Anchor Bay has amassed some of the greatest horror film writers and directors to bring to you the anthology series, "Masters of Horror". For the first time, the foremost names in the horror...
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Anchor Bay has amassed some of the greatest horror film writers and directors to bring to you the anthology series, "Masters of Horror". For the first time, the foremost names in the horror film genre have joined forces for the series consisting of thirteen one-hour films each season.
According to Creator Mick Garris, the directors involved were given free reign as to what stories they told, however they wanted to tell them. But when Showtime came on-board, they laid out a handful of rules. One was, there could be no full frontal male nudity. Another was, there could be no violence committed on a child by another child (but violence by adults on children or children on adults was fine). See more »
The only question is which one of you is the bigger psycho?
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I just recently watched three episodes (I still haven't seen "jenifer" unfortunately) but I thought I would share my thoughts about the series like everyone else posted here. Big fan of most of these directors so i was really anticipating this show (can't wait for Dante's and especially Carpenter's).
"Incident On and Off a Mountain Road" was an interesting take on the whole victim\victimizer story that turns the clichéd format on its' head by delving into some pretty heavy stuff concerning violence and its' traumatic affects on its' victims. Liked the subtle moments suggesting early into the episode that Ethan Embry's character is a racist tyrant psychopath. Well made. I give it an A.
"Dreams in The Witch House" is so both unsettling and amusing (that rat kills me). I always love how Lovecraft can make you question what we see as reality as opposed to the real unexplainable horror that exists everyday on this planet and how if things like this really happened, no one would believe you no matter the evidence. I guess the truth can be too horrible which lies at the center of this story. I don't think I have anything but high praise for this one. Another first rate adaptation by Stuart Gordon with some great performances. A+.
"Dance of the Dead", from what I read here, is the most divided among the fans but I think it's pure Hooper: Sick, Outrageous, and off the map. What always strikes me about Hooper's work is that for better or worse he always seems to be careening out of control which can be satisfying to horror fans (for his fearlessness to just go for it) or for a lot of people, grating. I did think that motion cam thing was a bit overused but other than that I was really impressed with this one. Although Englund has been good in other Hooper offerings, I would say this is the best of their collaborations overall. Some really funny and horrible things in here as well as an amusing commentary on our preoccupation with sex, drugs and "enteratinment" (we all kept watching didn't we?). Those dances on stage reminded me of Bumfights or boxing or any other form of twisted spectacle people can't get enough of. My kind of horror. B+.
"Jenifer" is reportedly based on a graphic novel by bruce jones and bernie wrightson. It tells the story of a Cop's obsession for a demonic woman with one messed up face. The actress is hot and there is a fair amount of T& A in this episode as well as one pretty twisted castration sequence. Like "Jenifer's" face this one's pretty messed up. B
"Chocolate" is so far the least satisfying in my opinion, chronicling a lonely, recently divorced man (Henry Thomas, who's pretty good in this), suddenly sharing the same experiences of a woman he's never met. Intriguing premise, some amusing bits but ultimately unsatisfying. The concept never seems to fully generate into anything mindblowing or eerie. It all just kind of seems bland. C
I like what I've seen here. I guess it helps if you're a fan of horror and these filmmakers. I myself have never been that blown away by the types of Horror pictures that just feature stuff jumping out at you. I'm much more interested in seeing original works that go a little deeper into the really sick and horrible facts of life.
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