| Cast overview, first billed only: | |||
| Alan Rickman | ... |
Alex
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| Emily Hampshire | ... |
Vivienne Freeman
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Jackie Brown | ... |
Waitress
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| Callum Keith Rennie | ... |
John Neil
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Scott Wickware | ... |
Senior Cop
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Johnny Goltz | ... |
Rookie Cop
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| James Allodi | ... |
Clyde
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Janet van de Graaf | ... |
Meryl
(as Janet van de Graaff)
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| Carrie-Anne Moss | ... |
Maggie
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| Julie Stewart | ... |
Florence
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| Sigourney Weaver | ... | ||
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Charlie | ... |
Marilyn the Dog
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| Selina Cadell | ... |
Diane Wooton
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Nia Roberts | ... |
Janet the Vet
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| Dov Tiefenbach | ... |
Jack the Optician
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Alex Hughes, an ex-convict, is on a road trip to Winnipeg to see an old friend. Along the way, he meets the annoying, but vivacious, Vivienne Freeman who manages to bum a ride with him. Just as he begins to warm to this eccentric girl, Alex's vehicle is in a serious automobile accident that kills Vivienne. After his meeting with the police, Alex decides to speak with Vivienne's mother. Upon arrival at her home, Alex discovers that the mother, Linda, is a highly functional autistic woman who convinces him to stay long to take out the garbage the day after the funeral he agrees to arrange. In those few days, Alex discovers new friends and learns more about the uniqueness of Linda even as he struggles to come to terms with his own grief. Written by Kenneth Chisholm (kchishol@rogers.com)
I just got back from the premiere of this movie at the Berlinale. It's a little story about the friendship of man, Alex, who still can't forget a mysterious, traumatizing past, and an autistic woman, Linda (S. Weaver). The humanness of Alex, and the deep sadness of being aware of what happened, contrasts with the fairy-tale-like world of Linda, who seems to live with no consciousness for the past or the future, avoiding suffering and flying light in the world just like a snow flake. The performances of the actors, of Rickman in particular, are outstanding, and the characters are showed with intimacy and delicate attention to details. The close ups face Carrie- Anne Moss, a kind of (unrealistic) femme fatale in the middle of nowhere, gently whispering in dim light, are worth the ticket. But i didn't completely buy the script. Shouldn't it be more difficult for Alex to get into Linda's house? Shouldn't a man which such a traumatic past behave like an eighteenth century English gentleman? Morever, as far as I know about psychiatry, Linda is a mixture of mental disease stereotypes, more than an actual autistic. I gave 7, because I liked the effort of making of a tragic story a kind of hymn to life, sometimes even funny.