September the 1st, 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, ...
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Isabel and Clara are growing up in a time of terror. It is 1492, and Spain has decreed that all Jews must either convert to Catholicism, go into exile or face trial and execution. Although ... See full summary »
The only thing more outrageous than French novelist George Sand's torrid love affair with the decadent author Alfred de Musset and her affinity for wearing men's clothing, was the content ... See full summary »
At the age of 20, Martin leaves his home town and comes to Paris, where he fortunately becomes a model by chance. He meets Alice, his brother's friend, and falls in love with her. They ... See full summary »
Al and Elsa have been a couple for some time, but the chances that their relationship will be long-lived are few. For one thing, Al is appallingly dependent on Elsa for his every emotional ... See full summary »
Mila and Javier are both heart surgeons. Married for ten years, they have two passions: their love and their job. But Mila unexpectedly becomes pregnant, and the perspective of a baby ... See full summary »
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An emotive anthology by seven of Singapore's most illustrious filmmakers, celebrating SG50 through the lives and stories of Singaporeans. Directed by Eric Khoo, Jack Neo, K. Rajagopal, Royston Tan, Tan Pin Pin, Boo Junfeng, Kelvin Tong.
September the 1st, 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, whom he abandoned ten years before. Irène, a French agent who used to work with him, and David, his adoptive son, will help him and lead the girl to her father. Chased by William Pound, a strangely poetic psycho, they will defy the dangers of international espionage from Paris to Venice and finally get to Elliot on September the 11th 2001. Written by
Final scene in Venice the characters are sitting as sun rises in early morning and then the scene shifts to the TV in café with news of 9/11 attack. In Venice the news would have been in the afternoon after mid day meal not early morning. See more »
If you ever want to stop a cell phone working again, remind me to show you something easier than throwing it out a train window.
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Other than good performances from Juliette Binoche, Sara Forestier and the likable newcomer Tom Riley, this movie doesn't have much to recommend it. Aiming to be a "metaphoric" spy movie about the evils of secrecy and the wounds of childhood, the film fails for having plot devices instead of characters and a sloppy, unconvincing direction, resulting in an overall bore. We are also treated with highly annoying anti-American propaganda. Nick Nolte pops up in the last ten minutes like a poor man's Colonel Kurtz but his appearance comes too late to wake up the movie. For works playing successfully playing with the thriller genre, try some of Paul Austers'books or Wim Wenders'earlier films instead. Skip this one.
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