| Justin Rice | ... | Alan | |
| Rachel Clift | ... | Ellie | |
| Andrew Bujalski | ... | Lawrence | |
| Seung-Min Lee | ... | Sara | |
| Pamela Corkey | ... | Patricia | |
| Kevin Micka | ... | Dennis | |
| Ralph Tyler | ... | Jerry | |
| Peter Pentz | ... | Scotty | |
| Bill Morrison | ... | Walter | |
| Tamara Luzeckyj | ... | Esther | |
| Mary Varn | ... | Rebecca | |
| Kate Dollenmayer | ... | Hildy | |
| Keith Gessen | ... | Julian | |
| Salvatore Botti | ... | Ron | |
| rest of cast listed alphabetically: | |||
| Damian Hess | ... | Clay Loudermilk (uncredited) | |
Directed by | |||
| Andrew Bujalski | |||
Writing credits(in alphabetical order) | ||
| Andrew Bujalski | written by | |
Produced by | |||
| Jeff Caldwell | .... | associate producer | |
| Morgan Faust | .... | producer | |
| Mynette Louie | .... | co-producer | |
| Dia Sokol Savage | .... | producer (as Dia Sokol) | |
| Ethan Vogt | .... | producer | |
Cinematography by | |||
| Matthias Grunsky | |||
Film Editing by | |||
| Andrew Bujalski | |||
Sound Department | |||
| Eugene Cho | .... | post-production sound supervisor | |
| Randall Good | .... | sound mixer | |
| John Koczera | .... | post-production sound supervisor | |
| Eric Masunaga | .... | sound mixer | |
Camera and Electrical Department | |||
| Matt Boese | .... | grip | |
| Sara Johnson Loveaux | .... | grip | |
| Ken ReCorr | .... | grip | |
Other crew | |||
| Houston King | .... | producer's representative | |
| Lauren Mechling | .... | additional monologue | |
| Brian Tran | .... | assistant sales representative | |
Thanks | |||
| Michael Bowes | .... | thanks | |
| Ben Caro | .... | thanks | |
| Tze Chun | .... | special thanks | |
| Marshall Lewy | .... | special thanks | |
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| I Wanna Hold Your Hand | Forgetting Sarah Marshall | Scott Pilgrim vs. the World | Rear Window | Love Actually |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I saw Mutual Appreciation on the bottom row of a 'new release' section of a movie shop and it caught my eye. I usually am a sucker for movies that are deeper than the average celluloid we are bombarded with. I didn't have a great expectation for the movie, which turned out to be great. The dialog isn't deep. And it isn't meant to be. It's very real to life. The colours and positioning really captured the essence of the movie: bleak and monotonous. I did like it for the fact I felt that I could relate to more than one character, and the characters were realistic and likable. I've read previous remarks, and I suppose the only advice I can give is to watch the movie without expectations and with a open mind. On reflection, try and see if you can relate some of the central themes to your life and you will be pleasantly surprised. As a 16 year old that is trying to find movies that break the conventional mould, I found this refreshing and it made me hopeful for some reason. I will definitely be checking out Funny Ha Ha.