With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
A man coping with the institutionalization of his wife because of Alzheimer's disease faces an epiphany when she transfers her affections to another man, Aubrey, a wheelchair-bound mute who also is a patient at the nursing home.
Alex Hughes, an ex-convict, is on a road trip to Winnipeg to see an old friend. Along the way, he meets the annoying, but vivacious, Vivienne Freeman who manages to bum a ride with him. Just as he begins to warm to this eccentric girl, Alex's vehicle is in a serious automobile accident that kills Vivienne. After his meeting with the police, Alex decides to speak with Vivienne's mother. Upon arrival at her home, Alex discovers that the mother, Linda, is a highly functional autistic woman who convinces him to stay long to take out the garbage the day after the funeral he agrees to arrange. In those few days, Alex discovers new friends and learns more about the uniqueness of Linda even as he struggles to come to terms with his own grief. Written by
Kenneth Chisholm (email@example.com)
In the beginning of the movie Alex exits the restaurant. In the window it says White River. He is driving to Winnipeg which is west of White River. Yet Vivienne has a sign that says Wawa. That means he would be heading east back to Wawa instead of west to Winnipeg. See more »
I just got back from the premiere of this movie at the Berlinale. It's a little story about the friendship of man, Alex, who still can't forget a mysterious, traumatizing past, and an autistic woman, Linda (S. Weaver). The humanness of Alex, and the deep sadness of being aware of what happened, contrasts with the fairy-tale-like world of Linda, who seems to live with no consciousness for the past or the future, avoiding suffering and flying light in the world just like a snow flake. The performances of the actors, of Rickman in particular, are outstanding, and the characters are showed with intimacy and delicate attention to details. The close ups face Carrie- Anne Moss, a kind of (unrealistic) femme fatale in the middle of nowhere, gently whispering in dim light, are worth the ticket. But i didn't completely buy the script. Shouldn't it be more difficult for Alex to get into Linda's house? Shouldn't a man which such a traumatic past behave like an eighteenth century English gentleman? Morever, as far as I know about psychiatry, Linda is a mixture of mental disease stereotypes, more than an actual autistic. I gave 7, because I liked the effort of making of a tragic story a kind of hymn to life, sometimes even funny.
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