An apartment kitchen: a man and a woman discuss Little Red Riding Hood, their voices hushed, mindful of waking the little girl sleeping next room. Waste land on the city outskirts: behind a... See full summary »
In order to catch a basketball from the favorite team of his girlfriend's spoiled son, Fred poses as a numb, wheelchair-bound fan. But when he catches the ball, he also catches the ... See full summary »
Alexandra Maria Lara,
Christoph Maria Herbst
A description of Romania before Ceausescu's downfall, through the story of Nela. Daughter of a former colonel of the Securitate, the romanian political police. She refused to become as her ... See full summary »
'Every day is another day closer to the day I'll never have to do this again.' Five women, one restaurant, one night, one birthday, one breakdown. Then the phone rings. A famous actor is ... See full summary »
Alexandra Maria Lara
Life could be wonderful for Livia and Marco: they are good-looking, young, and the parents of Tim. He is nine months old and his high-pitched wailing is wearing their patience thinner by ... See full summary »
Alexandra Maria Lara,
A moving coming of age story in a time of extreme change: on August 23, 1944 in a small city in Romanian Transylvania, the 16 year old Felix Goldschmidt awaits his classmates for their ... See full summary »
I saw Offset last night at the Festival of German Films in Melbourne. It is set in Bucharest, Romania and is a French, German and Swiss co-production. It really is a curious film and uses German, Romanian, English and French dialogue. A young German-speaking Romanian woman is marrying a German man and they plan to move to Germany. But it is a complex plot - complex in terms of plot, relationships and emotionally.
Right from the start I noticed that the cinematography was beautiful in an understated, naturalistic way - just the way I like it. I was tentative for much of the film, as it looked like it was setting itself up as a fairly stereotypical family drama/romance that could descend into comedy at a moment's notice. With confidence, the director completely steered away from just about every cliché and contrivance that could have been readily exploited at any time. This is sophisticated film-making.
The chemistry between the various characters was full of authenticity and their interactions were both natural and original. There was a language barrier between the respective parents of the young couple and the film captured their unease at dinner very effectively. Characters were mostly shades of grey, so that even the beauty of the young woman did not eclipse her moral ambiguity.
The film appears to head for a certain direction, and when things turn dark, it becomes genuinely suspenseful. It was at this point that I realised this film was much more than just another mediocre story. It was intelligent, culturally complex and I highly recommend it, though I don't believe it will be commercially released in Australia. That's a real shame, because it's well-made and could easily have wide appeal. It's vastly superior to most family dramas that make it to our screens.
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