In France, the single translator Diane Siprien adopts an Asian baby named Liu-San in a foundation directed by Sybille Weber. Years later, a weird mark appears on the boy's chest and Diane ... See full summary »
Kurdish-Iranian poet Sahel has just been released from a thirty-year prison sentence in Iran. Now the one thing keeping him going is the thought of finding his wife, who thinks him dead for over twenty years.
Max is on his way to Tokyo. He lives in Paris and likes to flirt but has decided to get married. By chance, he seems to have seen Lisa, his greatest love, in a cafe. Max forgets everything,... See full summary »
A lawyer is asked to come to the police station to clear up a few loose ends in his witness report of a foul murder. This will only take ten minutes, they say, but it turns out to be one ... See full summary »
A fifty-year-old police officer, Michèle Varin, finds herself in a highly depressive state due to the death of her young son a few years ago. In one way or another she feels guilty for his ... See full summary »
Zef's dear wife dies in an accident just as Roni, his wealthy brother, marries his daughter. When the widower arrives with the coffin containing his wife's body right in the middle of the ... See full summary »
In France, the single translator Diane Siprien adopts an Asian baby named Liu-San in a foundation directed by Sybille Weber. Years later, a weird mark appears on the boy's chest and Diane and Liu share their dreadful nightmares. Diane is assigned for a three-day job in German and she leaves Liu with her friend Sybille. However, while going to the airport, Diane finds Liu hidden in the backseat and startles with an eagle flying toward the windshield, crashing her car. Liu falls into a coma and his digital recorder records the boy speaking in an unknown dialect. When Diane searches the translation and the origins of Liu, she is surrounded by mysterious murders. She discovers that the dialect is from the mystic Mongolian Tseven tribe and that Liu is a powerful Observer; further, he is in danger, threatened by sorcerers that need the boy for their Council of the Stone. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Muddled and plodding thriller, unworthy of Monica Bellucci's brave performance
Monica Belucci's fully committed performance, as well as her commendable willingness to appear as unglamorous as possible (with very short hair, limited or no make-up, often bloodied-up and dirty), are wasted in this semi-supernatural thriller that suffers from a muddled script (just like a previous adaptation of a Jean-Christophe Grangé novel, "Crimson Rivers" - maybe his books are just too hard to condense in under two hours of screen time), an incomplete finish that feels like a set-up for an (unlikely) sequel, cold direction, plodding pacing, and a completely humorless tone. I honestly found it a bit of a struggle to get through. It will probably be watched / remembered only for the first "cross-generational" on-screen meeting of Belucci with Catherine Deneuve. (**)
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