Mr. Lazarescu, a 63 year old lonely man feels sick and calls the ambulance. When it arrives, the paramedic decides he should take him to the hospital but once there they decide to send him ... See full summary »
Paul Hanganu loves two women. Adriana his wife and the mother of their daughter, the woman with whom he's shared the thrills of the past ten years, and Raluca the woman who has made him redefine himself. He has to leave one of them before Christmas.
In order to catch a basketball from the favorite team of his girlfriend's spoiled son, Fred poses as a numb, wheelchair-bound fan. But when he catches the ball, he also catches the ... See full summary »
Alexandra Maria Lara,
Christoph Maria Herbst
Out of enthusiasm, a Militia soldier abandons his platoon and decides to fight for the cause of the Revolution. His Lieutenant and the rest of the crew look for him during the confused night of 22-23 December 1989.
Occident is a bittersweet comedy that focuses on the growing tendency of Eastern European youth to migrate west. When the amicable Luci (Alexandru Papadopol) and his beautiful lover Sorina ... See full summary »
Three films based on Three Conversations by Russian writer and philosopher Vladimir Solovyov.The actors' 'exercises' develop into a minimalistic trilogy on cinema and literature, social and spiritual life, acting in film and in real life.
I saw Offset last night at the Festival of German Films in Melbourne. It is set in Bucharest, Romania and is a French, German and Swiss co-production. It really is a curious film and uses German, Romanian, English and French dialogue. A young German-speaking Romanian woman is marrying a German man and they plan to move to Germany. But it is a complex plot - complex in terms of plot, relationships and emotionally.
Right from the start I noticed that the cinematography was beautiful in an understated, naturalistic way - just the way I like it. I was tentative for much of the film, as it looked like it was setting itself up as a fairly stereotypical family drama/romance that could descend into comedy at a moment's notice. With confidence, the director completely steered away from just about every cliché and contrivance that could have been readily exploited at any time. This is sophisticated film-making.
The chemistry between the various characters was full of authenticity and their interactions were both natural and original. There was a language barrier between the respective parents of the young couple and the film captured their unease at dinner very effectively. Characters were mostly shades of grey, so that even the beauty of the young woman did not eclipse her moral ambiguity.
The film appears to head for a certain direction, and when things turn dark, it becomes genuinely suspenseful. It was at this point that I realised this film was much more than just another mediocre story. It was intelligent, culturally complex and I highly recommend it, though I don't believe it will be commercially released in Australia. That's a real shame, because it's well-made and could easily have wide appeal. It's vastly superior to most family dramas that make it to our screens.
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