In France, the single translator Diane Siprien adopts an Asian baby named Liu-San in a foundation directed by Sybille Weber. Years later, a weird mark appears on the boy's chest and Diane ... See full summary »
Kurdish-Iranian poet Sahel has just been released from a thirty-year prison sentence in Iran. Now the one thing keeping him going is the thought of finding his wife, who thinks him dead for over twenty years.
A lawyer is asked to come to the police station to clear up a few loose ends in his witness report of a foul murder. This will only take ten minutes, they say, but it turns out to be one ... See full summary »
Francesca, an incredibly beautiful woman, lost her husband. Only after his death she discovers his unfaithfulness and overall the huge amount of debts he left. Cesare is Francesca's best ... See full summary »
Roberto is a young and ambitious lawyer who is going to marry Sara. His whole life is perfectly planned out. During a expropriation which he is in charge of, he meets Micol, a gorgeous and ... See full summary »
Robert De Niro,
Zef's dear wife dies in an accident just as Roni, his wealthy brother, marries his daughter. When the widower arrives with the coffin containing his wife's body right in the middle of the ... See full summary »
In France, the single translator Diane Siprien adopts an Asian baby named Liu-San in a foundation directed by Sybille Weber. Years later, a weird mark appears on the boy's chest and Diane and Liu share their dreadful nightmares. Diane is assigned for a three-day job in German and she leaves Liu with her friend Sybille. However, while going to the airport, Diane finds Liu hidden in the backseat and startles with an eagle flying toward the windshield, crashing her car. Liu falls into a coma and his digital recorder records the boy speaking in an unknown dialect. When Diane searches the translation and the origins of Liu, she is surrounded by mysterious murders. She discovers that the dialect is from the mystic Mongolian Tseven tribe and that Liu is a powerful Observer; further, he is in danger, threatened by sorcerers that need the boy for their Council of the Stone. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The Stone Council (as it was titled here in Oz) adds further weight to the theory that, though French filmmakers love tearing American film culture a new one at the drop of a hat, they can't help stealing the Yanks penchant for a loopy, spooky premise should the urge take them.
This Monica Bellucci starrer bottles the winsome beauty and captivating on screen presence of the Italian glamour as well as any movie I've seen her in. And as the frantic mother trying to find and rescue her kidnapped son from the clutches of an increasingly menacing (and kinda silly) secret society, her performance commits to all the emotional tics and B-movie nuances this type of potboiler demands. All credit to her for keeping the emotional core of her character strong as the plot becomes wildly unwieldy.
Shot beautifully with an eye for detail rarely seen in this type of supernatural hooey, the composition of the frame - from its moody lighting to the shadowy, vast set design - provides the film a further grounding in reality and certainly allayed a mounting sense that the film, despite all its fine elements, was asking of its audience a little too much leeway plotwise.
With a central characters journey into a bizarre, ritualized society reminiscent of the cult favourite The Wicker Man, and a wildly fantastical but eerily engrossing story that would have served it well as an episode of Le x-Files, The Stone Council is an above-average white-knuckler thats well worth a look.
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