Directed by | |||
| Shaad Ali | (as Shaad Ali Saigal) | ||
Writing credits(in alphabetical order) | ||
| Aditya Chopra | story | |
| Jaideep Sahni | screenplay and dialogue | |
Produced by | |||
| Aditya Chopra | .... | producer | |
| Yash Chopra | .... | producer | |
| Sanjay Shivalkar | .... | executive producer | |
Original Music by | |||
| Shankar Mahadevan | (as Shankar) | ||
| Loy Mendonsa | (as Loy) | ||
| Ehsaan Noorani | (as Ehsaan) | ||
Cinematography by | |||
| Aveek Mukhopadhyay | (director of photography) | ||
Film Editing by | |||
| Ritesh Soni | |||
Art Direction by | |||
| Sharmishta Roy | |||
Costume Design by | |||
| Aki Nirula | |||
Makeup Department | |||
| Mickey Contractor | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Navzar Eranee | .... | second second assistant director | |
| Rumaan Kidwai | .... | second assistant director | |
| Devashish Makhija | .... | chief assistant director | |
| Arjun Mathur | .... | assistant director: continuity | |
Art Department | |||
| Mohammed Kasam Sayyad | .... | assistant art director | |
| Samar Shaikh | .... | storyboard artist | |
Sound Department | |||
| Leslie Fernandes | .... | sound re-recording mixer | |
| Jayant Haldar | .... | assistant mix engineer | |
| Anuj Mathur | .... | sound designer | |
| Vengurlekar Rohan | .... | assistant studio engineer | |
| Shankar Singh | .... | assistant sound editor | |
| Rohan Vengurlekar | .... | recording assistant | |
Visual Effects by | |||
| Ritesh Aggarwal | .... | digital compositor | |
| Sachdev Bharat | .... | digital effects artist | |
| Sherry Bharda | .... | visual effects | |
| Prakash D'Cunha | .... | digital effects artist | |
| Pankaj Khandpur | .... | visual effects supervisor | |
| Yateen Mahambrey | .... | compositor | |
| Sandesh Pai | .... | digital effects artist | |
| Lennard Pinto | .... | digital effects artist | |
| Ashish Pradhan | .... | visual effects artist | |
| Rohit Prasad | .... | visual effects | |
| Satish Ratakonda | .... | flame artist | |
| Shaikh Rizwan | .... | digital compositor | |
| Piku Shahani | .... | visual effects coordinator | |
| Manish Sharma | .... | visual effects artist | |
| Shailendra Swarnkar | .... | digital compositor | |
Camera and Electrical Department | |||
| Abhay Singh | .... | still photographer | |
Costume and Wardrobe Department | |||
| Yashpal Concessao | .... | costume assistant | |
| Ameira Punvani | .... | associate costume designer | |
Music Department | |||
| Javed Ali | .... | playback singer | |
| BlaaZe | .... | playback singer | |
| Sunidhi Chauhan | .... | playback singer | |
| Alisha Chinoi | .... | playback singer | |
| Gulzar | .... | lyricist | |
| Mahalakshmi Iyer | .... | playback singer (as Mahalakshmi) | |
| Nihira Joshi | .... | playback singer | |
| Shankar Mahadevan | .... | playback singer | |
| Siddarth Mahadevan | .... | playback singer | |
| Loy Mendonsa | .... | playback singer | |
| Udit Narayan | .... | playback singer | |
| Jaspinder Narula | .... | playback singer | |
| Sonu Nigam | .... | playback singer | |
| Sowmya Rao | .... | playback singer | |
| Sukhwinder Singh | .... | playback singer | |
Other crew | |||
| Fayyaz Badruddin | .... | publicity and design | |
| Prakash Bakrania | .... | liaison: UK office | |
| Bosco | .... | choreographer | |
| Cesar | .... | choreographer | |
| Shiamak Davar | .... | choreographer: "Nach Baliye | |
| Amit Dwiwedi | .... | marketing manager | |
| Vaibhavi Merchant | .... | choreographer | |
| Tarun Tripathi | .... | head of marketing | |
| Vishal Tyagi | .... | gun master | |
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| Dhoom:2 | Oye Lucky! Lucky Oye! | Don | Dilwale Dulhania Le Jayenge | The Spider Returns |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb India section |
I can slowly see Hindi films evolving and taking more chances with their content and characters, something it hasn't done in thirty years. With the release of films like Black, Hazaaron Kwaishein Aisi, Raincoat and now even Bunty Aur Babli you can't help but appreciate the effort, even if the results vary.
Bunty Aur Babli is in no way a breakthrough. It has its color, loud music and spoonfuls of melodrama like the thousands of Hindi films that preceded it. However, it also has a pair of anti-heroes as the leads; Bunty and Babli are lovable criminals that love crime. The sheer exuberance of the characters as well as the actors is one of the main selling points of this film.
The music is likable, though the shooting of Chup Chup Ke looks exactly like that of the song "Saathiya" from Shaad Ali's previous film. It could have been removed. The item number with Aishwarya Rai is practically forced into the screenplay with a pair of pliers, and could also have been removed.
The movie also unnecessarily milks a scene between Amitabh Bachchan and his son, Abhishek. The two get completely drunk and have a boring, drawn out conversation about love that may leave you squirming in your seat. What a waste. This was meant to be a mesmerizing scene, as it's their first time acting together, but it instead becomes a good time to take that bathroom break.
However, those gripes are minor compared to the rest of the film. Abhishek Bachchan gives a good performance, and hams it up like a pro. Rani Mukherjee is further cementing her stature as one of the few true actors in commercial Hindi cinema. She handles the humor (check out her catty fight with a Miss India contestant) and the melodrama with ease. Amitabh Bachchan is a cool cat. All of it works well because no one is taking it too seriously. It's pure entertainment.
All in all, I'm glad we're seeing popular films that shy away from the love triangles, characters that are too perfect to be human, and poor production values. Bunty Aur Babli falls into none of those traps. Yes, it falls into several others but it's still a step forward!