| Eduardo Noriega | ... | Ernesto 'Che' Guevara | |
| Enrico Lo Verso | ... | Fidel | |
| Paula Garcés | ... | Aleida | |
| Sonia Braga | ... | Celia | |
| Sergio d'Amato | ... | Camillo Cienfuegos | |
| rest of cast listed alphabetically: | |||
| Omar Adam | ... | Julito | |
| Julio Alonzo | ... | Benitez | |
| Georgia Anderson | ... | Vilma | |
| Alex 'Rio' Bier | ... | Enemy soldier #2 | |
| Armando Cantina | ... | Remora | |
| Antonio D. Charity | ... | Peasant #2 | |
| Délé | ... | Israel's wife | |
| Chris Facey | ... | Will | |
| Jesus Fuerte | ... | Armando | |
| Federico Galavis | ... | Rogelio | |
| Javier Garcia | ... | Fidel / Camilo | |
| Oscar Garcia | ... | Oscarito | |
| Jorge Gonzalez Borrelli | ... | Camilo | |
| Ben Jurand | ... | Almedia | |
| Tenisha D. Light | ... | Peasant | |
| Charis Michelsen | ... | American Reporter | |
| Sebastián Miranda | ... | Raul | |
| Erich A. Muller | ... | Eutimo | |
| Carla Ortiz | |||
| Hooshang Saadi | ... | El Vaquerito | |
| Maxie J. Santillan Jr. | ... | Chao | |
| Maz Siam | ... | Burly Investigator | |
| J.R. Starr | ... | PESANT | |
| Peter Mark Vasquez | |||
Directed by | |||
| Josh Evans | |||
Writing credits(in alphabetical order) | ||
| Josh Evans | writer | |
Produced by | |||
| Melissa Ciampa | .... | line producer | |
| Sergio d'Amato | .... | producer | |
| Josh Evans | .... | producer | |
| Steak House | .... | producer | |
| Karl Kresser | .... | executive producer | |
| Damon Martin | .... | executive producer | |
| Jamie Mitchell | .... | producer | |
| Valerie Stadler | .... | co-producer | |
| Mark Vega | .... | executive producer | |
| Brad Whitcomb | .... | co-executive producer | |
Original Music by | |||
| Patrick Cassidy | |||
Cinematography by | |||
| David Bridges | |||
Film Editing by | |||
| Kevin McCullough | |||
| Jamie Mitchell | |||
Casting by | |||
| Zora DeHorter | |||
Production Design by | |||
| Michael Fitzgerald | |||
Costume Design by | |||
| Carol Helen Buele | |||
Makeup Department | |||
| Lindsay Garrison | .... | makeup artist | |
| Elisa Michelsen | .... | makeup artist | |
Production Management | |||
| Steak House | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Nicole Chamberlin | .... | second assistant director | |
| Elizabeth Greene | .... | second second assistant director | |
| Chris Hall | .... | second assistant director | |
| Mark G. Mathis | .... | first assistant director (as Mark Mathis) | |
| Kristin Mente | .... | additional first assistant director | |
Art Department | |||
| John Henry Baliton | .... | property master | |
Sound Department | |||
| Michael Brown | .... | foley mixer | |
| Diana Burnell | .... | foley artist | |
| Gary Coppola | .... | sound re-recording mixer | |
| Avi K. Garg | .... | boom operator | |
| Yagmur Kaplan | .... | first assistant sound editor | |
| Tim LeBlanc | .... | foley mixer | |
| Klint Macro | .... | sound mixer | |
| Drew Martinez | .... | sound mixer | |
| Jamie Mitchell | .... | studio sound supervisor | |
| Jeff Prosser | .... | foley mixer | |
| Christopher Sheldon | .... | supervising sound editor | |
| David Warburton | .... | post facility coordinator | |
Special Effects by | |||
| Rene Diamonte | .... | pyrotechnician | |
| Chip Mefford | .... | special effects foreman | |
| Harrison Plantico | .... | special effects assistant | |
| Nick Plantico | .... | special effects coordinator | |
| Michael Valenzuela | .... | special effects crew | |
Stunts | |||
| Chip Mefford | .... | stunt rigger | |
| Nick Plantico | .... | stunt coordinator | |
| Michael Valenzuela | .... | stunt performer | |
Camera and Electrical Department | |||
| Bill Persaud | .... | best boy grip | |
| Michael Piekutowski | .... | best boy grip | |
| Jason Puliti | .... | best boy electric | |
Casting Department | |||
| Russell Boast | .... | extras casting | |
Costume and Wardrobe Department | |||
| Glenda Maddox | .... | assistant costume designer | |
Editorial Department | |||
| Jamie Mitchell | .... | trailer editor | |
Transportation Department | |||
| Emily Skelton | .... | transportation captain | |
Other crew | |||
| Jeni Bartiromo | .... | location scout | |
| Deidra Buffington | .... | production legal | |
| Rodrigo Cabral | .... | production assistant | |
| Elise Clark | .... | assistant production coordinator | |
| Elisa Forni | .... | script supervisor | |
| Dan Hall | .... | key set production assistant | |
| Dan Hall | .... | production assistant | |
| Torrence Hall | .... | armorer | |
| Teppei Iitani | .... | production legal | |
| Naoko Inada | .... | production assistant | |
| Emily Manthei | .... | production assistant | |
| Woodrow Martin | .... | production assistant | |
| Jannie Penvari | .... | production coordinator | |
| Mike Tristano | .... | master armorer | |
| Recent Posts (updated daily) | User |
|---|---|
| Wasn't there a Spanish version? | PanteraRosado |
| Ratings for this movie. | PanteraRosado |
| Plot | famalberts |
| Josh evans | hayleezzz |
| Release Date | PanteraRosado |
| Was it released? | lyndsay-morrison |
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| Full cast and crew | Company credits | IMDb USA section |
| Add this title to MyMovies |
Just finished watching this film. Overall I think this deserves a rental, but not a purchase.
First off Eduardo Noriega does a good job portraying Che. The cinematography is quite nice to look at, as well as Paula Garcés is very pretty to look at as well.
As much as I really wanted to like this as a film I just didn't. The way the story is told seems very sporadic, and jumps all over the place. The shoot-outs never feel suspenseful, and the usage of the stock footage seems like it was used a a style thing, instead of using it to help tell the story.
Also, the musical score. Some films use a piece of music several times throughout a film and it just works. This film however doesn't. It seems like he just re-used the same piece of music because he didn't have any other stuff to work with. It also feels like he is trying too hard to make you feel a certain emotion when there just isn't enough time spent to really understand fully what is going.
Perhaps I am being a bit harsh, but I was left disappointed after the film ended. I should also mention I got so bored the first time I watched it that I had to turn it off.
Not a bad effort, but not great either. Let's hope the Del Toro version will be more detailed, and feel more like a film and not a documentary.