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Nightwatching (2007)

6.5
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An extravagant, exotic and moving look at Rembrandt's romantic and professional life, and the controversy he created by the identification of a murderer in the painting THE NIGHT WATCH

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Title: Nightwatching (2007)

Nightwatching (2007) on IMDb 6.5/10

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6 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Hendrickje
...
Saskia
...
Geertje
...
Gerard Dou
Jonathan Holmes ...
Ferdinand Bol
...
Carel Fabritius
Kevin McNulty ...
Hendrick Uylenburgh
...
Titia Uylenburgh
...
Marieke
...
Marita
Reimer van Beek ...
Titus - newborn
Robert Zalecki ...
Titus - 4 months
Kacper Kasiecki ...
Titus - toddler
Anja Antonowicz ...
Catharina (as Anna Antonowicz)
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Storyline

The year 1642 marks the turning point in the life of the famous Dutch painter, Rembrandt, turning him from a wealthy respected celebrity into a discredited pauper. At the insistence of his pregnant wife Saskia, Rembrandt has reluctantly agreed to paint the Amsterdam Musketeer Militia in a group portrait that will later become to be known as The Nightwatch. He soon discovers that there is a conspiracy afoot with the Amsterdam merchants playing at soldiers maneuvering for financial advantage and personal power in, that time, the richest city in the Western World. Rembrandt stumbles on a foul murder. Confident in the birth of a longed-for son and heir, Rembrandt is determined to expose the conspiring murderers and builds his accusation meticulously in the form of the commissioned painting, uncovering the seamy and hypocritical side to Dutch Society in the Golden Age. Rembrandt's great good fortune turns. Saskia dies. Rembrandt reveals the accusation of murder in the painting and the ... Written by Anonymous

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for strong sexual content, graphic nudity and language | See all certifications »

Parents Guide:

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Details

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Release Date:

2 November 2007 (Poland)  »

Also Known As:

A Ronda da Noite  »

Box Office

Budget:

$7,500,000 (estimated)
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Company Credits

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Technical Specs

Runtime:

|

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The film was selected to screen in competition at the Venice Film Festival in 2007. See more »

Quotes

Titia Uylenburgh: Women in the 17th century are allowed to smoke, write, correspond with Descartes, wear spectacles, insult the Pope, and breast-feed babies.
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Connections

Followed by Goltzius and the Pelican Company (2012) See more »

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User Reviews

The Inner Eye and the Lover's Lens
10 May 2008 | by (Virginia Beach) – See all my reviews

In a way, Greenaway is my touchstone for deep film experience. It was with him that I first studied the things that have since become part of every viewing experience, from "Godzilla versus the Sea Monster" to the more homeopathically transcendent meditations of Medem and Ruiz.

Each film is its own adventure, and that's part of the joy. Each film is similar in reaching for a context outside of the ordinary context of other films, so it helps if you are knowledgeable about the dynamics of those contexts. Which of those that are more natural to you will color which of his films you prefer.

I like his "book" films the best because I had prewoven worlds that he just happened to encircle. All of his looping narratives and playing with discrete objects, events and relationships strung and structured capture me when they are prominent. I'm not crazy about his projects when he drifts toward conventional narrative as he does here and away from engaging in conceptual play.

This is more like "Draughtsman's Contract" or even "Cook, Thief" than his more complex films, so many people will like it. Its also his prettiest film since he lost his long time cinematographer.

If you don't know this film, its a simple fold: its about Rembrandt creating a painting with deep, Greenaway-like meaning. The filmmaker goes to great lengths to visually make his relationship to the film be similar to Rembrandt's with the painting, and thereby fold us into the thing because we see and hear (in great detail) viewers of that painting react. And they punish our painter much like the filmmaker has been.

Threaded throughout is a rather touching story — not unique in Greenaway — of a man and passion, and the woman and then women he loves. And how passion and love, and creativity encompass one another and drive that energy of life that we count on artists to use to break mountains ahead of us so we can pass.

Its the women here. It is always the lovers who allow creativity, who grow it and channel it. There is no real penetration of life without it, and the night it brings. Just on the straight narrative alone, its powerful. It works. The whole thing works, and could be a theatrical success for a wider audience than usual.

The three lovers are redheads, of course.

Ted's Evaluation -- 3 of 3: Worth watching.


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