take it easy in luxury. In the four-star hotel where she rents a room she comes across Stéphane, a strange guy who is in the process of arranging Elton John's next coming to the place. Intrigued by the noisy ostentatious fellow, she follows him until she finally comes into contact with him. She knows Stéphane is at bay and decides to take advantage of it. Written by Guy Bellinger

Plot Summary | Add Synopsis

Genres:

Comedy

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Release Date:

3 May 2006 (France)  »

Also Known As:

Quatro Estrelas  »

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Aspect Ratio:

1.85 : 1
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Did You Know?

Soundtracks

Don't go breaking my heart
Composed by Elton John (as Ann Orson)
Written by Bernie Taupin (as Carte Blanche)
Duet
Performed by Elton John & Kiki Dee (1976)
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User Reviews

 
Four stars alright
24 June 2006 | by (Paris, France) – See all my reviews

There is something wrong with today's french cinema, and it perhaps comes from what's been it's most fascinating side since the "nouvelle vague" : it's attraction, mixed with repulsion for American movies. Since the 60's, the french directors have always been fascinating by American cinema. But most of them use the American cinema's codes to transpose them in a french environment : from Truffaut' "Tirez Sur Le Pianiste" - which plays with the stereotypes of the Film noir in a french universe - to Gans' "Pacte Des loups" - which transposes the western codes in the pre-revolutionary France.

And it seems that, with "Quatre étoiles", Christian Vincent tries to archive this form of transformation of American's codes with the french touch. Indeed, the director quotes himself American's comedies from the 40's and says they're direct influence to make this film. "Quatre étoiles" tries to transfers the atmosphere of American's classical comedies from Los Angeles to Cannes. But unfortunately, it doesn't work. Why ?

Like in a Cukor' or Lubitch' comedy, the character - a young an inconstant woman - inherit, out of nowhere, 50000 euros and decides to spend it all in a week in Cannes, where, in search of adventures, she falls in love with a small time crook, played by José Garcia. And if a lot of situations are similar to 40's and 50's American films, it never reaches their level of grace and humor. It's true that we have, like in American movies, a young and in-experimented girl who knows exactly what she wants, and who decides to change her life and social position in a day, and that we also have an impossible love story between two characters who hate each other, and are still stuck together, but everything seems so small compared to its models.

When, in a American movie, the character would have inherit millions of dollars, the character here has only a few euros left, which can't provokes great and hilarious contrasted situations. The movie always avoid absurd situations and epic quiproquos, like it is afraid of its comical potential : everything stays calm and little, like the characters, who are just a reduction of American stereotypes : like the talkative-but-not-so-bad-crook. And when you reduce stereotypes, nothing much stays.

What stays after this very little movie is a small impression of boring, just tempered by the presence of the great Francois Cluzet, who plays a very funny half-brained ex-formula 1 driver, who falls in love with the wrong girl.


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