September the 1st, 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, ...
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September the 1st, 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, whom he abandoned ten years before. Irène, a French agent who used to work with him, and David, his adoptive son, will help him and lead the girl to her father. Chased by William Pound, a strangely poetic psycho, they will defy the dangers of international espionage from Paris to Venice and finally get to Elliot on September the 11th 2001. Written by
Final scene in Venice the characters are sitting as sun rises in early morning and then the scene shifts to the TV in café with news of 9/11 attack. In Venice the news would have been in the afternoon after mid day meal not early morning. See more »
If you ever want to stop a cell phone working again, remind me to show you something easier than throwing it out a train window.
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Reviewers talk quirky, but offering a different view of an event in September 2001 has to take a roundabout journey to give space for us to rethink events we regard as given. This is not about what the old generation can teach the new - it's about the shifting power balance in the world, a confidence that is about to slip like a picture gone out of focus, a few days before September 11. Through a glass darkly, we feel the imminent change about to happen, the jockeying for position between old, new and confused, but the viewers' foreknowledge gives the plot line extra significance and meaning that would make it otherwise a spy chase thriller and not much more. How often do you see on modern films the kinds of discussions that are in this film? A European perspective, a new kind of world, where even the chauvinist French drive German cars,and the American Empire is given twenty years to live. More films need to be made that explore the truth, separate the paranoid from the conspiratorial, the kooky from the careful look. This films does the latter - thanks to masterful casting and,ahem,unorthodox execution. Binoche has given a sophisticated performance.
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