Directed by | |||
| Gil Cates Jr. | |||
Writing credits | ||
| Gil Cates Jr. | (screenplay) & | |
| Marc Weinstock | (screenplay) | |
Produced by | |||
| Michael Amato | .... | executive producer | |
| John J. Anderson | .... | co-producer | |
| Michael Arata | .... | producer | |
| Steve Austin | .... | producer | |
| Jerry Daigle | .... | associate producer | |
| Richard Gabai | .... | executive producer | |
| Nzinga Garvey | .... | executive producer | |
| Richard Iott | .... | co-associate producer | |
| Terry Kennedy | .... | executive producer | |
| Scott Lazar | .... | executive producer | |
| Greg McDonald | .... | executive producer | |
| Albert J. Salzer | .... | producer | |
| Marc Weinstock | .... | producer | |
Original Music by | |||
| Peter Rafelson | |||
Cinematography by | |||
| Tom Harting | (director of photography) | ||
Film Editing by | |||
| Jonathan Cates | |||
| Eric Strand | |||
Casting by | |||
| Amy Staub | |||
| Tommy Staub | |||
Production Design by | |||
| Frank Zito | |||
Costume Design by | |||
| Liz Staub | |||
Makeup Department | |||
| Simone Almekias-Siegl | .... | personal makeup artist: Burt Reynolds | |
| John Brato | .... | hair stylist | |
| Marcos Gonzales | .... | assistant hair stylist | |
| Kimberley Kirkpatrick | .... | makeup artist | |
| Robin Mathews | .... | makeup department head | |
| Glenn Mosley | .... | key makeup artist | |
| Aimee Stuit | .... | makeup department head | |
Second Unit Director or Assistant Director | |||
| Steve Lonano | .... | second assistant director | |
| Sherman Shelton Jr. | .... | second second assistant director | |
| Gregory Kent Simmons | .... | first assistant director | |
Art Department | |||
| Alexandra Eagle | .... | art assistant | |
| Elizabeth Herberg | .... | art coordinator | |
| Alexander Lasseigne III | .... | set dresser | |
| Twig Leveque | .... | graphic designer | |
| Trey Merrill | .... | on-set dresser | |
| Yamileth Rivas | .... | painter | |
| Janna Roach | .... | assistant property master | |
| Michelle Rolland | .... | property master | |
| Brent Stewart | .... | foreman | |
Sound Department | |||
| Michael Brown | .... | foley artist | |
| Gary Coppola | .... | sound re-recording mixer | |
| John Fairlamb | .... | foley mixer | |
| Robert Hoehn | .... | sound designer | |
| Sylvain Loiseau | .... | post-production audio manager | |
| Ron Scelza | .... | production sound mixer | |
| Christopher Tiffany | .... | boom operator | |
| David Warburton | .... | first assistant sound editor | |
Visual Effects by | |||
| Rachel Clement | .... | digital cleanup artist | |
Camera and Electrical Department | |||
| Michael Applebaum | .... | additional camera operator | |
| Gerald Autin | .... | grip | |
| Giovanni Bommarito | .... | grip | |
| James T. Bruce IV | .... | camera production assistant | |
| Benton Collinsworth | .... | camera production assistant | |
| Edward Darr | .... | grip | |
| Robert Foster | .... | camera operator: "a" camera | |
| Jerry M. Jacob | .... | Steadicam operator | |
| Yaron Levy | .... | director of photography: Los Angeles | |
| Amy Newman | .... | dimmer board operator | |
| Louis Normandin | .... | best boy electric | |
| Joseph Paolucci Jr. | .... | lamp operator | |
| Patti Perret | .... | still photographer | |
| Luke Porterfield | .... | grip | |
| Humberto Recio | .... | lighting technician | |
| Kennith G. Smith | .... | dolly grip | |
| Michael L. Smith | .... | key grip | |
| Jonathan Stoll | .... | key rigger | |
Casting Department | |||
| James Bearb | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Claire Hedlund | .... | set costumer | |
Editorial Department | |||
| Julius Friede | .... | digital intermediate colorist | |
| Dennis Little | .... | digital intermediate production coordinator | |
| Heather J. Morrison | .... | assistant editor | |
| Jon Pehlke | .... | on-line editor | |
| Sarah Priestnall | .... | production supervisor: digital intermediate | |
| Bart Rachmil | .... | assistant editor | |
Music Department | |||
| Mason Cooper | .... | music supervisor | |
| Jerry Deaton | .... | composer: additional music | |
| Robert Hoehn | .... | music arranger | |
| Yagmur Kaplan | .... | music editor | |
Transportation Department | |||
| Byron Roland | .... | driver: production van | |
Other crew | |||
| Prince Bagdasarian | .... | film and high definition coordinator | |
| Victor Brunette | .... | technical services | |
| Arvid Cristina | .... | assistant production coordinator | |
| Charlie French | .... | assistant to producer | |
| Lucia Hallett | .... | production assistant | |
| Shelley Hinson | .... | craft service lead | |
| Russ Honican | .... | main title designer | |
| Ruth Kesler | .... | production coordinator | |
| Jeremy Kirkland | .... | production assistant | |
| Jerrold W. Lambert | .... | key accountant | |
| Matt McLellan | .... | assistant location manager | |
| Eric Min | .... | production executive | |
| Emily Pendas | .... | script supervisor | |
| Melissa Perret | .... | assistant accountant | |
| Erik William Smith | .... | production executive | |
| Chris Stiles | .... | production assistant | |
| John M. White | .... | production assistant | |
| Mandy White | .... | production assistant | |
| Paolo Paci | .... | production coordinator: Los Angeles (uncredited) | |
Thanks | |||
| Minnie Driver | .... | thanks | |
| James Woods | .... | thanks | |
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| Lucky You | The Payoff | The Grand | Peaceful Warrior | Rounders |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
This is not in any way, shape, or form, a good film. It is your typical run of the mill story only played much worse than normal. I guess it's nice that they got a few real poker players in this, but that's all that is worth mentioning. It's already been said, but Shannon Elizabeth is in it for about 5 minutes and then they just do away with her character completely. Burt Reynolds is grabbing another paycheck and the main character is not at all convincing. If he is supposed to be that good, how come everyone knew what he had at the end. This movie is just weak, i wouldn't waste your time. Go ahead and rent Rounders or even Lucky You if you want a better poker film.