In order to foil an extortion plot, an FBI agent undergoes a facial transplant surgery and assumes the identity and physical appearance of a terrorist, but the plan turns from bad to worse when the same terrorist impersonates the FBI agent.
In the fall of 1959, for a time capsule, students draw pictures of life as they imagine it will be in 50 years. Lucinda, an odd child who hears voices, swiftly writes a long string of numbers. In 2009, the capsule is opened; student Caleb Koestler gets Lucinda's "drawing" and his father John, an astrophysicist and grieving widower, takes a look. He discovers dates of disasters over the past 50 years with the number who died. Three dates remain, all coming soon. He investigates, learns of Lucinda, and looks for her family. He fears for his son, who's started to hear voices and who is visited by a silent stranger who shows him a vision of fire and destruction. What's going on? Written by
The perceptual phenomenon of people looking for patterns in randomness (number strings, faces in trees, shapes in clouds etc.) is called Apophenia. See more »
(at around 1 min) At the beginning of the film, when the teacher is calling the children in from recess, several children are walking up the steps to the school and walk past the teacher. The teacher then calls for Lucinda (who is standing off by her own), and there's a cut to a medium shot of Lucinda facing away from the camera, and 3 of the children who had walked past the teacher a few seconds ago are now again walking away from Lucinda and toward the camera (a kid in a blue sweater, a chubby kid in a short sleeve striped shirt, and a blonde girl wearing a white dress with an orange sweater). See more »
First off, Nicolas Cage was pretty good as a science teacher who's initial skepticism over a batch of numbers (scribbled on a piece of paper found in a school's time capsule from the 1950s) is tested and eventually worn away by a quest to find out what they mean. Cage runs hot and cold when it comes to the characters he plays; he's awesome in films like "Raising Arizona", "Con Air", or "National Treasure", while not so believable in stuff like "The Family Man". He's maturing as an actor and getting better, it seems, with every role. Another standout is Rose Byrne, as the daughter of the odd little girl who wrote out the bizarre number sequences that Cage's character is analyzing. Byrne's always good at playing pensive women with something mysterious in their back stories. Yet as good as the actors were, the special effects and the twists in the storyline are what make this movie really entertaining. The writers didn't take the easy, obvious route with the story which was refreshing. The plot continues to surprise throughout taking some very different turns with the outcome of the story which made it even more unpredictable and better for it. I like movies that keep me guessing and this is one of those. See it if you like the unexpected.
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