Whilst celebrating a graduation at a secluded vacation home, a group of college students find themselves targeted by a sadistic killer who forces them to play a deadly game of killing one another in order to survive.
The American oil company KIC Corporation is building an ice road to explore the remote Northern Arctic National Wildlife Refuge seeking energy independence. Independent environmentalists ... See full summary »
The broken farmer Dan rents his farm for the scientist John from the Bovine Genetics Technology that is researching genetic modifications of cattle to increase its fertilization. The veterinarian Orla is bitten by the calf while helping the cow to deliver, and she feels that something went wrong with the experiment. During the night, the cow has a narrow passage for the calf, and Dan asks the young couple Jamie and Mary that is parked in a trailer in front of his farm's entrance to help him in the delivery. When the offspring is born, it bites Dan; Orla arrives later and realizes that it is a genetic anomaly and she sacrifices the calf. During the autopsy of the animal, she discovers that the fetus is pregnant and she destroys the freak hybrids. However, one of them escapes and attacks a cow first and Jamie later. When John arrives in the farm, he discovers that there is the danger of infection of human beings and decides to quarantine the spot. But one offspring is alive and need to ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I'm Going To Make You Love Me
Performed by Jim Ford
From the album "Jim Ford - Harlan County" Sundown 1002; 1969
(p)(c)2000 Varèse Sarabande Records, Inc.
Under license from Varèse Sarabande Records, Inc. See more »
Billy O'Brien's excellent ecologically themed horror is a measured, carefully paced and excellently judged picture featuring bags of sweaty suspense and a few good jolts. The film is further boosted by some strong performances from John Lynch and Sean Harris.
The film is particularly effective in evoking the atmosphere of subsistence rural life - one can virtually smell the slurry pits and manure. Uncomfortable memories of the UK's foot and mouth crisis surface as the farm location is quarantined and cow carcasses are torched.
It is certainly a challenge to make cows scary - but this does a better job than The Dark. Bob Keen's sparingly glimpsed monster effects are reminiscent of those seen in Cronenberg's Existenz, particularly the scene in that film's Chinese restaurant. His team also did an excellent job on the cow and calf effects.
Overall a terrific little terror picture that deserves wide exposure.
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