Set in the Shoryaku and Chotoku eras of Japan's Heian period, the animated short Kai Doh Maru is set against a background of a capital under threat from disease, outlaws, and political ... See full summary »

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Cast

Credited cast:
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Usui-no-Sadamitsu (2003) (voice)
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Ohni-hime (Shuten Dohji) / Additional Voices (2003) (voice) (as Corrine Orr)
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Additional Voices (2003) (voice)
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Urabe-no-Suetake (2003) (voice)
David Rhodes ...
Ibaragi Dohji: Masakado / Additional Voices (2003) (voice)
Larry Robinson ...
Fujiwara-no-Michinaga (2003) (voice)
Flavio Romeo ...
Watanabe-no-Tsuna (2003) (voice)
Mitsuki Saiga ...
Kintoki Sakatano (voice)
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Meiko (2003) (voice) (as Kathleen McInerney)
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Minamoto-no-Raiko (2003) (voice)
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Storyline

Set in the Shoryaku and Chotoku eras of Japan's Heian period, the animated short Kai Doh Maru is set against a background of a capital under threat from disease, outlaws, and political plots. The story reworks themes from Japanese folklore, focusing on the relationship between Sakata no Kintoki (Kintaro) and Minamoto no Raiko, one of the first military Minamoto and "monster hunter" of folklore. The story replaces the traditional image of Kintaro - a strong, ruddy-cheeked man - with that of a determined, tomboyish girl, while retaining much of the traditional character such as the carrying of an axe. Other historical figures from the period who have also become objects of folklore, such as Fujiwara no Michinaga and the rebel Taira no Masakado also make an appearance. Written by dmh2000

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19 December 2001 (Japan)  »

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Soundtracks

Ai Suru Koto Ga Boku Wo Ugokasu
by Akira Hiro
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User Reviews

 
Overall, not bad... (English dub)
12 January 2006 | by (Long Beach CA) – See all my reviews

The animation is very good, though a bit pale in places. I can get into the storyline fairly well, but the English dub is so stilted, it makes it difficult to get into the story. Also, it would have been better to refer to characters as -san rather than Mr -insert name here-. Honestly, it flows better.

A lot of this may have to do with the Western habit of doing dub work with the actors in a room on their own, with no one to play off. The Japanese practice is to have the actors all in the same room, where they may act off each other's performances.

I'd be interested in seeing a reworking of this with a different dub performance.


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