DD is a smug fellow, almost 30 years of age, who can manage all by himself. At least that's what he thinks. However, a strange woman - Lova - enters his life, hunted by evil men who want to...
See full summary »
A German business man, Volkswagner, comes to Österlen in the south of Sweden to build Deutschneyland, a gigantic amusement park for German tourists. The local councilors and the member of ... See full summary »
JW (Joel Kinnaman, Robocop, The Killing), the promising business student who became an organized coke smuggler in Easy Money, is serving hard time in prison and struggling to get back on an... See full summary »
When JW becomes a drug runner in order to maintain his double life, his fate becomes tied to two other men: Jorge, a fugitive on the run from both the Serbian mafia and the police, and mafia enforcer Mrado, who is on the hunt for Jorge.
DD is a smug fellow, almost 30 years of age, who can manage all by himself. At least that's what he thinks. However, a strange woman - Lova - enters his life, hunted by evil men who want to hurt her. Against his will, DD is forced into a series of horrific events... Written by
Sandrew Metronome (translation by orbot)
The scene in which DD enters a huge room full of computers, and talks to a guy who plays a computer game called "Storm", was shot in November 2004 on the world's largest computer festival, "Dreamhack", arranged every year in Sweden with over 6000 participants. Director Björn Stein thought that the festival would act as a cool and spectacular environment that would fit perfectly into the film. See more »
When searching on Google for the words found on the matchbox he received from Lova, DD gets a single hit. This link is marked in purple, indicating that he had already visited it. See more »
I saw this movie at its World premiere at Stockholm's Film Festival. From the get go, this movie proves to be like nothing that has ever come out of the Swedish movie business before. At first, I though that was a good thing. Then I thought it wasn't that good. Then I thought what I really thought wasn't that good was the movie, while the IDEA that the movie tried something that was new to Swedish movie production, was good. Now I just hope that the people who fund Swedish movies don't see this one as a failure - because Storm, if successful despite its flaws, might give all the aspiring Swedish action directors (that I'm sure are hiding out there) a chance, and start a wave of awesome Swedish action/adventure/Sci-Fi/contemporary-fantasy movies. Something better than the movie itself might come out of "Storm".
In Storm's Matrix-esquire introduction sequence, we see two characters running and fighting through dark culverts to get away from bald goons. It all looked very good, and Eva Röse proved to be a really convincing action heroine, which all really got my hopes up. "Are they trying to do it the Hollywood way?" I thought to myself - knowing that that would be tricky considering the history of and budgets for Swedish films don't allow a lot of the necessary stunts and special effects. Swedish films, in my mind, are mainly dramas about dysfunctional, broken people - movies that only make me feel bad. Even Swedish comedy doesn't go far outside that framework.
Well, after the introduction sequence, things change quite a bit. Immediately, a narration with comic ambitions wipes the Matrix-esquire atmosphere clean off. The first thing I thought was "Oh, so now they're showing everyone that they're indeed NOT making an attempt to 'do a Hollywood all the way', by stepping off that vibe in the harshest possible way". I was very disappointed, but on the other hand, I hardly think they, as any Swedish filmmaker, would be able to pull off a "Hollywood". Look at "Rancid".
Soon, influences from all kinds of weird places start to show up. As the movie continues, the viewer is required to digest a multitude of different story telling techniques and movie references - all in all not giving a very solid impression. There's the narrator talking directly to the audience. There's the comical flashback sequence. There's the emotional flashback sequence. There's blood squirting out of someone's neck, then there's the funny taxi driver. There's the Swedish countryside, then there's the Cuban beach. There are more something-moves-in-the-foreground-with-a-sudden-horror-music-cue scenes than I can remember. There are unintentionally comical cartoon sequences. There's the raising of the question "What is real, what is fantasy?" which has been made popular lately by movies such as "The Matrix" and "Vanilla Sky". The end leaves the viewer with some philosophical thinking to do, as the movie makers don't give you all the answers. At least some of those answers, I would like to have served.
When it all comes together, these things don't blend all that well. It feels like the filmmakers thought "Wow, we don't know when's the next time we'll have THIS much money to make a movie - we'd better squeeze all those movie ideas we've had for the last ten years into this one production!".
Nevertheless, the film becomes quite absorbing at times. The acting is good - especially Jonas Karlsson was great in his role - the camera work is superb, the production style sleek. It's amusing to see how much they make the old city of Stockholm look like "steel and glass".
This all makes me hopeful. I encourage everyone who has the chance to go see this movie when it hits the cinemas, or rent it when it's released on DVD - because if this movie makes enough money we might see more, better films like this coming out of Sweden. I know know what I have long suspected - the will and skill is out there. "Storm" is not the hit - but it might give birth to the hit. I'm crossing my fingers.
15 of 29 people found this review helpful.
Was this review helpful to you?
| Report this