A dramedy about illness, intimacy and death sparkles with the lighthearted touch of Director Ayten Amin. Hussein, played by Khaled abol Naga, is a terminally ill, yet charming architect who... See full summary »
Jason Gedrick and a small group of Marines are stranded in the remote Afghan desert. But it ain't the Taliban that's worrying them, it's these giant refugees from Tremors. In fact the big ... See full summary »
Mahmoud was part of the armed groups coerced by the Egyptian Government which carried out attacks on protestors in Tahir Square the 2nd of February 2011. Since then, Mahmoud has lost his ... See full summary »
Nahed El Sebaï
"Nahed" (Nabila Ebeid) as the Greedy Mother fight over "Dina" (Arwa) the innocent talent who falls in love with "Nader" (Khaled Abol Naga) as a Music Talent Hunter & Famous icon/Director & ... See full summary »
A strong controversial adult drama about troubles facing young married and non-married couples. The old friends are invited at Khaled's and Perry's daughter birthday. Moushira is married to... See full summary »
Khaled Abol Naga,
Fathy Abdel Wahab
Combining the pains of real life along with some hilarious fantasies to make light of one man's paranoia. After an Interior Designing showroom owner/designer had an accident, 'Raouf' wakes ... See full summary »
Shortly after landing a job, Terry Allen is laid off, starts looking for another circa post September 11, 2001 media frenzy and paranoia with President George W. Bush stating that grief has turned to anger, anger to resolution, and that there are thousands of terrorists in over 60 countries ready to strike. With increasing reports of identity theft, the involvement of wealthy & educated foreigners in terrorist activities, Terry starts suspecting his new neighbor, a middle-easterner, who he stereotypes as 'raghead', 'camel jockey', and 'sand nigger'. His wife, Marla, does not share in his bigotry, but he believes that she has turned her attention from rock-stars to Jihadists. While looking for employment, as well as a loan to purchase a house, he also contacts the Federal Bureau of Investigation as he feels he has sufficient evidence that his new neighbor is structuring money, experimenting with chemicals, and associating with other middle-easterners for devious reasons. Written by
The cast has strong ties to Aaron Sorkin's television projects: Peter Krause starred as anchor Casey McCall in _"Sports Night" (1998)_, Richard Schiff was communications director Toby Ziegler on _"The West Wing" (1999)_, and Kari Matchett did a five-episode run on _"Studio 60 on the Sunset Strip" (2006)_ as attorney Mary Tate. See more »
All the news scrolls go from left to right, but news scrolls go right to left (at least in languages that read left to right) so you see the first words first. This makes it impossible to read. The filmmakers did this intentionally, and it's up to the viewer to decide why they did it this way. See more »
"Civic Duty" is like "Rear Window" for the post-9/11 age. Terry Allen is a recently laid-off accountant who, thanks in large part to an ubiquitous, sensation-seeking news media, has become increasingly obsessed with the "terrorist threat" plaguing the Western world. When a young Middle Eastern man moves into an apartment across the way, Terry immediately goes into surveillance mode, spying on his every move, following him around town, breaking into his home, and even reporting him to what Terry quickly learns, much to his dismay, is a decidedly uninterested and unconcerned FBI. Soon, his life and marriage are falling apart as he plunges ever deeper into his paranoia-driven madness.
"Civic Duty" starts off as a reasonably compelling psychological thriller, but the longer the movie goes on the more far-fetched and heavy-handed it becomes. Peter Krause, who was so subtle and effective as the star of "Six Feet Under," is forced to go so over-the-top in his performance here that we begin to fear he'll burst a blood vessel long before the movie is over. The underlining doesn't stop there, however, for Jeff Renfroe"s direction is filled with any number of hokey touches, including panning wildly or having the camera do virtual somersaults anytime anything even remotely sinister or suspenseful is about to take place.
The movie first points out how the media, obsessed with profits and ratings, finds it necessary to bombard us with a steady stream of potential terror threats, both real and manufactured, on an around-the-clock basis - and then questions what kind of effect such sensory overload might have on an already unstable personality. And, beyond that, might the media and the political class it serves be turning all of us, to some degree or another, into raging paranoiacs, ready to pry into our neighbors' private business in the cause of national security? Unfortunately, this provocative theme gets buried under a truckload of paranoid-thriller clichés.
Kari Matchett, Khaled Abol Naga and Richard Schiff ("The West Wing") do well in their various roles, but the movie, well intentioned though it is, falls far short of its potential.
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