A coming of age story about a shy teenage boy trying to escape from the influence of his domineering mother. His world changes when he begins to work for a retired actress.
Norway, WWII: A group of British and German soldiers find themselves stranded in the wilderness after an aircraft battle. Finding shelter in the same cabin, they realize the only way to survive the winter is to place the rules of war aside.
Director:
Petter Næss
Stars:
Florian Lukas,
David Kross,
Lachlan Nieboer
An unfulfilled divorced woman gets the chance to relive her past when she meets a young man who appears to be her high school sweetheart who died many years before.
Director:
Dylan Kidd
Stars:
Laura Linney,
Topher Grace,
Marcia Gay Harden
After failing to locate the legendary Stanley Kubrick, an unstable CIA agent must instead team up with a seedy rock band manager to develop the biggest con of all time-staging the moon landing.
Former criminal investigator, Major Korenev, nicknamed Fox is released from prison. He has been detained there as a result of planted incriminating evidence of unlawful investigation ... See full summary »
A coming of age story about a shy teenage boy trying to escape from the influence of his domineering mother. His world changes when he begins to work for a retired actress.
During the making of this film Rupert Grint had not yet passed his driving test and so a driving double had to be used for scenes filmed on public roads. Rupert commented that he failed his test during a maneuver as he forgot to look over his shoulder during the turn in the road. See more »
Goofs
When Evie and Ben are looking at the lake it is flat calm. When the camera looks at them the lake behind has waves. See more »
Quotes
Robert Marshall:
Ask yourselves this question; How is a person truly free until they can think and act for themselves? God gave us free will so that we could choose His love. You see, He wanted us to understand our commitment. To be grown up about it. If you ask me, "Am I Christian?", I say to you, if you strive to do good, then you're a Christian. If you don't seek to hurt or betray others, you're a Christian. If you're true to yourself and treat others as you'd have them treat you, you're a Christian. The ...
See more »
Crazy Credits
In the opening titles, the names of the main cast and crew are arranged around a map as if they were street names. See more »
Growing up is maybe a bit like learning to drive: lots of things you're not meant to do - at least when those in authority are watching. Staying on the straight and narrow can be difficult, especially if your teachers are awful.
Rupert Grint (Ron Weasley from the Harry Potter series) has had the misfortune to be born into a family with a preacher as a dad and a self-righteously over-bearing mother (Laura Linney). He breaks out of his imposed cocoon with the help of a retired actress (Julie Waters) and achieves his rite of passage. Driving Lessons is highly polished mainstream comedy that will keep you snickering under your breath all the way through your bible class. A large amount of f-words (and a UK 15 certificate) sadly prevent any 14yr-olds that haven't learnt to bluff effectively from seeing it. . . . oh, and there's a nice bit of sex, courtesy a good Scottish lass.
Ben answers an advert for a young man to help a retired actress in the house and garden. The eccentric Evie (Julie Walters) has soon whisked him off camping, and then taken him to Scotland where he Become A Man. He has to get rid of what Evie describes as the 'social autism' inculcated by his religious upbringing. His mum has been determinedly teaching Ben to drive (he fails his test) and things are not good in the parental marriage (but they are God's ambassadors and must show the world a smiling face). Ben learns that, "When the sh*t hits the fan, get a tent," although the road is long and sometimes hard. He also learns, through the power of impromptu drama and hard choices of conscience, that there is more to being a man than following the rules.
The road to and from Scotland is apparently a single track road that passes through such unlikely places Holyrood Park (which also just happens to have one of the best views of the city). But hey! The boy could have got lost! The whole movie has such lovable pacing and unpretentious detail that it is easy to forgive such quirks. The glimpse of the Edinburgh Festival, which is the biggest arts festival in the world, is achieved with remarkable panache. Evie and Ben arrive at the Caledonian Hotel and the Book Festival contact soon has him off to a nightclub and then her bed in the true spirit of Scottish hospitality. The soundtrack concocts a heady blend of Scottish folk, Salsa Celtica, Richard Thompson, Nick Drake and Chopin's First Nocturne in B flat Minor. Loosely based on the director's own experiences growing up as a vicar's son and working for Dame Peggy Ashcroft, his portrait of middle class London suburbia hits all the right notes: perfectly correct on the outside, and full of abnormally screwed up people behind the net curtains. He pokes fun at religion without ever causing offence and is supported by superb actors and a talented crew.
This is such a good movie that it is hard to say anything bad about it. Sadly the only flaw lies in the undeveloped substance of its central theme, meaning that Driving Lessons will be enjoyed to the hilt today, but too easily forgotten when its ideas are already second nature.
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Growing up is maybe a bit like learning to drive: lots of things you're not meant to do - at least when those in authority are watching. Staying on the straight and narrow can be difficult, especially if your teachers are awful.
Rupert Grint (Ron Weasley from the Harry Potter series) has had the misfortune to be born into a family with a preacher as a dad and a self-righteously over-bearing mother (Laura Linney). He breaks out of his imposed cocoon with the help of a retired actress (Julie Waters) and achieves his rite of passage. Driving Lessons is highly polished mainstream comedy that will keep you snickering under your breath all the way through your bible class. A large amount of f-words (and a UK 15 certificate) sadly prevent any 14yr-olds that haven't learnt to bluff effectively from seeing it. . . . oh, and there's a nice bit of sex, courtesy a good Scottish lass.
Ben answers an advert for a young man to help a retired actress in the house and garden. The eccentric Evie (Julie Walters) has soon whisked him off camping, and then taken him to Scotland where he Become A Man. He has to get rid of what Evie describes as the 'social autism' inculcated by his religious upbringing. His mum has been determinedly teaching Ben to drive (he fails his test) and things are not good in the parental marriage (but they are God's ambassadors and must show the world a smiling face). Ben learns that, "When the sh*t hits the fan, get a tent," although the road is long and sometimes hard. He also learns, through the power of impromptu drama and hard choices of conscience, that there is more to being a man than following the rules.
The road to and from Scotland is apparently a single track road that passes through such unlikely places Holyrood Park (which also just happens to have one of the best views of the city). But hey! The boy could have got lost! The whole movie has such lovable pacing and unpretentious detail that it is easy to forgive such quirks. The glimpse of the Edinburgh Festival, which is the biggest arts festival in the world, is achieved with remarkable panache. Evie and Ben arrive at the Caledonian Hotel and the Book Festival contact soon has him off to a nightclub and then her bed in the true spirit of Scottish hospitality. The soundtrack concocts a heady blend of Scottish folk, Salsa Celtica, Richard Thompson, Nick Drake and Chopin's First Nocturne in B flat Minor. Loosely based on the director's own experiences growing up as a vicar's son and working for Dame Peggy Ashcroft, his portrait of middle class London suburbia hits all the right notes: perfectly correct on the outside, and full of abnormally screwed up people behind the net curtains. He pokes fun at religion without ever causing offence and is supported by superb actors and a talented crew.
This is such a good movie that it is hard to say anything bad about it. Sadly the only flaw lies in the undeveloped substance of its central theme, meaning that Driving Lessons will be enjoyed to the hilt today, but too easily forgotten when its ideas are already second nature.