September the 1st, 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, ... See full summary »
Dr. Henry Harriston is a successful psychoanalyst in New York City. When he is near a nervous breakdown, he arranges to change his flat with Beatrice Saulnier from France for a while. Both ... See full summary »
This parody of the detective-story genre merrily detours into spoofing French foibles as well, making it more of an exercise in verbal gymnastics than a narrative with a mission. Esther is ... See full summary »
Business partners Frank and Josh go bankrupt after their dot-com start-up collapses before it goes online. Frank, a bachelor and broke, reluctantly moves back home to live with his parents ... See full summary »
Two quarreling lovers from opposite sides of the economic scale take central stage in this drama about Veronique and Adrien. Veronique is wealthy and from the provinces, Adrien is ... See full summary »
Julien is a left-leaning student whose politics and love interest end up clashing as the young man makes a long, epic journey through his years at a private school in Paris when Algeria is ... See full summary »
September the 1st, 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, whom he abandoned ten years before. Irène, a French agent who used to work with him, and David, his adoptive son, will help him and lead the girl to her father. Chased by William Pound, a strangely poetic psycho, they will defy the dangers of international espionage from Paris to Venice and finally get to Elliot on September the 11th 2001. Written by
Final scene in Venice the characters are sitting as sun rises in early morning and then the scene shifts to the TV in café with news of 9/11 attack. In Venice the news would have been in the afternoon after mid day meal not early morning. See more »
If you ever want to stop a cell phone working again, remind me to show you something easier than throwing it out a train window.
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Despite a very good cast and a clever idea, this film never happened. The acting was good but the director was self-indulgent with his filming technique.
The film was slow and built no tension, and by time Nick Nolte arrived, the film had already died on its backside. The film wasted time on juvenile political discussion. I literally thought that the American boy would accuse the French girl as being a cheese eating surrender monkey, but of course they just fall in love! Every single role was unoriginal from John Turtoro's poetry reading psycho to Juliet Binoche's cool french spy. Given such an important political possibility, the film said absolutely nothing.
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